Quotes of All Topics . Occasions . Authors
Whenever you tell a group of people that they can't use bathrooms, or they can't access spaces that other people use, that is dehumanizing. It is discriminatory, and it reinforces the stigma and the prejudices that the transgender community already faces.
While we were promoting 'Wide Open Spaces,' we set aside time to write. We went on several writing retreats where nobody could get hold of us. It was the only way we could take a step back and reflect and write and be living a semi-normal life for a while.
Loft living is the antithesis of suburban domesticity, if only because the open spaces don't easily accommodate family life. Lofts also offer residents the opportunity - and responsibility - to structure their own space to reflect what's important to them.
Everyone has the right to walk from one end of the city to the other in secure and beautiful spaces. Everybody has the right to go by public transport. Everybody has the right to an unhampered view down their street, not full of railings, signs and rubbish.
While I was in Astana, a ballet master from St. Petersburg's Mariinsky Theatre staged a performance of 'Giselle' in the opera hall. It was one of only a few performances to grace Astana's concert spaces in many weeks, and tickets were impossible to come by.
In the traditional modernist planning that created the suburbs, you put residential buildings in suburban neighborhoods, office spaces into brain parks and retail in shopping malls. But you fail to exploit the possibility of symbiosis or synthesis that way.
I have found that, in the composition of the human body as compared with the bodies of animals, the organs of sense are duller and coarser. Thus, it is composed of less ingenious instruments, and of spaces less capacious for receiving the faculties of sense.
Angels are not complete, they need their counterparts, the dark needs the bright, the hidden needs the open, and vice versa. Sometimes they meet and recognise each other. Sometimes, as with Horatio and me, the pairing occurs over spaces of time and distance.
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
Unfortunately, oftentimes people hire and give opportunities to people that look like them. They don't realize how much their own internal lives or privilege gets in the way of looking for people outside of the traditional spaces where they always find people.
There are so many ways to decorate small spaces. One of my favorite things is throw pillows. They can add so much color to your room. You can have the same bedding for years and just switch out the throw pillows, and it looks like you have a completely new bed.
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
Due to the failure of politics, which has become a process of middle-management, art has become one of the last open spaces to question core beliefs and to design a viable future. Art becomes an open space where we can ask fundamental questions about ourselves.
Religion comes from the word 're' or again and 'ligare' meaning to bind or tie back. The purpose of religion is to unite the self with God or the creative force. Music, sacred spaces, and meaningful icons are the way we conjoin our minds with the transcendental.
The Internet has become a bunch of interlinked but linguistically distinct and culturally specific spaces. There's some interface between them, but there's a lot less than there was years back when we were sort of pretending that this was one great global space.
The thing I can't figure out is why I have an undeniable compulsion to clean public spaces, airplane bathrooms, restaurant flatware, hotel gyms and Chapstick containers... yet I have no desire to make my own bed. Ever. Seriously, who made me, and where am I from?
Terrorists in ungoverned spaces - both physical and cyber - readily disseminate propaganda and training materials to attract easily influenced individuals around the world to their cause. They motivate these individuals to act at home or encourage them to travel.
Anywhere in the world, there is royal food, and there is commoner food. Essentially, eat at the restaurant or eat on the street. But Indian food evolved in three spaces. Home kitchens were a big space for food evolution, and we have never given them enough credit.
You are one-third as productive in open-plan offices as in quiet rooms. I have a tip for you: if you work in spaces like that, carry headphones with you, with a soothing sound like birdsong. Put them on, and your productivity goes back up to triple what it would be.
The bedroom is an archetype. To me it stands for a lot of the silliness of our modern culture where the kind of things that we worship in our sacred spaces are based on media and movies because we don't really have much else in the way of myths, if that makes sense.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
I believe that it's an author's job to cast his imagination into the far spaces. Your life should - and I think it's inescapable that it will - inform your work. I'm all for using anything that can make your art better, but your intuition should be an equal partner.
To what extent do we self-construct, do we self-invent? How do we self-identify, and how mutable is that identity? Like, what if one could be anyone at any time? Well, my characters, like the ones in my shows, allow me to play with the spaces between those questions.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
When I feel that burden of representation in public spaces, it helps to recognize that it's a duty - a job, really. As with any job that you want to do well, you have to ensure that first and foremost you are energized and in the right head space to take on that task.
The reason why access to facilities - and access to public spaces - is so important is because it's much more difficult to go to work, to go to school, to participate in the public marketplace if you can't access bathrooms that make sense for you, that match who you are.
Coming from a Haitian-American home, I thought it was necessary to give back to the country in which my parents were raised. That is why I believe in Project PlayWorld's efforts to to provide secure playing spaces for the children of Haiti with the Live Civil Playground.
The homes I like the best are totally occupied, busy, and useful, whether it's a tiny little house or a great big one. Rarely do you find a great big house that's used in a good way. So I prefer smaller spaces that are full of books, full of things that people are doing.
I love dialogue, but I'm also terrified of it. In all my movies, I've done my best to cut out as much dialogue as possible. I love the spaces in those silences. Even in 'Pete's Dragon,' I was so happy that the first twenty minutes have about five or six lines of dialogue.
The point of the feminist movement wasn't simply to set our underwear on fire and muscle into small spaces in the male-dominated workplace, but to create a world where the contribution of both sexes was equally valued and no one's worth was judged on their take-home salary.
To me, in general, something that's really rich in terms of identity about transit spaces is that they're so intimate. Especially thinking about long international flights when we're trying to sleep on the plane - we're total strangers, but we're sleeping next to each other.
Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.
You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play.
Oftentimes, secrecy involves creating spaces that are outside of the law but are outside the normal channels of oversight. And I think it's pretty easy to see that if you create spaces that are essentially outside the law, then you're creating spaces where anything can happen.
In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle.
During the COVID-19 pandemic, we've seen the importance of having safe and accessible public lands as outdoor spaces in which to reflect and grow. We are all responsible for being stewards of these precious lands and keeping these natural treasures safe for generations to come.
Even companies with big resources were not creating spaces supportive of their teams. We see that in creating those types of spaces, there is an amazing human potential for excitement and happiness. Especially among companies trying to serve a younger, more innovative workforce.
What is astonishing is that globalised technology, like Whatsapp and Viber, really gives a lot of leeway to negotiating spaces and to keeping one's identity. So people are able to be more receptive as a gay community to be part of an environment that is going to challenge the law.
In the 1880s, a weedy Easterner named Owen Wister had something like a nervous breakdown. Wyoming, with its wide-open spaces and healthy pursuits, was prescribed as a cure. Wister was immediately smitten by the taciturn cowboys and the rules imposed upon them by the cattle barons.
When you think of technological revolution, you probably think of geeks in cool coastal spaces like the Google campus, or perhaps of math wizards on Wall Street. But one source of rural prosperity is the adoption of radical new technologies - and a consequent surge in productivity.
Women all over this great land are creating spaces just for themselves, most often out of sheds in their backyards. They're fantasy cottages, bespoke bungalows, 'mama maisons,' if you will, for mothers and wives who need a sanctuary - a haven where they can do anything, or nothing.
I try to treat writing as part of my daily routine: I write for at least two hours, five days per week. I tend to write at home, in a room I've set aside for the task. I don't work well in cafes or busy, loud spaces, although I wish I could. It would mean greater flexibility for me.
To me, it's always been a challenge to look for the light: to look for those spaces in your heart where there is hope and faith and try to embrace that rather than crush it. I've spent so many years trying to crush those feelings of hope, and I certainly succeeded for quite a while.
I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
Now undoubtedly, we face some very British challenges when it comes to infrastructure. We rightly cherish our back yards and green spaces, and we'll defend them passionately when projects are announced. We live in a democracy, and we like to debate these things, often for many years.
Webs are made mostly of spaces. They break easily. They barely exist. They belong to the category of half-things: mist, smoke, shrouds, ghosts, membranes, retinas or rags; and they quickly fill up with un-things: old legs and wings and heads and hollow abdomens and body bags of wasps.
The game has gotten a lot faster. I was anticipating changes as far back as when I first came into the league, when the spacing was changing, and big guys were playing in different spaces on the floor. But when that change actually happens, and it happens so quickly, it's just amazing.
At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what's wrong with illusion?
Absolute space, in its own nature, without regard to anything external, remains always similar and immovable. Relative space is some movable dimension or measure of the absolute spaces, which our senses determine by its position to bodies, and which is vulgarly taken for immovable space.
By importing into the U.K. the divisive politics of anti-racism from America, with its demented campus dramas and neuroses about 'safe spaces', 'micro-aggressions' and 'cultural appropriation,' they make it almost impossible for people of goodwill of all ethnicities to rub along together.