Space Quotes - Page 96

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Cities must urge urban planners and architects to reinforce pedestrianism as an integrated city policy to develop lively, safe, sustainable and healthy cities. It is equally urgent to strengthen the social function of city space as a meeting place that contributes toward the aims of social sustainability and an open and democratic society.

Our communication space is very fragmented today. We have a million different tools for different things with lots of different kinds of overlaps. The most natural way to try and solve that problem is to take all those different tools and try to make them smaller and fit into a single package and maybe integrate them across the boundaries.

Better use of space, improving the insulation, getting more daylight into the buildings, reducing the energy consumption of the air conditioning and heating systems, making sure that the internal air quality is good, that we have increased natural ventilation opportunities in the mid seasons. You know these are some of the things we can do.

During the next 50 years, in countless cycles, in countless entrepreneurial companies, this let's just go and do it mentality will help us finally get off the planet and irreversibly open the space frontier. The capital and tools are finally being placed into the hands of those willing to risk, willing to fail, willing to follow the dreams.

Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have at the moment of commemoration.

Properly speaking, global thinking is not possible... Look at one of those photographs of half the earth taken from outer space, and see if you recognize your neighborhood. The right local questions and answers will be the right global ones. The Amish question, what will this do to our community? tends toward the right answer for the world.

What I do for living, working on something called string theory which we think may answer the fundamental question: Are there other universes? Can you go through a black hole? Can you warp the fabric of space and time and meet your mother before you were born? These are all questions that in principle string theory should be able to answer.

The theory I propose may therefore be called a theory of the Electromagnetic Field because it has to do with the space in the neighbourhood of the electric or magnetic bodies, and it may be called a Dynamical Theory, because it assumes that in the space there is matter in motion, by which the observed electromagnetic phenomena are produced.

I'm excited about mobile; clearly that's important. Mobile devices are kind of at the opposite end of PCs, in that PCs are pretty open and you can do a fair amount with them, but many mobile devices aren't. We're excited at the idea that we can make the same kind of contribution in the mobile space. So that's one thing coming down the pike.

The reason we have the stars twinkle at night is because the light is being kind of blurred by the atmosphere around the Earth. That is why the Hubble Space Telescope is so good, because it is above the atmosphere. So it is kind of like looking at the sun from the bottom of a swimming pool, versus looking at the sun above the swimming pool.

As we begin the 21st century, the Hubble space telescope is providing us with information about as yet uncharted regions of the universe and the promise that we may learn something about the origin of the cosmos. This same spirit of adventure is also being directed to the most complex structure that exists in the universe - the human brain.

The lunar flights give you a correct perception of our existence. You look back at Earth from the moon, and you can put your thumb up to the window and hide the Earth behind your thumb. Everything you've ever known is behind your thumb, and that blue-and-white ball is orbiting a rather normal star, tucked away on the outer edge of a galaxy.

Metaphysics is the study of the most general nature and basic structure of reality, and therefore the concepts of metaphysics, concepts like time, space, identity, resemblance, substance, property, fact, event, composition, possibility, etc., are the most fundamental concepts. Thus metaphysics is the most fundamental theoretical discipline.

Continuously thou wilt look at human things as smoke and nothing at all; especially if thou reflectest at the same time, that what has once changed will never exist again in the infinite duration of time. But thou, in what a brief space of time is thy existence? And why art thou not content to pass through this short time in an orderly way?

At the time Gothic cathedrals were designed, most people lived in dark huts, so just walking into a space vastly larger than what they were habituated to, lit by stained glass windows, was literally awe-inspiring. Today, we're not as impressed by big buildings, so we have to go to very large mountains to experience that 'diminutive effect.'

It's a matter of resisting what something made you feel before. And resisting that as a consumer is not easy. I know it isn't for me, and not just when I consume pop culture. When I go into a book and it feels too familiar, I don't have the energy to do it. My whole reason for reading it is to be in a fictive space that is unfamiliar to me.

I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.

If ever you come upon a grove of ancient trees which have grown to an exceptional height, shutting out a view of sky by a veil of pleached and intertwining branches, then the loftiness of the forest, the seclusion of the spot and your marvel at the thick unbroken shade in the midst of the open spaces, will prove to you the presence of deity.

Bill Sofield has the ability to understand the architecture of a space and how to utilize it in the most beautiful way. He can create completely different styles for his clients based on who they are and what their taste is. Our efforts have always been collaborative, and I value what he brings to the table architecturally and aesthetically.

I've said multiple times that the world's first trillionaire is going to be the person who exploits the resources of asteroids, the natural resources that are rare on earth and common on selected asteroids. So there are many different reasons you might want to go into space. You might want to spend your honeymoon on the far side of the moon.

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.

In a field like acting, there is pressure of all kinds, and it becomes tricky to navigate this space. There isn't a particular path laid out to get what you want; you have to figure out ways to get there on your own. And yet, there is no guarantee of getting what you want. At times, you don't know whom to listen to or whose advice to follow.

How hard is it for God to get your attention? Do you regularly practice turning aside in your day? That is, taking a moment to listen to God- because God, through the Holy Spirit, really is speaking, because we know, every place is filled with the presence of God. There is not an inch of space, not a moment of time, that God does not inhabit.

Many people may not recognize that the development of space exploration technologies has already helped benefit Earth in many ways, especially when it comes to communications, Earth observation and even fostering economic growth. Space technologies are surprisingly critical in impacting government, industry and personal daily decision-making.

One of our great allies at present is the Church itself. Do not misunderstand me. I do not mean the Church as we see her spread out through all time and space and rooted in eternity, terrible as an army with banners. That, I confess, is a spectacle which makes our boldest tempters uneasy. But fortunately it is quite invisible to these humans.

There's something rather wonderful about the fact that Oxford is a very small city that contains most of the cultural and metropolitan facilities you could want, in terms of bookshops, theatre, cinema, conversation. But it's near enough to London to get here in an hour, and it's near enough to huge open spaces without which I would go insane.

Freedom is neither a legal invention nor a philosophical conquest, the cherished possession of civilizations more valid than others because they alone have been able to create or preserve it. It is the outcome of an objective relationship between the individual and the space he occupies, between the consumer and the resources at his disposal.

The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.

The wealthiest 300 people have greater riches than the three billion poorest. The three wealthiest people have greater riches than the 48 poorest countries put together. With only limited environmental space to accommodate the expected 9 billion human inhabitants of the world by 2050, such disparities in consumption are clearly not sustainable

You want to have enough of a profile to be able to do all the work you can, but at the same time you want to have your own space. But there are a lot of actors who achieve it, a lot of movie stars even, people like Emily Watson and Cate Blanchett. They seem to be able to carry on with their lives and still produce wonderful, high-profile work.

How do you get the protagonists and antagonists together, in the same space, without somebody having to die? So, we ended up having to tell two distinct stories, which is never the ultimate way to create a great serialized drama. So then, of course, we had the tragedy with Andy [Whitfield], which made everything very difficult and pushed back.

It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.

From the Berlin tenement reform law of 1897 to H. P. Berlage's plan for Amsterdam South of 1917, designers and theorists in Germany and Holland moved toward the development of a perimeter residential block that would preserve the plastic continuity of the street while opening up the resultant courtyard for use as an enclosed semi-public space.

... we weren't very professional; she could have gone to almost any town and put together a smoother ensemble, but we were pioneers, and professional musicians probably wouldn't have come up with what we did ... professional musicians probably wouldn't have given Janis Joplin the space to be herself, which was probably our greatest gift to her

I hope that any expansion of London will learn from the planning examples of some of its most desirable areas such as Chelsea, Notting Hill, Belgravia and Mayfair. All are characterised by high density and a generosity of green spaces. They are all pedestrian-friendly with shops, entertainment, restaurants and pubs within easy walking distance.

To be able to rise from the earth; to be able, from a station in outer space, to see the relationship of the planet earth to other planets; to be able to contemplate the billions of factors in precise and beautiful combination that make human existence possible; to be able to dwell on an encounter of the human brain and spirit with the universe

There's almost 70 billion in square feet under construction in high rises in commercial, residential and light manufacturing. And we estimate about 30 billion square feet, and that's with a 'B,' is commercial, that we would just consider office space. To put that in perspective, that's a 5x5-foot cubicle for every man, woman and child in China.

That guy just cut right in front of me. But I'm not going to let it bother me. No. I'm on my way to work and I decided it doesn't matter who wants to cut in front of my lane today. I'm not going to let it bother me one bit. Once I get to work, find myself a parking space, if somebody wants to jump ahead of me and take it, I'm going to let them.

The biochemistry and biophysics are the notes required for life; they conspire, collectively, to generate the real unit of life, the organism. The intermediate level, the chords and tempos, has to do with how the biochemistry and biophysics are organized, arranged, played out in space and time to produce a creature who grows and divides and is.

This is what I know. Don't settle for 40, 50, or even 80 percent. A relationship-it shouldn't be too small or too tight or even a little scratchy. It shouldn't take up space in your closet out of guilty conscience or convenience or a moment of desire. Do you hear me? It shold be perfect for you. It should be lasting. Wait. wait for 100 percent.

We never deal with propaganda. We never deal with politics. We never deal with newspaper headlines. We deal with the harsh realities of our lives. We will only comment when there is more bread to eat, more space in which to move, time in which to open your mouth and sing. As long as these things have not happened, we do not talk about politics.

The distribution of species on islands and continents throughout the world is exactly what you'd expect if evolution was a fact. The distribution of fossils in space and in time are exactly what you would expect if evolution were a fact. There are millions of facts all pointing in the same direction and no facts pointing in the wrong direction.

Instead of giving the effort the level of attention needed, the Air Force has wasted a year doing very little to end our reliance on Russian rocket engines, if the Air Force is unwilling to do what is necessary to meet the 2019 deadline, they are going to have to figure out how to meet our space launch needs without the RD-180 (Russian engine).

One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have - space inside which makes more space for openness outside.

In each experience of my life, I have had to step out of one little space of the known light, into a large area of darkness. I had to stand awhile in the darkness, and then gradually God has given me light. But not to linger in. For as soon as that light has felt familiar, then the call has always come to step out ahead again into new darkness.

... each of the 24 modes in the Ramanujan function corresponds to a physical vibration of a string. Whenever the string executes its complex motions in space-time by splitting and recombining, a large number of highly sophisticated mathematical identities must be satisfied. These are precisely the mathematical identities discovered by Ramanujan.

What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images.

I am sitting here 93 million miles from the sun on a rounded rock which is spinning at the rate of 1000 miles an hour... and my head pointing down into space with nothing between me and infinity but something called gravity which I can't even understand, and which you can't even buy any place so as to have some stored away for a gravityless day.

Bohm's interpretation of quantum physics indicated that at the subquantum level, the level in which the quantum potential operated, location ceased to exist. All points in space became equal to all other points in space, and it was meaningless to speak of anything as being separate from anything else. Physicists call this property 'nonlocality.'

Films are born from screenplays and they are guided by words. They are born very limited and there is no space for real creation: graphic creation, pictorial creation, or audiovisual creation. If we really want to use the art of animation with all its strength, we have to rethink the processes by which it's made because the medium is the message.

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