I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.

There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.

There are certain ways of being that people don't find acceptable or very pleasant in regular life, but you go out on stage and do pretty much the same thing and they find it spellbinding.

I saw Dolly Parton play at the Glastonbury Festival to about 120,000 people. It was an ocean of human beings. I was a mile away from the stage, and I swear to God, I could feel her energy.

We love people differently at different stages of our knowledge of them. As love changes its hape and its nature, we have to decide what we're going to do about that love on any given day.

I think it's always been understood that Canada is not a country that's going to stand up and beat its chest on the world stage, but we can be very helpful in modelling solutions that work.

I appreciate an audience that reacts to the music, even if they jump on stage and try to beat us up, I think that's a fantastic reaction. I think that they're really hearing something then.

I'm getting better and better each year that I'm playing golf on the world stage, and finishing runner-up only teaches you how to continue being patient - something that is key to our game.

I like to learn the lines and not get any precontrived things in my head about the part. Just get on stage and see what the other actors are doing, and respond to them as honestly as I can.

I was trying to pay the bills with poems, and it was easy to memorize my poems, because I'd be riding my bike in California trying to memorize them before going on stage at a poetry lounge.

David [Cameron] has been an outstanding friend and partner on the global stage and, based on our conversation, I'm confident that the UK is committed to an orderly transition out of the EU.

My mother told me it's better to start using anti-aging products even at a young age. Especially since I'm an actress, and I'm constantly under stage lights or exposed to a lot of sunlight.

With writing, there are multiple drafts. On stage, there is one take. I do a lot of preparation for shows, so, for the most part, what you hear me say is pretty much what I wanted to get at.

Christine, as a stage character, is just a way for me to be more daring, to be more out of the box, to be stronger and to use everything that could weigh me down like a fuel, like an energy.

As actors, we're all encouraged to feel that each job is the last job. They plant some little electrode in your head at an early stage and you think, 'Be grateful, be grateful, be grateful.'

An individual's refusal to carry out the criminal acts of his government sets the stage, in the most effective way possible, for the attempt to demonstrate the criminal nature of these acts.

This is an inevitable and easily recognizable stage in every revolutionary movement: reformers must expect to be disowned by those who are only too happy to enjoy what has been won for them.

There is no better feeling in the universe, other than being married and having a family, than standing on stage behind a piano and having 5,000 people waving at you. You cannot bottle that.

I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.

The first time I walked on a stage I knew that was what I was created to do. I knew that there was a calling and a sense of purpose in my life that gave me fulfillment and a sense of destiny.

My mom is an avid musical theatergoer. My dad would always get a subscription to the Syracuse Stage. I was always exposed to theater. So I went to a theater conservatory at Boston University.

Stage fright is my worst problem. A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations.

I often enjoy wearing loud and outspoken clothing on stage, so off it, I usually wear loose-fitting vintage shirts, jeans, or track suits I've had forever. I just add styling to those pieces.

My uncle was a preacher, and I used to go watch him preach. He was also funny, so I'm very 'preacher-ish' on stage, not by intent but because that's where I learned to talk in front of people.

In my opening seconds, I would say, "It's great to be here," then move to several other spots on the stage and say, "No, it's great to be here!" I would move again: "No, it's great to be here!

At some of the venues, the audience was so loud we could hardly hear what was happening on stage, which kind of threw us back to 1983, when we had very similar reactions on a much bigger scale.

Humbled by the fact that never in a million years would I ever thought that I would be on the same stage with all these great Hall of Famers and enshrined to the National Baseball Hall of Fame.

Within one year of starting work, I had found that the nucleus of an endoderm cell from an advanced tadpole was able to yield some normal development up to the nuclear transplant tadpole stage.

'At Freddie's' takes place in 1960s London at the Temple Stage School for child actors. It has a plot that makes you feel sorry for the people who have to write summaries on the backs of books.

In most specials, the performer's up - not only not surrounded, but up on a stage - and there's a distance between them and the audience, and I think my comedy doesn't work as well in that way.

I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.

I never know what I'm going to say as I walk up to the microphone. I try to be in the moment. I try to go deeper into myself. I discover things on stage that I don't discover off stage about me.

I go from being in front of 2,000 people, shot-gunning beers on stage and acting like a complete idiot, to being in a Mommy and Me class, waving a little pink handkerchief around 12 hours later!

We tell people to go to college, but when they cross the stage, they cross the stage with a degree in one hand and debt in the other that stifles their ability to be able to live that good life.

I feel responsible to make something original as a Japanese artist. There are lots of singers and guitarists, but I feel that on stage it's meaningless to copy something someone has done before.

I guess I was an early method actress. I would go to a quiet part of the sound stage with my mother. I wouldn't think of anything sad, I would just make my mind a blank. In a minute I could cry.

It took me so long to get to the music, where that was what I wanted to do all my life. It took me so long to realise that it wasn't really movies that I wanted to do, but to be on stage singing.

Most written work is a conversation between the editor and the writer, that the writer essentially fulfills in public, and the editor provides the stage for that to happen as well as the prompts.

It was very early, and we were still like beta or alpha stage, and so we started receiving a ton of download. The server became overloaded, and that's when I realized that this had a huge market.

I spent the first 12 years of my life growing up in Singapore. Back then, in the early '80s, it was still a tropical island at the tip of the Malay Peninsula striving to shine on the world stage.

When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.

I long had a goal of becoming president of a company. But it was not till I was 57 years old that I became president of Cisco Systems with its 34 employees. Life offers opportunity at every stage.

Up on that stage, my personality changes. I put everything behind me when I perform. My problems don't belong to my fans. I don't put a burden on my audience. I give them 100 percent of my energy.

I loved the stage not because it provided an escape from myself or my humdrum life but because when the curtain went up I could be whoever I wanted to be, and that was true freedom - to be myself.

I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.

It's just that you don't have to bring it to every stage. You can do a fundraiser for people that you support. You don't necessarily have to talk about one thing or another when you're on your own.

I learned from the guys before me - Bill Cosby, Eddie Murphy, Chris Rock, Richard Pryor, just to name a few. These are guys that let it all hang out. What they lived is what they took to the stage.

I've always been somewhat uncomfortable on the stage, and I've always felt like physically having to negotiate my own presence as a part of presenting work has always been a source of angst for me.

Communist party leadership in China knows that Canada's political and media elite values feeling superior to the United States more than they value standing on principle on the international stage.

Every time you're on stage, you look out at a packed house, people all the way up to the top, people having a blast, everybody forgetting about the world for a couple hours. That's a special thing.

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