Quotes of All Topics . Occasions . Authors
Prince is the ultimate performer. Prince is that dude that's going to get on stage by himself, if he need to, but hold you in the palm of his hand. Like, you can't take your eyes off the man when he's on stage, and he could just be sitting there playing his guitar.
Film is mostly a visual medium, and so the director has much more control in terms of painting pictures and painting a performance. For theater, the director does everything he can and then says, 'Out you go,' and the actors are in charge of that stage every night.
I always, always meant to be on stage. I only ended up even auditioning for television and movies because I was understudying a Turgenev play on Broadway and was so broke that, when I got a mini-series, I had to take it and was so ashamed because I was such a snob.
I am somebody who is very comfortable on stage because I have been performing since childhood. I have done a lot of public events as well, though there is a huge difference in my performances today and the ones from my childhood, as earlier, I used to sing bhajans.
At the end of the day, what people want from me is to get up there on that stage and make them feel powerful and give them a release for an hour and a half or two hours every once in a while. And if I'm still able to do that, hopefully I'm still making people happy.
I love being around my friends and my family and spending time with my husband. I like being normal and recharging my batteries, and I feel like I have the coolest job in the world where I get to get on stage and perform and get to do a lot of really amazing things.
I've always avoided publicity. I've never been good copy at any stage of my life. I don't strive for it, because I don't think it's important whether I'm good copy or not. The two can go together, if that's your personality, but every person on this earth is unique.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
Men are at every stage of evolution, from the most barbarous to the most developed; men are found of lofty intelligence, but also of the most unevolved mentality; in one place there is a highly developed and complex civilisation, in another a crude and simple polity.
I know some people are like, 'I'm depressed, and I'm a struggling artist,' and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write.
I walk on a stage, and I know if it's been a good show or not. You know when it's been a good interview. No one has to tell you. You know it. You feel it. You can feel the air. You can feel everything about it when it's a good show. And you know when you've messed up.
When you're on stage and the stars are aligned and the audience is as one and you're guiding them, steering them... It's a feeling of incredible potency, of unity, of such, such joy. It's almost overwhelming to know that you're making that number of people feel better.
As an adolescent, I was painfully shy, withdrawn. I didn't really have the nerve to sing my songs on stage, and nobody else was doing them. I decided to do them in disguise so that I didn't have to actually go through the humiliation of going on stage and being myself.
China is a developing country with a huge population, and also a developing country in a crucial stage of reform. In this context, China still faces many challenges in economic and social development. And a lot still needs to be done in China, in terms of human rights.
I'm too impatient to wait for things to happen to me. If I should be out of work for two months I would go crazy. So as soon as I'm free, I start writing. While it is necessary for me to write, I know that if I go too long without acting on the stage I don't feel well.
I trained for the drums for about two weeks, and then rocking out in front of an entire crowd was sort of like a dream come true. And now, Guitar Hero, I can't do that anymore. It's nothing like doing it on stage. I kinda wish I had a fake band, and we could go on tour.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
The time is coming when the pressure of population on the means of subsistence will be felt here as it is now felt in Europe and Asia. Then will the world enter upon a new stage of its history - the final competition of races, for which the Anglo-Saxon is being schooled.
I was convinced that acting was for fools. I was on the stage when I was eight with my father, he was playing one of those Greek blind guys that sees things and warns people, whilst I was in a blue skirt. I think there were 5,000 people in the theatre, it was ridiculous.
When what we introduce into the children's world of ideas and feelings is in line with the direction of the developmental forces of a given stage of life, we strengthen the entire developing person in a way that remains a source of strength throughout that person's life.
I guess I'm lucky in that I started working very young in all three of the mediums. I started in stage first, and then I moved into film, also very young, and when I did 'Taxi,' for instance, it was live in front of an audience but also filmed; that was a fun combination.
I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the adrenalin to perform.
When you've travelled for 34 years as a musician, you do all the culture stuff when you're young and full of energy. In the middle stage, you indulge too much and are scared of daylight. Then, in the final stage, you've seen it all, so you tend to take things a lot easier.
What I found about 'Nashville' coming in is it's about these small performances. It can be on a big stage but detailed, small, heartfelt, real performances from musicians and singers. So if you try to do something bloated or showy, the directors dial us in and let us know.
I wanted to develop a hypnosis show that no-one had ever seen before, so I made it very topical and interesting. I've created a UFC fight night every night on stage, where I hypnotise twenty people into thinking they're mad, crazed UFC fans, and the energy is unbelievable.
We have little bags we pack specifically for touch-up makeup if you're chosen for the top 16. I knew I had to sneak in my banana because nothing calms my nerves like it! I don't know if it's the potassium, but I need it before I get on stage because it always calms me down.
I have minor characters who are Asian-American, and I've been using them throughout my career, but they've never taken center stage, they've never been really powerful, they've never expressed some of the experiences I had growing up in the U.S. Johnny Tam is the first one.
I've had jokes stolen a thousand times. But if you can do it better than me, you can have it. I've had jokes stolen from me in the club when I'm next on stage. And my brain will start to turn, and the gears will start turning, and I'll go onstage and create a whole new bit.
When you are making a record and if you spend too much time over it, you have to record it a tone lower or cut the tones lower because you can't reach some of the notes, I find this. But when you go on stage, you have to put the key up and it really changes the whole thing.
Kevin Hart. He's the man! I like his style. He's short, so I can relate. All the stories he tells are real. I respect that, and he's just a really funny dude - great comedy instincts. To do stand-up on a stage for an hour and tell stories and make people laugh is incredible.
On one level, we're on Matador, but our amps still might explode on stage, or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.
I had this totally impossible dream of being an actress. Trust me, just because I'm lucky enough to be doing this doesn't make any of this less of a pipe dream. And nothing gets my juices flowing like a really great performance. To see someone on stage, I get really excited.
The adolescent must never be treated as a child, for that is a stage of life that he has surpassed. It is better to treat an adolescent as if he had greater value than he actually shows than as if he had less and let him feel that his merits and self-respect are disregarded.
You gotta know that you're better than anybody, 'cause to me, if you don't go in like that, you're gonna lose! They're gonna punk you out! On any stage, court, business venture, on the anchor desk - whatever. You've got to go in believing, 'I can do this better than anybody.'
I was in bands, but they were punk bands, and you plug in the guitars, you turn them up really loud, you've got four or five other people on stage with you, you've got some protection from when they throw lighters. You can always hide behind the lead singer or the bass player.
I always knew that I wanted to be an actor. I made my debut on stage when I was 12, and I was sure that this is what made me happy. However, nobody takes a 12-year-old's career choice seriously. Everybody laughed it off. I also ran away from it, but acting eventually found me.
I don't need to be liked, but I need to be vital - on set or on stage - and I think that probably would be my advice: Stay vital. It's about saying 'no' and asking the tough questions and believing in yourself when no one else will, but you have to know the rules to break them.
I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
When I got onto PGA Tour Canada right out of college, I was competitive more quickly than when I got onto the PGA Tour, but that just shows you how much work and effort it takes to get to the world stage. The best players in the world are the best at dealing with those emotions.
Raising the minimum wage represents a substantial financial burden for employers, particularly start-ups, early stage companies, and family-owned businesses. In response, business owners would be forced to either lay off workers or raise prices to offset the rise in labor costs.
I have no problems with my eyes. It was because when I became big, I suddenly I found myself playing on stage with 200,000 people, and that is scary. I remember my manager told me just put on a pair of sunglasses, and that should mitigate the panic. So I tried it, and it worked.
I was a stage actor for 20 years or so; I was leading men in classical things. 'Shakespeare,' you know. And now, I never play leading men. I'm that kamikaze comic that comes from the left, turns the table over, and leaves, or the hyper-intelligent yuppie scumbag if it's a drama.
All I really want to do is play, that's all that matters. I don't think I've ever tried to cultivate an image. Everything has been on instinct. The flannel shirt and jeans, for example... those are the clothes I wear. If I wore anything else on stage, I wouldn't feel comfortable.
As an actor, you have many tools - your body, your voice, your emotions, mentally. In film, you have your eyes because they communicate your thought process. In fact, generally in film, what you don't say is more important than what you say. That's not so much the case for stage.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
Ever since I was younger I wanted to be on stage, singing my songs in a glittering costume. And that happened and is still happening. I have to remember that this is what I wished for and be grateful because there are 500 other girls right behind me that are ready to snatch it up.
In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
When 'Center Stage' first came out, I had some little girls on an airplane who didn't want to actually talk to me but wanted to talk about me at the top of their lungs. And they took pictures of me while I was sleep. And you know what's the worst part? I get really, really airsick.
I write songs as honestly as I can without worrying about genres or labels. Sometimes I sing, and sometimes I rap, and sometimes I do something in between. I jump around on stage and don't care too much about how I look. I try to be myself even though I'm still figuring myself out.