I stick to my guns - that's what keeps me going as an artist. Stevie Wonder never changed from what he wanted to do, and each new album that came along was dope.

I grew up listening to the greats of the '80s and, thanks to my parents, the '70s - the Doobie Brothers, Stevie Wonder, Ray Charles, Luther Vandross, Lionel Richie.

There is something complete about Stevie Wonder, and one senses that he is not only exceptionally important today, but will continue to be for as long as he chooses.

My parents listened to a lot of music when I was really little. They used to listen to people like Michael Jackson and Stevie Wonder and I used to be really into that.

I think we've debunked the myth of talent. It doesn't appear that there's anything like a music gene or center in the brain that Stevie Wonder has that nobody else has.

I can't ignore what I grew up listening to. My parents used to listen to Michael Jackson non-stop. They used to listen to Luther Vandross, Lionel Richie, Stevie Wonder.

I have been known to play a few rounds in my time. I'm not obsessive; I don't play in the dark, but even that's not out of the question because Stevie Wonder is also a golfer.

I've always wanted to be mentioned in the same sentence or at the same time that you say Quincy Jones or you say Stevie Wonder. I never thought that could possibly ever happen.

The guys that I look up to - Marvin Gaye, Stevie Wonder - were always in touch with an emotion that is familiar to every man: the emotion of love for a woman. That's what I do.

Meeting Stevie Wonder was a massive, lifetime achievement for me. He's one of the sweetest people. I sense a kindred spirit in him, and I hope he'd say the same. Actually, he did.

I mostly listen to very popular songs. But I'm a huge fan of Stevie Wonder, and I love jazz - Glenn Fredly, Diah Lestari - so 80% jazz, 20% mixed with everything - disco, hip hop.

I'm a true believer that unless you're Prince or Stevie Wonder - and even Prince is showing that he needs help - not everybody can produce themselves. I'm definitely not that person.

You knew the difference between Barbra Streisand and Aretha Franklin, Stevie Wonder and Ray Charles, straight away. Now everyone sounds like each other, and I don't think that's right.

I like pop music, especially Crosby, Nash, Stills and Young, Stevie Wonder and Paul Simon - he's broken up with Art Garfunkel hasn't he? - but I can't study while pop music is playing.

I spent a lot time with my siblings because there weren't too many young people on our block. We were our own best friends: making dances to a Stevie Wonder songs and singing with my mom.

Early inspirations included Michael Jackson, Prince, Stevie Wonder, Donny Hathaway, Marvin Gaye, Lionel Richie... Those were the people I actually wound up studying just to hone my craft.

We had some Stevie Wonder and Luther Vandross, but there's a lot of hip-hop and other black music that I just never grew up on. My parents didn't listen to anything other than black gospel.

Lauryn Hill, P-Funk, Marvin Gaye, Public Enemy - I have a very diverse palate for music. I can go from Judy Garland to Jimi Hendrix to Stevie Wonder to Rachmaninoff. I just love great music.

Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.

Nobody put the camera on the background singers who were singing. It was on Stevie Wonder. It was on Elton John. It was on whoever was the lead singer out front. We were 20 feet from stardom.

I grew up in the '70s, and I hear in my own stuff a lot of what I grew up listening to, which is to say I hear a lot of Billy Joel, Paul McCartney, Carole King, Joni Mitchell and Stevie Wonder.

I grew up in Marcy Projects in Brooklyn, and my mom and pop had an extensive record collection, so Michael Jackson and Stevie Wonder and all of those sounds and souls of Motown filled the house.

I was living with my mom in a tiny apartment in Chula Vista, near Third and H Street behind the 7-Eleven. It was crazy to be on the phone with Stevie Wonder. I felt like a meteor hit our apartment!

The world of Stevie Wonder - in particular, the kind of overflowing joy that exists in every single thing I've ever heard him do, every note he sings - that is so deeply inspiring to me in every way.

I'm influenced a lot by Nina Simone, Stevie Wonder, even Paul Weller - Billie Holiday as well: People who wrote and sang songs that were reflective of their times. I quite like that. I quite admire that.

Stevie Wonder, he was in a party. They introduced me to him. I didn't know that he had like a accent... or that is just how he talks. He was real cool. Kinda chopped it up... It was cool, good experience.

I think I'm more influenced, just in general, not by blues artists, but more by stuff from Curtis Mayfield, Stevie Wonder. Stevie Wonder is probably my biggest musical influence of all. And Donny Hathaway.

'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.

I heard Smokey Robinson was singing one of my songs on the radio the other day. Being in the presence of Mavis Staples, Erykah Badu, Jill Scott - Stevie Wonder joined me on stage recently. That blows me away.

Probably my favorite artists to listen to James Taylor, Stevie Wonder - I haven't gone back in a really long time and really listened to them - my first guitar influences. It's been awhile since I revisited that.

'The Muppet Show' was huge. I watched it all the time as a kid, and I really loved the way they used music on that. I also remember hearing the radio in the car as a kid, like Stevie Wonder and Simon and Garfunkel.

For me, the '80s was great because you had Boy George, Michael Jackson, Stevie Wonder, Prince, and Cyndi Lauper. No one put boxes saying this is urban, this is popular, this is underground. It was just good or bad.

I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.

I had the great opportunity to work with some of the greatest artists - the Beach Boys, the Temptations, the Four Tops. Otis Redding. Wilson Pickett. Stevie Wonder. So many great singers. And don't forget Clarence Carter!

I grew up in South Carolina. A lot of what I remember back in the day is AM radio. When I was a kid, you could hear Stevie Wonder and Buck Owens on the same station. All the walls and lines between music were taken down for me.

I love producing, writing. I rarely write with other writers unless I have a real great respect for them. Like Burt Bacharach, or Carole Sager, or Stevie Wonder. Somebody like Smokey - like that. Otherwise, I choose to write alone.

I grew up listening to a lot of hiphop music and R'n'B. Bands like A Tribe Called Quest, De La Soul, Big Daddy Kane, Boogie Down Productions, Cypress Hill, New Edition, Bob Marley, Prince, Stevie Wonder, and a lot of Spanish music.

I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.

Raphael Saadiq said to me, quite often, that Chuck D was his history teacher. And so he got a lot from the music, things that he wasn't getting maybe in school. And I feel the same way with regards to Earth, Wind & Fire, Stevie Wonder.

I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.

I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.

The one thing about Essex is that there's a lot of people there that are into their soul music. And I'm talking '80s and '70s soul music, that was a big part of my childhood, there was Al Green, Luther Vandross, Stevie Wonder, people like that.

I love Radiohead, which most people don't expect, and I listen to everything from Stevie Wonder to Steely Dan, Carole King, The Beach Boys, The Kinks, Beyonce Knowles, Vampire Weekend, The Beatles, Joni Mitchell, Burt Bacharach, and Paul Simon.

I don't know exactly what genre to put it in, I just know that I grew up listening to a lot of soul music - Stevie Wonder, Michael Jackson, Prince, and Whitney Houston. I was inspired by all these great big voices, and I try to do music that's timeless.

We can watch videos of our whole journey - from old tours to doing the AMAs (American Music Awards) in 2013 and through the 'Star Wars' medley or when we sang with Stevie Wonder on the Grammys. I just sit back and say, 'I can't believe we did all this!'

A lot of music influences me in other ways than this, but I've always taken a lot of influence from Stevie Wonder, Frank Ocean, and Jeff Rosenstock for the Rex music. They were also the first three artists that released albums where I enjoyed every song.

I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.

My father was in a dance band, and I wanted to do what he did, play the saxophone, but I couldn't blow a note, so he suggested the guitar. Chromatic harmonica was actually my first instrument, and I got very good at it - not quite Stevie Wonder, but very good.

I remember listening to 'Songs In The Key Of Life' as a kid. Stevie Wonder has an ability to manipulate pop into something globally obtainable. Anyone can listen and enjoy it because there's something for everyone. That woke me up to the possibilities of pop music.

Just coming from a musical family, I was always surrounded by it. On the car rides to school, my mom loved playing A Tribe Called Quest and the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band,' and then my dad was listening to a lot of Bill Withers and Stevie Wonder.

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