We infer the spirit of the nation in great measure from the language, which is a sort of monument, to which each forcible individual in a course of many hundred years has contributed a stone.

We ought to love temperance for itself, and in obedience to God who has commanded it and chastity; but what I am forced to by catarrhs, or owe to the stone, is neither chastity nor temperance.

I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.

Our songs travel the earth. We sing to one another. Not a single note is ever lost and no song is original. They all come from the same place and go back to a time when only the stones howled.

I don't really have a lot of hip-hop and all of that, so I have a lot of John Lennon. That's one that I really like, and The Clash, the Rolling Stones, groups that I think are kind of timeless.

Well, I would hardly say I do write as yet. But I write because I like words. I suppose if I liked stone I might carve. I like words. I like reading. I notice particular words. That sets me off.

When I think of Mick Jagger still singing that he can't get any satisfaction in over forty years of being in the Rolling Stones, I have to conclude that he's either lying or not all that bright.

I take my hat off to people like the Stones, but it's not for me. I couldn't do that. Jagger is brilliant and long may he rock. I couldn't make my career out of old songs; it would do my head in.

Growing up in Hitchin was comfortable and easy enough. My parents had some great records - and some not-so-great ones - and that's where I got introduced to Motown and the Stones and Springsteen.

I grew up loving classic rock music - The Beatles, The Rolling Stones - and then one day I heard 'Baby One More Time' on the radio and I thought 'What is this?' I was eight and it changed my life.

Our habitual experience is a complex of failure and success in the enterprise of interpretation. If we desire a record of uninterpreted experience, we must ask a stone to record its autobiography.

Would that I were a dry well, and that the people tossed stones into me, for that would be easier than to be a spring of flowing water that the thirsty pass by, and from which they avoid drinking.

New York is eating young geniuses [businessmen] up alive. It's eating them up alive, Stone. And it's showing the beauty of the city, but it's showing the toughness and the viciousness of the city.

Cheeses crusty, got all musty, got damp on the stone of a peach,” I agreed. He looked blank, so I repeated it with proper emphasis. “ ChEEZ-zes crusty. Got Al -musty. Got DAMp on the StoneofapeaCH.

For the scientists, they're kind of puzzled and pleased that somebody finds their work interesting. It makes it fun for me. I feel like I've sort of turned over a stone that hasn't been turned over.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

If you look at Keith Richards' hands, from the Rolling Stones, they're these gnarled, arthritic - it looks like people beat his hands with clubs. It's amazing there's so much character in his hands.

I don't know many women who can relate to Sharon Stone and the kind of movies she does. I don't know a lot of guys who can relate to Tom Cruise's movies because they're on a kind of fantastic level.

From the happy expression on their faces you might have supposed that they welcomed the war. I have met with men who loved stamps, and stones, and snakes, but I could not imagine any man loving war.

Zeroes are important. A million seconds ago was last week. A billion seconds ago, Richard Nixon resigned the presidency. A trillion seconds ago was 30,000 BC, and early humans were using stone tools.

I didn't want to stay in the Stones, and be stuck in a position having to play a music I didn't like anymore and that restricted me from doing all the others things I'm interested in because of time.

I feel like my peers now are artists like Madonna and the Stones, Michael Jackson and Prince. These are people who were able to take their careers beyond the normal here-today-gone-tomorrow life span.

Rolling Stones, Beatles, we gave them all the break they were looking for. All they needed was a good opening act, and we went out there and performed as well as we could... over 15,000 kids chanting.

Dave Matthews, Tim McGraw, U2, The Rolling Stones - there are a lot of artists selling out stadiums around the world that we work with regularly. And end up making most of our money with those artists.

The Stones don't really need to do it for money, so they must get some kind of pleasure out of it. They're not like a group that's disbanded and gone away and made a comeback. They've always been there.

My dad influenced my musical taste. I grew up listening to Bob Dylan and The Rolling Stones and a bunch of rock music from the '60s. Now, instead of watching TV, I'll play a record from start to finish.

I did a cover for Rolling Stone the other day and it was a kind of crazy lack of outfit. I thought, "Oh, Lord. I'm never going to be Jane Austen in a film now!" 'Cause that's what I'd really like to do.

I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.

I felt violated after certain scenes in the movie [Stone]. She [Lucetta] is a tough character. The choices she makes, especially her sexual choices... it was hard for me to put myself out there like that.

I guess I feel like it's a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it's a small role, it's a gift to be working that closely with them.

Little remnants from everywhere I've been are scattered around my home. I collect rocks in a weird way, with stones from around the world as mementos. I've also got three haranas, which are little guitars.

We are shoulder to shoulder due to the size of the cab, and if Gratton is made of flour and potatoes, Sean is made of stone and driftwood and possibly those prickly anemones that sometimes wash up on shore.

But we weren't a phenomenon like the Beatles or Elvis Presley or the Rolling Stones: We were only as good as our last hit. We lived on our music and couldn't slide on anything - and this show is that story.

If you were looking at where you would like your career to go, then you would have to cherry pick The Stones. People love coming to see them. They are it, they are the most definitive rock n roll band ever.

You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.

Every experience deeply felt in life needs to be passed along. Wheather it be through words and music, chiseled in stone, painted with a brush, or sewn with a needle, it is a way of reaching for immortality.

I learned to play piano in a rock n' roll context or band context from country records - you know, Floyd Cramer - and from the Beatles and the Rolling Stones and Stax. And none of those are keyboard records.

It doesn't really change, actually. I think The Rolling Stones have gotten a lot better. An awful lot better, I think. A lot of people don't, but I think they have, and to me that's gratifying. It's worth it.

What you gain in internal knowledge goes from one lifetime to another. It is not wasted. Unlike those stone edifices that will fade, your internal knowledge will stay with you from one incarnation to another.

God has made no one absolute. The rich depend on the poor, as well as the poor on the rich. The world is but a magnificent building; all the stones are gradually cemented together. No one subsists by himself.

The sticks break, the stones crumble, The eternal altars tilt and tumble, Sanctions and tales dislimn like mist About the amazed evangelist. He stands unshook from age to youth Upon one pin-point of the truth.

I keep telling you the future isn't set in stone. It's not all decided yet. The future is just what's down the road we decided to walk on today. You can change roads anytime. And that changes where you end up.

You throw a stone into a deep pond. Splash. The sound is big, and it reverberates throughout the surrounding area. What comes out of the pond after that? All we can do is stare at the pond, holding our breath.

Everyone knows Newton as the great scientist. Few remember that he spent half his life muddling with alchemy , looking for the philosopher's stone. That was the pebble by the seashore he really wanted to find.

'Tis true there is much to be done, . . . but stick to it steadily, and you will see great effects, for constant dropping wears away stones . . . and little strokes fell great oaks, as Poor Richard says. . . .

I was so busy with my studies that I didn't have a musical idol as a teenager. Later, around my 20s, I suddenly discovered the Beatles and the Rolling Stones but I guess my musical idol has always been Strauss.

I went on tour with the Rolling Stones in 1972 for two or three cities. And in 1975, I was the tour photographer for the Rolling Stones. I hung onto my camera for dear life. Because it scared the hell out of me.

N.W.A had something in common with the Rolling Stones and MC5 and groups like that: the voice of rebellion. It's rebellion against your parents. It's rebellion against the system. It's rebellion against society.

Crystals grew inside rock like arithmetic flowers. They lengthened and spread, added plane to plane in an awed and perfect obedience to an absolute geometry that even stones - maybe only the stones - understood.

I remember the evacuee children from towns and cities throwing stones at the farm animals. When we explained that if you did that you wouldn't have any milk, meat or eggs, they soon learned to respect the animals.

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