Stone Quotes - Page 11

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In 'Casino,' there was this scene where Bob De Niro tape-records Sharon Stone's phone call. Then he asks her about where she's going, and he catches her in a lie. It was a great scene, especially for Bob's work, but we found that, in light of the whole film, it wasn't needed.

Temptation, if it is not to conquer, must not fall like a bomb against another bomb of instantaneous moral explosions, but against the strong walls of an impregnable fortress strongly built up, stone by stone, beginning at that distant day when the foundations were first laid.

In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.

There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a lighter, different approach.

The great thing for me about 'The Resurrection of Gavin Stone' is it's a throwback to the old fashioned Hollywood movie that you can watch with your family, has a message, and is funny and entertaining. They didn't call them faith-based movies; they just called them good movies.

'Rolling Stone,' my first single, was only a hit in Portugal, but when we recorded my second single, 'Can The Can,' I got that hair-on-the-back-of-the-neck feeling, and I knew it would be huge. It topped the charts in the U.K. and Australia in 1973, and I got my first gold disc.

But when I'm losing a few matches, suddenly 'It's his fault', 'He doesn't want to practice', 'He doesn't need it', 'He doesn't care'. And when everything goes well, there are people coming behind the stone, saying, 'Oh, my God, he's back finally, and I was there to help him out'.

As far as rock groups, I really like Stone Temple Pilots. As for classical composers, it's Bach. I love Paganini, too, the Italian composer who would break strings during a performance and finish playing on just one string. Someone I would have loved to play with is Jimi Hendrix.

When my editors and I at 'Rolling Stone' came up with the idea to do a profile of General McChrystal, I simply just e-mailed General McChrystal's press staff, said we wanted to do a profile, and said if you could give us any time to hang out with the general, that would be great.

My grandfather was the king of a region in western Nigeria, where I had the privilege to live for seven years while growing up. But what we think of as royalty in the U.K. is very different to royalty in Nigeria: if you were to throw a stone there, you would hit about 30 princes.

Man is alone everywhere. But the solitude of the Mexican, under the great stone night of the high plateau that is still inhabited by insatiable gods, is very different from that of the North American, who wanders in an abstract world of machines, fellow citizens and moral precepts.

What makes us human depends on what place on our evolutionary path we're talking about. If you go back six million years ago, what makes us human is that we were walking upright. That's all. If you go to 2.6 million years ago, it's the fact that we're designing and making stone tools.

I'm a fan of Oliver Stone. I like his movies, I like his excess, and I think he has a great capacity for empathy and it comes out more powerfully in this movie than in any of his other films, even the formal 'I'm identifying with the underdog' movies like 'Born on the Fourth of July.'

It's kind of a lost art form, the musical, in a way, so when 'La La Land' came around, I couldn't believe my luck. I just felt like I needed someone to keep on pinching me 'cause not only was it a chance to make a musical but to work with Damien Chazelle, Emma Stone, and Ryan Gosling.

At the very least, you must make the Internet free in areas that are poverty-stricken. Without the Internet and access to information, poverty-stricken households will never catch up to households above the poverty line - throwing the African-American community deeper into the stone ages.

Every first thing is always a miracle. The first person you fall in love with. The first letter you receive. The first stone you throw. And in my conception of the novel, the letter becomes important. But what's more important is the fact that we need to continue to tell each other stories.

Legendary photographer Annie Leibowitz persuaded us to pose in our underwear. When the magazine hit the stands we were horrified to see the caption 'Go-Go's Put Out.' Regardless, I was extremely excited to see us at every newsstand on every corner, our faces on the cover of 'Rolling Stone!'

And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.

Since I was 18, I've been under orders from magazines and newspapers - chiefly The New York Times and Rolling Stone - to step into the lives of musicians, actors, and artists, and somehow find out who they really are underneath the mask they present to the public. But I didn't always succeed.

One time, when I was really young, my dad and brother were watching 'Team America,' the Trey Parker and Matt Stone movie. I walked in and they didn't know I was there, but I got really freaked out by the marionettes - just the look of them, their mouths, those grins. That cemented in my brain.

A molcajete is a stone mortar and pestle from Mexico. They're great for grinding spices and making salsa and guacamole because they give everything a nice coarse and rustic feel. I've never collected anything, but I think I might start collecting these because each one is decorated differently.

To experience the northern forest in the raw, I went to northern Finland and Lapland, travelling on horseback, and sleeping on reindeer skins in the traditional open-fronted Finnish laavu. I ate elk heart, reindeer and lingonberries, and tried out spruce resin: the chewing gum of the Stone Age.

Before a show, I usually give myself two-and-a-half hours to get ready. I prepare my shoes first. New ballet pumps can sound like tap shoes. You have to take the noise out of them by hitting them against stone. It takes half an hour to do each pair, and I can go through three pairs in one night.

Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.

There's a certain darkness to Slipknot, but at the same time, there's a very strong dose of positivity. Stone Sour is the same way. There's a certain melancholy that comes with the slower stuff, but at the end of the day there's also that other side that is very positive. It's all how you deliver.

To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.

The unreal is more powerful than the real, because nothing is as perfect as you can imagine it, because it's only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles, wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on.

I learned that the first technology appeared in the form of stone tools, 2.6 million years ago. First entertainment comes evidence from flutes that are 35,000 years old. And evidence for first design comes 75,000 years old - beads. And you can do the same with your genes and track them back in time.

As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.

I don't feel that no big stone should be put over my head, saying he did this, he did that. Unless there's something that I really did do. I believe I'm just ordinary. And I'd like for people to think of me that way, as just a guy that tried. Wanted to be loved by other people because he loved people.

The Alzheimer's Association in the United States, founded by Jerome Stone, they found me because they had heard rumours that my mom was diagnosed. Jerry said, 'We're a small family group, and we would like to know if you'd like to join us and to spread the word about this disease.' I said, 'Absolutely.'

I don't think anything can prepare you for the 'Strictly' experience. It really is insane. I mean, I played football, rugby, American football. I go to the gym. I like to think I'd be quite fit, and I don't have much fat on me to lose, and yet I still lost a stone and half and three inches off my waist.

I measure success in terms of the connection with the audience, which we've been able to do in spades. I mean, it's very hard to do that. You think about it, you go back in time, you can say, 'Well, there's, like, 'Saturday Night Live' and 'Rolling Stone' or 'MTV.' I think 'Vice' is in that category now.

As a late teenager, I had some puppy fat on me, and I noticed that I could put on weight. I have always been very disciplined because my mother was very beautiful, a very pretty woman, but she was immobilised by obesity. At her biggest, she was about 17 stone. And she was always on some sort of fad diet.

There are loads of actresses that modelled. They just weren't famous. There weren't a lot that were really known as models that became actresses, but there are hordes of them that did modelling before such as Anjelica Huston, Jessica Lange, Sharon Stone, Demi Moore and Geena Davis. There are loads of 'em.

I saw 'Rolling Stone' magazine once, and they were talking about the top 50 songs, and there wasn't one Sly song; how does that happen? But, Sly isn't the type to brown nose for props. He's always known what he had, what he was capable of; I'm just proud that he took the time and effort to put it to music.

Colin Powell has said over the years that Saddam Hussein is like a toothache. It recurs from time to time, and you just have to live with it. At other times, he's compared Saddam Hussein to a kidney stone that will eventually pass. But he has never said, 'You have to operate and take out the kidney stone.'

The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.

I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twists and turns of an artistic career.

I love Rome for their calzones and New York City for the variety of quality eateries, but I absolutely fell in love with Miami for the stone crabs at Joe's just off Ocean Drive - the best I've ever had, and the Cajun food. The steaks out there are colossal - it's like having a shark and a cow on your plate.

It's pretty crazy. I was thinking about that today, how 'True Blood' has penetrated so much of the cultural zeitgeist. It's truly amazing; it's incredible! The cover of 'Rolling Stone' is major. What's next, the cover of 'Vanity Fair?' When I'm in a 'New Yorker' cartoon, then I will feel like I have made it.

You've got to turn over every stone; you've got to look for every advantage. You need to make sure you're doing everything you possibly can, not just on the field but off it, to give your team an advantage - from having a sleep expert coming to talk to your team to having an independent analysis of your team done.

I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.

I was the illegitimate child of the legitimate theater. I had no training. I came from downtown rock and roll, and when I came in and auditioned for the Broadway revival of 'Hair,' I had no eyebrows - kind of a Bowie-esque glimmer kid. And it was hard representing the flower power era when we were stone cold punks.

I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.

Diesel coming down with shades, being seven feet tall with an all-black outfit on and the gloves; The Rock when he was wearing $800 Versace shirts; and Stone Cold, obviously, with the way he carried himself and the way he spoke and holding the microphone - these are the things that made me want to become a pro wrestler.

Although prefabrication has a long history - the ancient Romans shipped pre-cut stone columns, pediments, and other architectural elements to their colonies in North Africa, where the numbered parts were reassembled into temples - the idea took on a new impetus with the technological advances of the Industrial Revolution.

If Europe does not understand that our sister continent, Africa, a stone's throw away, is going to face a demographic explosion, if there is no real economic and political restructuring, if we do not understand we have a collective responsibility for Africa, there is not a fence high enough to stop people coming to Europe.

One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.

I don't want to be the cranky old guy, but a lot of critics are too forgiving of mediocre artists. When you see these 'American Idol' people on the cover of 'Rolling Stone' being written about as serious artists, there's something wrong with that. You can erase them from the history of rock n' roll, and you wouldn't notice.

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