Quotes of All Topics . Occasions . Authors
You could put me on a stage in front of 100 people, and I could do a tap dance, but one-on-one was really difficult for me. And it took me most of my life to learn how to work with that anxiety, to embrace and be comfortable with it.
Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul.
I love playing the Fillmore. I love the walk from the hotel and climbing up those old, iron stairs that lead to the stage. I imagine Jerry Garcia, Jimi Hendrix and the Doors and all those other great bands climbing those same stairs.
When I go on stage man I just want people to have fun, I don't want people to think about their problems, I want people to get energy and nutrition and food from that so they can go back into the real world and work on their problems.
Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
With Dream Theater live, I may have been a bit of a focal point because I absolutely live for the energy on stage, and having interaction with the audience is absolutely crucial to me - regardless of how some others have described it!
I was always lonesome. The only time I felt accepted or wanted was when I was on stage performing. I guess the stage was my only friend: the only place where I could feel comfortable. It was the only place where I felt equal and safe.
Since I have given lots of strong and charismatic performances on the stage, many people think that I probably would be just like that in real life. But many of those who have met me say that I have an aura of genuinely girlish charm.
But the worst feeling as a crowd work practitioner is that not only is crowd work, for me, the most fun thing to do on stage - I always say the less written jokes I tell in a set the more fun I was having--but it's also a secret weapon.
I want to attack and to lead my life with vigor, but I'm in the watching stage at the moment. Younger actors feel pressure to bring a pop to every scene; as the roles get bigger, I'm finding you can add layers and do less scene-to-scene.
Asthma doesn't affect me, even though I have it. It can seem like it wants to act up a little if I'm nervous before going on stage, but that's natural to many performers. If I think it's going to be a problem, I just reach for my inhaler.
I've long said that if Canada has a role on the world stage, it's principally as a role model, a demonstration that people of all types can get together and live in peace and harmony, which is something we really do most of the time here.
I don't want costumes and makeup between me and the audience - I want more direct communication. There's something for me about being honest on stage, and I'm at my most honest when I'm behind a piano. So I prefer my concert performances.
I used to suffer from stage fright, which at times was an ordeal. I won't perform live again. I'm going to do some TV shows and videos but nothing else... I don't like to travel too much or do concerts. I'm more of a studio and home girl.
Six decades ago, as Mao's Communists seized power, the question in Washington was, 'Who lost China?' Now, as his capitalist descendants stand astride the world stage and Washington worries about decline, it seems to be, 'Who lost America?'
As a writer, I have to go to a different place now. As a person... I want to step off whatever this stage is that I have been given. The argument has been made, the battle remains to be fought - and that requires a different set of skills.
Zuri is slowly starting to become more of who I am in real life. Starting on 'Jessie,' she had a huge imagination, and had her imaginary friends, but now that she's 13 she has definitely passed that stage in her life and has grown so much.
I wasn't handsome. I didn't have good clothes. I used to wonder why people would hire me when they could get college graduates and Oxford scholars. Then it became apparent that when I got up on a stage, people actually wanted to look at me.
Scientific views end in awe and mystery, lost at the edge in uncertainty, but they appear to be so deep and so impressive that the theory that it is all arranged as a stage for God to watch man's struggle for good and evil seems inadequate.
My parents were always supportive. They didn't say, 'Get a real job.' They believed in the arts, and they prepared me to be skilled. I'm lucky I can drop into these worlds - into a studio or onto a set or go on stage - and feel comfortable.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
My father was a very popular singer and stage actor during his time, in the 1950s. But he didn't take any formal lessons in music, which was probably why he insisted I study music so I could get a proper base and build a strong career in it.
Scrivener can be a tricky beast to get your head around. When you do, a bell rings, and suddenly it all seems perfectly clear. But to reach that stage you have to understand what it can do, and try it out for yourself. Which can be daunting.
The police cannot protect the citizen at this stage of our development, and they cannot even protect themselves in many cases. It is up to the private citizen to protect himself and his family, and this is not only acceptable, but mandatory.
I don't think anyone's particularly conscious of thinking suits are the thing, but when you see a comedian on stage in jeans and a t-shirt it doesn't matter how good they are - it always looks like amateur hour when they walk onto the stage.
When it comes to sermon writing, generally there are two problems. Some preachers love the research stage but hate the writing, and they start writing too late. Others don't like doing research, so they move way too fast to the writing part.
Some people think that confidence is something that some people just have. Even though I may look confident strutting in a two-piece on a stage, there are days when I'm so nervous, or I feel like, 'Oh my gosh, I don't know if I can do this.'
If I go out there and am myself, and I do what makes me comfortable and what I think is true to my artistry, and they don't like it, then that's fine. I walk off stage, and I know there's nothing there's nothing I could have done differently.
I'm very quiet off stage. I think I'm a pretty boring person. I'm not super talkative; I spend a lot of my time running and zoning out. I spend so much time trying to write jokes and 'be on,' so when I'm finally off stage, I just want to sit.
I colour my hair mousy brown and I wear makeup only on stage. I use Laura Mercier - something called Biscuit, I think. I run one tiny sponge over my face and cover the red blotches. If I've got some rouge, I'll bung it on my mouth and cheeks.
We get the worrywart, the hypochondriac, the money-grubbing miser, the intractable negotiator... Some would say certain of these refer to the stereotypical, or 'stage' Jew. But objectively speaking, the only crime in humor is an unfunny joke.
I started doing comedy because that was the only stage that I could find. It was the pure idea of being on stage. That was the only thing that interested me, along with learning the craft and working, and just being in productions with people.
I'm just living each day, and I'm better equipped to do so. I mean, I used to be totally afraid, I used to have, like, permanent stage fright. But now I'm trying to have fun. I'm trying to bring as much happiness to as many people as possible.
Every now and then you think about your life, what you would like to be, you start at Number 1 and you go down to 100. And down at the bottom, 100, was - Stage. Go figure. That would be the last thing. It terrified me, man. But I had to do it.
The study of history reveals that human progress has not been continuous and regular, but intermittent and spasmodic, often depending upon apparently accidental causes. It is difficult to get a cross-section view of society at any given stage.
When someone needs copper, or wood or an ag product, and they invest capital somewhere to make that happen, and people get jobs from that, and that good gets introduced to the world stage and it gets traded and moved, the whole world benefits.
The first stage had been all over before the doctors even knew they were dealing with a new sickness; it was the direct reaction to the bombardment of the body, at the moment when the bomb went off, by neutrons, beta particles, and gamma rays.
I once did a gig at an office Christmas party in the showroom floor of a friend's father's home appliance shop in the suburbs of Melbourne. It was to a much older crowd. Without a microphone. Or a stage. With the queue for the buffet behind me.
I think I deal with my anger toward my relationship or about my relationship or about my friendships or my family - I deal with it on stage in a passive-aggressive way, and that can be very harmful if it gets back to them, which it always does.
I don't do anything specific for the stage. I'm just myself. I can't stand still for five seconds. I'm normally quite active, so that just comes out on stage. If I see people react to me and my music, I just have to give back and express myself.
No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can.
I do find, coming form the stage and all that, I've always been conscious of my posture and my body, but also the style aspect, I do find myself throwing on a blazer and a nice pair of loafers more often. Daddy always likes a new pair of Guccis.
I felt like, for so many years - and I still even feel it - as a girl, you can't really expect to go on stage and dress like a boy and jump around and scream with the audience and mosh and stuff, and every time that happens, I feel really proud.
But there's so much kludge, so much terrible stuff, we are at the 1908 Hurley washing machine stage with the Internet. That's where we are. We don't get our hair caught in it, but that's the level of primitiveness of where we are. We're in 1908.
I have this sensation of being in flight all the time, but being on stage is like creating a sanctuary in which you can completely lose yourself. The bits of your personality that you keep under wraps in ordinary life, you can let them run free.
And because of the reunion I think we've got more energy and enthusiasm than we've ever had. And it's genuine. I think the fans can detect when you're genuine, when you love what you do, and we love to be there on stage. That's what we thrive on.
I used to take 40 minutes to warm up before going on stage. If you want to spend time with your child as well as having a career, you have to get up there even if your head's a mess. It's made me more relaxed, and I'm having some of my best shows.
If you say, 'I don't want to offend anyone,' then don't get on stage. Just ask yourself, 'Do I think it is right? Do I think it is offensive? And do I think that everyone is okay to hear this? If I truly believe this, then I should go and do this.'
It's always so nerve-wracking being up there on stage. It's even harder playing in your hometown - and I have a couple of home towns - but, you're playing for all the people you knew in high school, so it causes no small degree of panic in my mind.
There's a general sense that women are more relaxed and less defensive in comedy than they used to be. I think it's easier than it was but underlying it all there is still a pretty sexist view of women on stage, which to me hasn't changed that much.