Quotes of All Topics . Occasions . Authors
Upon the farm of the uncle with whom I lived, we did know of the mortgage as some dreadful damper on youthful hopes of things that could not be bought. I do have a vivid recollection that the major purpose of a farm was to produce a living right on the spot for the family.
Quite a few of The Rolling Stones records have had a great honesty about them. In fact, I would put them side-by-side with a 'Treasury of Folk Music' collection, containing all the prison songs, the farm and road-gang songs that were recorded on the spot in the Deep South.
The juvenile sea squirt wanders through the sea searching for a suitable rock or hunk of coral to cling to and make its home for life. For this task, it has a rudimentary nervous system. When it finds its spot and takes root, it doesn't need its brain anymore so it eats it!
We watch so much film, calling up pitch by pitch, count by count in order to spot tendencies. Technology is a big part of how I get ready for a game. What's funny is a lot of the NFL guys say they study the 'Madden' game; that's how they learn to read offenses and defenses.
My laptop seems to know where I am, even if I don't. My cellphone asks me if I want directions to anywhere from the spot I am standing in. I buy a record online and Amazon.com sends me letters, telling me that people who bought what I bought also bought these other records.
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
There are many things I'm looking forward to in 2013, both personally and professionally. Plans for new restaurants in the U.S., including Eataly Chicago, are underway, and I'm gearing up for the 2013 Ironman world championships in Hawaii - if I'm lucky enough to get a spot!
Ah, 'Pather Panchali' was the most inspiring film that I wrote music for, and it was so spontaneously done. I saw the film, composed on the spot, along with myself and only four other musicians, and everything was done within 4-1/2 hours, I think an all-time record anywhere.
When I was named captain under Mark Sampson, there were a lot of questions about whether I was ready for it. I wasn't a certain starter. There were more experienced players than me; I was only 25. I was trying to nail down a centre-half spot, and it was a difficult situation.
The worst is when you read things on the Internet blogs, because people don't hold back. Sometimes you read wonderful things, but sometimes it's really awful stuff. Like on the Fashion Spot, for example, people always comment on you. They forget that we might read that stuff.
I grew up in Chillum Heights in the Washington, D.C. area., and it was never a garden spot. When guys go, 'Hey, when I grew up, my neighborhood was tough, and it was this and that'... the reality is that it was just a terribly sad place. And thank God, I was able to escape it.
If you can depict situations and explore life in a truthful way and explore areas of grey - because that's where the truth lives - and you can do that in an objective way and allow people to take from that what they will, I think it's a satisfying sweet spot with storytelling.
I remember, the first time I played a parent was - I did a guest spot on 'Veronica Mars,' and they were like, 'OK, and this is your daughter,' and there's this little girl standing there. And I remember thinking, 'OK, this is weird... I guess I'm old enough to have a daughter.'
My dinner spot is usually in front of the TV. I'll grill a steak and whip up a salad and watch 'Hoarders'. I love it because a) I'm kind of voyeuristic, and b) every time I see an episode, I go to the one room where all my unpacked boxes wound up, and I throw out a box of stuff.
For me, the Mount Rushmore of greats would be Ric Flair, Dusty Rhodes, Hulk Hogan, Bruno Sammartino or Lou Thesz. You can do either one of them in that fourth spot. But I think Ric Flair is the greatest of all time. He's the greatest I've ever seen... on the mic and in the ring.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
Gemini is a spot bitcoin exchange. To use it, you sign up with Gemini.com and undergo the initial standard review process, similar to what you'd encounter at a traditional bank. Once you're through, you can ACH or wire cash to the platform, then begin buying and selling bitcoin.
My favorite vacation spot is a beautiful beach. I've been to many, many beaches on many continents: Mombasa, the Dominican Republic, the Bahamas, Bermuda, Barbados, Mexico and the U.S. What's beautiful about beach communities is for whatever reason, they feel like vacation to me.
I think young people can spot when people believe what they are saying and when people aren't believing what they are saying, and when I was a kid, I really did believe what Ric Flair and Randy Savage and Bret Hart said in their promos. I think there has to be some believability.
The first 'Star Wars' film was enormously important. I grew up right smack-bang in the sweet spot of all of those. It's true cinema magic. It's fair to say that, as a kid, I would have been very happy to be Han Solo, and I would have been happy to have gone out with Princess Leia.
I have said things to people on the field and in business that I cannot believe came out of my mouth.When you compete with all you have, you reach some place deeper in your soul than most people know exists. That's why I love it. Business has taken me back to that competitive spot.
For sheer creativity and totality of involvement, 'Rolf's Cartoon Club' with HTV in Bristol was an amazing show to work on, but I think the 'Rolf on Art' series, culminating in the painting of the Queen's portrait to celebrate her 80th birthday, just nudges into the favourite spot.
In the summer of 1954, after several years in Austin, Minnesota, our family moved across the state to the small, rural town of Worthington, where my dad became regional manager for a life insurance company. To me, at age 7, Worthington seemed a perfectly splendid spot on the earth.
When it comes to raising civilized kids there are no hard rules, but there are two things on which most parents agree: Boys are generally wilder than girls, and adolescents are wilder than kids of any other age. If you've got an adolescent boy, you're in the sweet spot for trouble.
Once you get over the culture shock, Filey is a pleasant spot, particularly at the beginning or end of the summer, when the hotels are half full. The brave go in winter, when the wind can be bitter and biting and Filey resumes its real life as a tiny, introverted fishing community.
I had the misfortune of getting what skateboarders call hippers. It's when you fall on your hip again and again and again, just the same spot. It turns into like a blue purple bruise and it's just torture because I had to keep on doing the same move, going around in the pool again.
I'd love to stay in baseball, but I won't beg. I'd love to work with young umpires. I think I could teach them, help them develop. I can spot flaws, help them get over the hump. You're striving for perfection every game, yet you never achieve it. If baseball wants me, I'm available.
I'm in East L.A., like Mount Washington, Highland Park. There's a little strip that they're gentrifying, trying to make a hip spot, but you go there, and it's just kind of barren. Nobody hangs out anywhere in L.A. There's no loitering in L.A., so I don't know what to do with myself.
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
There's no need for me to go out there and try to set the world on fire, try to win races and put myself in a tough spot, not be able to capitalize on it. If the opportunity presents itself, yeah, we'll jump on it. There's no need for me to force a hole, end up tearing up a racecar.
When you are a sentence-based writer, they have to be good. They have to be really on the spot. Because when you don't have a plot, really, what shall you rely on? Just language. And sometimes I am so afraid of writing the wrong thing, I just sit and wait for the right thing to come.
I don't have the same knack for the business end that my old man did. Recruiting people has been tough. I don't envy anyone in that spot, especially some of the great non-WWE promoters like 'Evolves' Gabe Sapolsky, Beyond Wrestling's Drew Cordeiro, or Markus Mac at All Pro Wrestling.
Fighters don't just fight. Not the good ones who have long, long success. The guys who make championship runs. The guys who fight for world titles. They get fizzled out, chewed up and spit out like a revolving door and then the next guy or the next female comes in to take their spot.
Up to the age of five, I wanted to be a builder. My neighbour, a builder called Paddy White, would come in for a cup of tea with my mother. I'd assemble all the pillows together at interesting angles, thinking he would spot my talent at a raw young age and take me on as an apprentice.
The Police, they were the guys that were like the gateway to the mainstream. In England, there was a very strong reggae movement that was going on. Anything that was happening in reggae happened out of England. They were brilliant. They could spot a sound that was cool, the 'it' sound.
My mom always had a softer spot for boys, as a lot of Irish women do. If you were a girl, you'd have to sing or wear a pretty dress. But boys could just sit there and be brilliant for sitting there and being boys. It makes you that little bit more forward. Pushy. I was singing, always.
You have to be sharp with all aspects of your game at Augusta. You need to put yourself in the best spot off the tee and hit the longest drive you can, but I think this is really a second-shot course. If you leave yourself with an awkward putt on the greens, it can be very tricky here.
The power of network television is amazing. I've been performing for years but have been seen on only a few episodes of this show, and people spot me in public now all the time. They say, 'Hey, aren't you on 'Nashville'?' Most locals seem to really appreciate how authentic the show is.
I think what Brendan Rodgers did was right; I thought it was successful. He was able to show that he was able to change several players, prove to everybody in the team that no-one's guaranteed a spot, rest a lot of key players, and at the same time walk away with a very reputable result.
Glenn's passing was so unexpected and has left me with a very heavy heart filled with sorrow. He was so young and still full of amazing genius. He was an extremely talented songwriter, arranger, leader, singer, guitarist - you name it - and Glenn could do it and create 'Magic' on the spot.
If any person examines by the microscope that part towards the extremity of the spider's body from whence its thread proceeds, he will observe the spot to be, as it were, surrounded by five several protuberances or risings, each ending in a point and altogether forming a kind of enclosure.
Sadly, I do my homework. I've a soft spot for the boring minutiae. I read the Charter of the United Nations before meeting with Kofi Annan. I read the Meltzer report, and then I'll read C. Fred Bergsten's defense of institutions like the World Bank and the I.M.F. It's embarrassing to admit.
Nature - how, we don't know - has technology that works in every living cell and that depends on every atom being precisely in the right spot. Enzymes are precise down to the last atom. They're molecules. You put the last atom in, and it's done. Nature does things with molecular perfection.
Moderating a debate means spending more time with briefing books than with your children. It means writing and rewriting and rephrasing. It means finding a way to be alert enough to notice when your question goes unanswered and nimble enough to decide what you will do about that on the spot.
I remember the first time my friend Colin Lewis, who used to be a judge with me on a show on MuchMusic called 'disBAND,' told me, 'I think I just found your next favorite artist to adore.' He sent me The Weeknd, and he was completely spot on. The Weeknd is literally on every playlist I have.
'Changes in Latitudes' began when I was looking at a photograph of a sea turtle swimming underwater. I had such a strong feeling for the beauty of this ancient creature, at home in the sea. On the spot, I wanted to swim with that turtle. I began to imagine a character who would do just that.
I need to celebrate life because I'm in a good spot, I work hard, and I am happy with who I am and happy with what I do for a living, and sometimes I just focus and overwhelm myself so much with the fights and getting better, that I just need to slow it down and enjoy life and enjoy training.
For me, art is always a kind of theater. When I started the spot paintings, I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
The first acting part I ever got was a guest spot on 'Chicago Hope' playing a security guard. I thought, 'Oh, this is going to be cool.' But a little bit later, I got a vague part on this short-lived show called 'Marshall Law' with Arsenio Hall and Sammo Hung. It was a poor man's 'Rush Hour.'
Mucinex were like, 'Would you like to be the Mucinex man? You sound like you're sick right now'. In each spot, they give me a little bit of room to do something strange. And in a world of fractured mediums, where there is no zeitgeist, and you get your comedy from your phone, it's all content.