When people start thinking of you more as a persona, they are less inclined to allow you to move into different areas. Sometimes they're wrong. Sometimes they're just very stereotypical or restricted in their own thinking of what they'll allow you to do.

The only reason I would stay away from a period piece is because sometimes the women are painted in a very stereotypical weakling, wallflower way - that's something I don't want to do. I want to show strength in the women I play, and a journey of some sort.

I don't feel like I've ever subscribed to the stereotypical notion of success. I've always equated success with having integrity, conducting yourself with compassion and honesty, and following your heart despite whether or not you ever make any money at it.

Somebody could look at me and go, 'She's dressed black,' or 'She's behaving in the stereotypical way of a black lesbian.' But this is how I feel most comfortable. This is my authentic self. I want the freedom to be that regardless of how someone interprets it.

I'm actually not making fun of my real parents. I've taken stereotypical traits of my real parents, my aunts, my uncles and parents of every race and put them into these two characters, who are just over-the-top ridiculous and super-alpha parents about everything.

It's one thing when other African-Americans try to threaten my race card, but when people outside of my ethnicity have the audacity to question how 'down' I am because of the bleak, stereotypical picture pop culture has painted for me as a black woman? Unacceptable.

There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.

I turned down a lot of parts, and I ate a lot of canned tuna for dinner because I was just like, 'No, I don't want to do that; no, that's awful.' But sticking to my guns paid off, and I can look back now and be proud that I refused to take any stereotypical Asian parts.

I do enjoy a bit of the fantasy world that anime provides, but at the same time, I need the reality in it. I'm very much a stickler about the actual animation. I'm not into the cutesy, stereotypical animation with big eyes and a small chin. That annoys the hell out of me.

Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.

Facebook lets me be lazy the way a man in a stereotypical 1950s office can be lazy. Facebook is the digital equivalent of my secretary, or perhaps my wife, yelling at me not to forget to wish someone a happy birthday or to inform me I have a social engagement this evening.

Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.

Every job I've done so far, every character has been completely different, and that's really important to me because I don't want to fall into a stereotypical box. Of course, every actor has their box, and you have to respect and play for it, but I do love challenging myself.

Canberra was my home for many years, and there's a lot to love about it. It has a small population with a strong sense of community and is top-heavy with interesting, highly educated, socially progressive people - the opposite of the stereotypical image of dull public servants.

I think I was more just not comfortable with saying it. I was also in denial. I was like, 'I'm not gay, am I?' Cause I think, also the fact that I didn't fit the stereotypical mold of what a lesbian is supposed to be or act, I was just this girl that nobody would have expected.

If I hadn't left South Africa, I felt I was at risk of being pigeonholed. I looked around and saw actors who, 10 to 15 years into their careers, were still playing stereotypical Afrikaans characters, stereotyped Indian characters. That was not something that I wanted for myself.

When I came out publicly, some photo editors had a field day searching for pictures of me with a limp wrist or some other stereotypical gay signifier - as though, after decades in the public eye, they'd suddenly come across a trove of shots where I looked like a Cher impersonator.

'Crash' is a movie about the racial tension that still exists in America. A lot of us pretend that we don't have preconceived notions and stereotypical ideals about each other, but we do. And we wanted to create a movie about people whose lives crash into each others' accidentally.

My biggest fear in writing 'Gossip Girl' was that the characters would sound like stereotypical rich, air-headed heiresses. These were my friends. They were smart and multifaceted. They had interests and passions. They wanted to become lawyers and doctors and writers and filmmakers.

I hear actors complain about being stereotyped, and a lot of the time, you have yourself to blame. Just don't take the part if you feel like it's a stereotypical part for you. You have control over your life. We don't have the old studio system, where you have to do what they tell you.

It's important that I work with people where they know why they're hiring me and that they're looking to create art without fear. Anyone who uses those excuses to not cast people or to create extremely stereotypical characters, they're creating out of fear, and to me that's really boring.

I'm trying to break the stereotypical role now of the Theo-type character because, in my post-'Cosby' life, as I call it, I don't want to be known as just the kind of guy who can play a Theo Huxtable-type character. I want to be known as being able to do more things, being able to stretch.

'Top Boy,' for some people, was very controversial because it seemed to be portraying black people in a certain light that they thought to be stereotypical. However, what I would say is that the writer went and lived in Hackney in East London for a long time and did his research really well.

A lot of times, female characters - particularly the villains - come off as very one-dimensional. They get the short shrift in that they're only given the snappy comeback, or they're relegated to a very stereotypical role. I want to know what's driving them - that's what's really interesting.

I'm a doer and I just want to do it. Whatever attitudes, prejudices, stereotypical ideas that are in front of me, I will break them. But the only way I can break them is by getting a job, and if I need to start in the gutter, I will start in the gutter and work my way up. Money isn't an issue.

I was journaling in Florence, and I was like, 'Oh, I have to come out of the closet. I have to break up with this guy' - he was my 'roommate.' So that was my awakening moment, when I stepped into my own skin while in a foreign country by myself and had a very stereotypical moment of revelation.

Drax isn't your average stereotypical soldier/warrior/musclehead. He actually has some depth. It was a character that I wanted to play, not only because I love acting so much, but also, I needed to play to get people to actually take me seriously as an actor and get away from the pro wrestling label.

I portray female characters, so I have the opportunity to change the way people look at them. Even if I wasn't consciously doing that, it would happen anyway just because of how I present as a woman, or as a person. I present in a way that's not stereotypical, even if I'm playing a stereotypical role.

You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.

But everyone comes to Hollywood hoping to get a role people are going to remember them for, and I get girls saying I was their first crush, or Asian guys saying Rufio was the first time they saw an Asian kid on-screen that wasn't nerdy or stereotypical, so I was lucky the character that resonated was cool.

ABC's intelligently hilarious sitcom 'Modern Family' depicts a gay-male marriage in which both partners are refreshingly dimensional, believable human beings. The writers dare to make them flawed and thus fully delineated, but they're not flawed in the silly, stereotypical ways that once dominated such portrayals.

I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.

I think often we like to talk about the strength of black women, and really, that can become an interesting stereotypical trap - that these women are so strong, that they don't fear anything, they don't need help, and they have no vulnerabilities. Well, that's not a human person! That takes away a lot of the humanity as well.

When I started coming to the U.S., they were offering me only the typical stereotypical roles: the druggard, the criminal, the gang member, or in the best-case scenario, the gardener or the cook. I was fed up with all these roles that were always the same. And I promised I would try to change the image of Latinos in Hollywood.

For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.

Especially after the Twin Towers, we're so terrified of 'Arabic' people. And talk about stereotypical negative portrayals of people of certain groups, if you look at the portrayal of Arabic people in Hollywood films, it's just appalling. They've always been just the easiest of targets - along with native Africans and what have you.

I feel that we, as Indians, have a knack for loving a stereotypical, sobbing, sympathy-seeking personality. I feel that we need to promote quirky, cool and youthful talent. We have to stop propagating the sob-story angle of celebs, where they try to be larger-than-life. That is very outdated. It is so boring that it puts you to sleep.

The fashion industry is often charged with having kept its blinders on as one Seventh Avenue company after another lost employees to AIDS. Consumers, it was feared, would shun the racks of designers whose names were associated with the disease. And to stand up against AIDS would, in many minds, confirm the business's stereotypical image.

My hair was curly, and everyone else's was straight or in micro braids. I didn't have a lot of money, so I shopped at thrift stores. And I'm petite - I never looked shapely. I remember thinking, 'Will I ever have that stereotypical round, full butt that people think most black women have? I had to find another way to feel good about myself.

With just one polka dot, nothing can be achieved. In the universe, there is the sun, the moon, the earth, and hundreds of millions of stars. All of us live in the unfathomable mystery and infinitude of the universe. Pursuing 'philosophy of the universe' through art under such circumstances has led me to what I call 'stereotypical repetition.'

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