Spanish Quotes - Page 13

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Obviously this song is an achievement for me in my career, but what makes me really feel good is to make Latinos feel proud. To provoke that pride that a pop figure and someone so big in music globally like Drake would sing with me completely in Spanish and create this hit 'MIA.' That's the best part of it.

A brief experience with a Radcliffe girl got very bad very quickly. I was so destroyed by it that I left and went to Mexico for a semester, where I have cousins. I learned how to speak Spanish, which was really important for my life. It was wonderful going to Mexico, learning another culture and a language.

After the Spanish Civil War against Franco, a group of us got together: a group of well-to-do people who were sympathetic to the lost cause of a Republican state. We bought a convent in Toulouse and converted it into a hospital run by the Unitarians. It took care of the Spanish refugees who fled to Toulouse.

We've got jihadists. That doesn't mean that all Muslims are problems with respect to terrorism, but there is something going on here. We've got a problem dealing with one aspect of one portion of modern Islam - just as hundreds of years ago the world had a problem with Torquemada and the Spanish Inquisition.

A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.

This happens to a lot of kids from different backgrounds - they lose a lot of their parents' and grandparents' teachings, language and culture because they have to deal with another language and culture 24/7. By the time I was 44, I was terrible at Spanish. I was always intimidated whenever I had to speak it.

I've been asked whether knowing Spanish and being Hispanic myself is a positive in getting Hispanic voters, and I don't believe it is. I think Hispanics look for a friend; they look for someone who understands, whose willing to relate, to hear their issues and welcome them to the party and to their campaigns.

I'm a professor of comparative literature, among other things, so I'm able to read in a couple of other languages, and I understand that not everyone is, not everyone can, although it is quite stunning how many people do read Spanish in the United States, but moving between languages is also extremely helpful.

Wherever I go, people ask: 'What is she? What is she?' There has always been an agenda - they're excluding me or including me in something with that question. It is the first thing agents in Los Angeles ask me. And then I'd hear: 'You're not black enough, you're too black, you're Italian - no, you're Spanish.'

My first audition happened to be for 'Kindergarten Cop,' and I took that role. I was only starting to learn English at that point. Spanish is my first language, so they made me a speaking character in the movie. I didn't really know I was shooting a movie. I was just having a lot of fun with 30 kids my own age.

Majorca is this destination where, you know, you have a lot of money, but you want to go somewhere quite exclusive. And the culture of the island is still traditionally Spanish. It hasn't been infested by tourists. I think, in the '20s or something, an extremely wealthy person built this little kingdom of villas.

I think that's something that we as black people in this country have been robbed of. I compare it to my brother's wife, who is Hispanic. She was born in America but her parents are from Honduras. She speaks Spanish. She knows the culture. But most black people, we were robbed of that. We don't know our heritage.

To be blunt, I feel like lyricism in Spanish is of a different quality than English. You can get really poetic in Spanish, but I feel like if you do that in English, you risk sounding cheesy. In Spanish, it's never that. It's always this deep, passionate, beautiful imagery; it's painted different, a different color.

It's one thing to be writing in South or Latin America, where, except for Brazil, every country, however small and hard to find on a map, speaks Spanish, but quite another to be writing in, say, Hungary, a landlocked nation of 10 million people, with a language that very few people outside Hungary can read or speak.

My mother at a young age put me in bilingual, so my strength is really more in Spanish. Even though I live and I was born and raised in the States, you know, in the Bronx, in Spanish I get my point across. And when I'm writing music, when I'm doing music, it's easier for me, and I know exactly how to express myself.

In Barcelona, things seem so different. For example, I know that it's traditionally the least Spanish city, but you'd never know they had a monarchy, coming here as a tourist - as opposed to the U.K., where the Queen is probably the best-known animal, vegetable and/or mineral going when it comes to overseas visitors.

In 2010, the Spanish constitutional court annulled a large part of the Catalan statute of autonomy negotiated between Catalonia and the previous prime minister, Jose Luis Zapatero. This demolished one of the main agreements achieved during the Spanish transition to democracy - Catalonia's recovery of self-governance.

You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.

The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples.

I love watching old movies, and some of the holiday-themed ones are really great. I also have a bizarre thing that I'll do: I'll turn on a foreign-language TV station, usually Spanish, and watch a whole show, riveted, even though I have no idea what anyone is saying. I don't know why I find that so addictive, but I do!

I can tell you that the Galacticos era in the early 2000s wasn't just memorable for the fans. It was also incredible to be part of as a player. You would sit in the dressing room, look around you, and see the Ballon d'Or winner, the Spanish player of the year, the top scorer in La Liga, the best goalkeeper in the world.

With demands for special education or standardized test prep being shouted in their ears, public schools can't always hear a parent when he says: 'I want my child to be able to write contracts in Spanish,' or, 'I want my child to shake hands firmly,' or, 'I want my child to study statistics and accounting, not calculus.'

The Italians and Spanish, the Chinese and Vietnamese see food as part of a larger, more essential and pleasurable part of daily life. Not as an experience to be collected or bragged about - or as a ritual like filling up a car - but as something else that gives pleasure, like sex or music, or a good nap in the afternoon.

You know, I was a kid who had difficulty speaking English when I first immigrated. But in my head, when I read a book, I spoke English perfectly. No one could correct my Spanish. And I think that I retreated to books as a way, you know, to be, like, masterful in a language that was really difficult for me for many years.

In Rikers, you had the Italians over here, the Spanish over here, the Blacks here, then there would be your Christians here and your Muslim brotherhood here. It's just like the outside, but in very closed quarters where you have to get along or else. The sense of claustrophobia in 'Orange is the New Black' - that's real.

We're seeing a reaction - and people taking to the streets with pots and pans - in areas where the independence movement isn't supposed to exist. People have to choose between one model and another. Everyone in Catalonia has realised that not taking part means ratifying the politics of repression of the Spanish government.

Flamenco is connected with so many types of music. It has Jewish culture inside, Arabian culture inside, Russian culture inside, Spanish culture inside. It's linked to African music too, because African music has the 'amalgama' rhythms you can find in flamenco. You can find everything in flamenco. That's why it's so beautiful.

It would be a dream to do a film with Pedro Almodovar and that whole crew of Spaniards. There's this Argentinian actor who's one of my favorite actors in the whole wide world. His name is Ricardo Darin, and he's a brilliant actor. He does a lot of Argentinian films, and I know he does a lot of European films, as a Spanish actor.

Reading Dorothy B. Hughes's novel 'In a Lonely Place' for the first time is like finding the long-lost final piece to an enormous puzzle. Within its Spanish bungalows, its eucalyptus-scented shadows, you feel as though you've discovered a delicious and dark secret, a tantalizing page-turner with sneakily subversive undercurrents.

From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.

I like to be surrounded by books. My wife Evelyn has a Ph.D. in comparative literature, so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called 'FMR,' so we have a common interest in design.

My father came from a country called Bolivia. He was of Spanish descent. I never went to Bolivia until I was 60 years old, but apparently when he was 17, he had already planned his entire academic curriculum so that he could graduate high school and enter college in the United States. That's how much he wanted to come to this country.

I think Barcelona and the Spanish national team have been good for soccer because there are a lot of teams that come up playing from the back: with the goalie, the defense, moving up a defender to midfield, playing attacking soccer. I think fans want to see that. They want to see beautiful soccer, a spectacle, and Barcelona does that.

I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.

I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it.

I know Ritchie Valens in 1959 had 'La Bamba' but to be totally Spanish - because, you know, Ritchie didn't speak Spanish - but to be a total Latin artist like myself, to be out in a field where there weren't any categories for Latinos... I felt good that I was maybe - I didn't know it at the time - but I felt good that I opened the door.

I would eventually leave the business in 1999 to work full-time as a writer, but during the previous decade, I would advise French businessmen on how to succeed in Germany; tell Americans what to do in Eastern Europe; show the Spanish how to become more like the Americans. I spent one particularly haunting year advising bankers in Mexico.

I was in art school, and we had all these random classes. We'd listen to a lot of Bollywood. I'd listen to Spanish music - and I don't even speak Spanish, but Hector Lavoe is amazing - we listened to French music like Edith Piaf. She's tight. I like cool vocal inflections; I like cool sounds. I pretty much listen to anything I think is good.

You go to Paris, or you go to Portugal, you go to Poland, and you ask, 'Who are you people?' They'll tell you, we're Portuguese, we're Spanish, we're Polish. Who are the people that are really European? The people in Brussels, in the E.U. bureaucracy. Europe has not been able to move to the level of patriotic identification with the concept.

Like all of Latin America, Mexico after independence in 1821 turned its back on a triple heritage: on the Spanish heritage, because we were newly liberated colonies, and on our Indian and black heritages, because we considered them backward and barbaric. We looked towards France, England and the U.S., to become progressive democratic republics.

The first house I bought was a little Spanish bungalow on Clinton Street in West Hollywood, right behind the Improv. I was renting it, and I asked the owners if I could buy it, and they were really nice and let me work out a deal. And I fixed it up and later sold it. That was when I realized that if you make some improvements, you can make money.

Every high school and college graduate in America should, I think, have some familiarity with statistics, economics and a foreign language such as Spanish. Religion may not be as indispensable, but the humanities should be a part of our repertory. They may not enrich our wallets, but they do enrich our lives. They civilize us. They provide context.

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