Quotes of All Topics . Occasions . Authors
I especially remember that on All Souls Day, when so many people wanted new monuments for the graves, our whole family pitched in. I did the lettering on the stones, my brother did the carving, and my sisters put the finishing touches on them, the gold leaf and all that.
My first real business was bootlegging T-shirts - I was just a dumb kid. You go to a concert and pay $25 for a cotton T-shirt that says 'Rolling Stones,' 'Lollapalooza,' or whatever. On the outside they're 10 or 15 bucks. We were the guys selling them for 10 or 15 bucks.
For every stone that [Pablo Escobar] threw, he would get many thrown back at him and us, his family, because we were the most vulnerable. In these types of extreme situations, we learned about the consequences of violence and that is why we did not go down the same path.
And there is no living creature, though the whims of eons had put its eyes on boggling stalks and clamped it in a carapace, diminished it to a pinpoint and given it a taste for mud and stuck it down a well or hid it under a stone, but that creature will live on if it can.
Quite a few of The Rolling Stones records have had a great honesty about them. In fact, I would put them side-by-side with a 'Treasury of Folk Music' collection, containing all the prison songs, the farm and road-gang songs that were recorded on the spot in the Deep South.
We are here to witness. There is nothing else to do with those mute materials we do not need. Until Larry teaches his stone to talk, until God changes his mind, or until the pagan gods slip back to their hilltop groves, all we can do with the whole inhuman array is watch it.
I imagine if you had built the Newton Memorial outside Paris ... it would have undoubtedly shown the violence of 1870 and 1914 and 1942 and 1945 - even 1968! Consider building a vast cube of stone merely to register the effects of violence - marked and dated as an indictment.
Elvis Presley, The Rolling Stones, David Bowie and The Sex Pistols may come and go, but rebellion remains a key part of the rock n' roll experience. However, that rebellion - the outgrowth of a youthful search for independence and identity - doesn't always take the same form.
On any given day, I'm likely to be working at home, hunched over this keyboard, typing Great Thoughts and Beautiful Sentences - or so they seem at the time, like those beautifully flecked and iridescent stones one finds at the seashore that gradually dry into dull gray pebbles.
In every failure is the seed of success... Our failures are stepping stones in the mechanics of creation, bringing us even closer to our goals. In reality, there is no such thing as failure. What we call failure is just a mechanism through which we can learn to do things right.
I don't mind being older. I'm proud of my age. I've achieved a lot. It's the same thing with Mick and the Stones. They should be revered and respected. Isn't it strange that now we're living longer we have so much less respect for old age? Perhaps it's a less valuable commodity?
We don't want to be Mick Jagger and the Rolling Stones. That type of thing wasn't what we were after. It was most important for each of us to be equal in input and output - each of us has to pull the same amount, musically, in composition and in every sense of being in the band.
If I'm walking down the street, and if a person abuses me, the dignified thing to do is to keep walking, but if that person starts throwing stones into my home and affects the well-being of me and my family, then that silence is no longer strength; that silence becomes weakness.
Human intelligence discovered a way of perpetuating itself, one not only more durable and more resistant than architecture, but also simpler and easier. Architecture was dethroned. The stone letters of Orpheus gave way to the lead letters of Gutenburg. The book will kill the edifice.
I'd like to be remembered as the sower of seeds. That's the greatest parable in the bible as far as I'm concerned. Some seeds fall in the pathway, get stomped on and don't grow. Some fall on the stones and don't even sprout, but others fall on the ground and multiply a thousand fold.
Probably every band - you get back to like, The Stones are kind of the tough guys, Beatles are kind of psychedelic, Led Zeppelin was kinda mystical, The Who are kind of mods. You know, you just go right through. Everyone's kind of adopted their so-called persona or flavor if you will.
The very first concert I ever went to on my own was actually Rory Gallagher. In a one-month period in 1973 or '74, I saw him, Thin Lizzy and the Rolling Stones. I wasn't really a big Rory Gallagher fan, but I thought his guitar playing was fabulous. But Thin Lizzy, they were fabulous.
Plenty of people detested Michael Jackson before his death wiped away the world's collective memory. Timberlake was originally dismissed as just another boy-bander. Legions have joined in a 'Hate Anne Hathaway' movement. Elvis, the Rolling Stones, Kristen Bell, even Mozart had haters.
My first memory of the Rolling Stones is listening to 'Satisfaction' at a sixth-grade slumber party at a friend's house in Ankara, Turkey, where my family was living at the time. In the middle of our sleepover, my friend's dad stopped the record when he heard the words 'girlie action!'
Learning to forgive is much more useful than merely picking up a stone and throwing it at the object of one's anger, the more so when the provocation is extreme. For it is under the greatest adversity that there exists the greatest potential for doing good, both for oneself and others.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
You have to age gracefully. And that's what I love about Keith Richards. That's what I love about the Rolling Stones. They are aging gracefully. They are falling apart at the seams right before our eyes, and they are doing it gracefully. And that's the most beautiful thing that we can do.
Being a strongman is a real test of functional strength. What can you pick up, carry and how fast can you move it. It's not a weight room strength, it takes brute strength and power to lift, carry and pull all types objects from fire engines, Mack trucks, transport planes and large stones.
I don't find imitating other people's music easy at all. I remember being fifth in line for a Rolling Stones tour, early '90s, when Bill Wyman left, and I was hoping against hope that I wouldn't get the call to audition. I wouldn't be able to play a Stones song if you put a gun to my head.
The Beatles were no trouble... lots of girls. The Stones were black-jacketed guys, a rough crowd. A whole different scene between the Stones' black leather jackets and the Beatles' pretty-dressed girls with the ribbons in their hair, teenagers standing on the seats screaming, nothing broken.
From folk to tribal to Cab Calloway, Cole Porter, Gershwin to the Rolling Stones, whose first record was all covers, to country-western, bebop, blues, and even the referencing in classic hip hop to cliched love ballads of the '80s or whatever - that is kinda gone, and that's just terrifying to me.
In grade one and two, I was definitely into heavy metal and Satanic rock music, bands that had attributes that were quote-unquote 'Satanic,' even things like the Rolling Stones with 'Their Satanic Majesties Request' and 'Sympathy for the Devil,' but also like Motley Crue and Kiss and Alice Cooper.
The day before is what we bring to the day we're actually living through, life is a matter of carrying along all those days-before just as someone might carry stones, and when we can no longer cope with the load, the work is done, the last day is the only one that is not the day before another day.
Touch was important. The evening of the Third of July we would go around the neighborhood and look at the fireworks others had bought, taking them out of the brown paper sack and handling them cautiously as if they were precious stones. There was envy when we saw sacks with more in them than we had.
The Stone trembled and threw herself outward bound, toward Saturn. In her train followed hundreds and thousands and hundreds of thousands of thousands of restless, rolling Stones . . . to Saturn . . . to Uranus, to Pluto . . . rolling on out to the stars . . . outward bound to the ends of the Universe.
Things shouldn't hinge on so very little. Sneeze and you're highway carnage. Remove one tiny stone and you're an avalanche statistic. But I guess if you can die without ever understanding how it happened then you can also live without a complete understanding of how. And in a way that's kind of relaxing.
When an English man speaks well, for example now, and this is another way of putting us down, they say he's "eloquent" you see. "Oh, eloquent chap they are!" An Irish person speak well, they say, "Ah, you have the gift of the gab." "Ah, you kissed the blarney stone." You see, all of this putting us down.
People listen to The Beatles, but while they were muscially influential, they weren't culturally influential in quite the same way. You can go into the back of beyond in a little Indian village, and they will listen to Bob Marley. But they're not going to be listening to The Beatles or The Rolling Stones.
I was a kid that grew up listening to The Beatles and The Stones and Jimmy Page and Eric Clapton and Jeff Beck, and I wanted all of that in there. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. I'm just a sum total of all of the guitar players that I think were really cool.
It was a fatal day when the public discovered that the pen is mightier than the paving-stone, and can be made as offensive as the brickbat. They at once sought for the journalist, found him, developed him, and made him their industrious and well-paid servant. It is greatly to be regretted, for both their sakes.
The Rolling Stones have been the best of all possible worlds: they have the lack of pretension and sentimentality associated with the blues, the rawness and toughness of hard rock, and the depth which always makes you feel that they are in the midst of saying something. They have never impressed me as being kitsch.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
Elohim was, in logical terminology, the genus of which ghosts, Chemosh, Dagon, Baal, and Jahveh were species. The Israelite believed Jahveh to be immeasurably superior to all other kinds of Elohim. The inscription on the Moabite stone shows that King Mesa held Chemosh to be, as unquestionably, the superior of Jahveh.
I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'
The '60s in London obviously brought about the explosion of music, the 'Beatles' especially, and then the 'Rolling Stones' and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our 'nouvelle vague' in Britain, films that talk about real life.
Jaipur is the capital of Rajasthan and, in my opinion, the best place to visit. It is an amazing hub of history. It's called the Pink City because all the architecture has a hint of pink in the stones used. It's an amazing stop for all kinds of food but also for history and shopping. It has a little bit of everything.
Christ has something in common with all creatures. With the stone he shares existence, with the plants he shares life, with the animals he shares sensation, and with the angels he shares intelligence. Thus all things are transformed in Christ since in the fullness of his nature he embraces some part of every creature.
The Czech Republic, severed from its old Slovak half, sits in apparent landlocked contentment, inside the European Union but outside the troubled Euro Zone, set into the new Continental mosaic like one of the small sturdy paving stones, just a few inches square, that form the sidewalks under the visitor's ambling feet.
I ran to get my cassette recorder and sang 'We Got the Beat' into the recorder to document it. I knew I had written something special. It took two minutes. I didn't labor on the lyrics. It's a simple song, which goes back to the '60s, when I had my ears glued to the radio for the Stones, the Beatles, and the Beach Boys.
Growing up in the Libya of the 1970s, I remember the prevalence of local bands who were as much influenced by Arabic musical traditions as by the Rolling Stones or the Beatles. But the project of 'Arabisation' soon got to them, too, and western musical instruments were declared forbidden as 'instruments of imperialism.'
The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.
I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.
When I began to listen to poetry, it's when I began to listen to the stones, and I began to listen to what the clouds had to say, and I began to listen to others. And I think, most importantly for all of us, then you begin to learn to listen to the soul, the soul of yourself in here, which is also the soul of everyone else.
I learned mainly through television, but I learned how to do mosaic, where you can buy stones or things of that nature. But also where you bust the tile to decorate pots for flowers or table tops. Lots of different things. Wherever you want it, you can mosaic just about anything. It took me about two weeks to do a big birdbath.
My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.