Space Quotes - Page 93

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Sometimes maybe you need an experience. The experience can be a person or it can be a drug. The experience opens a door that was there all the time but you never saw it. Or maybe it blasts you into outer space...All that negative stuff. All the pain...It just floted away from me, I just floated away from it...up and away.

Every major technological step forward has profoundly changed human society - that's how we know they're major, even if we don't always realise it at the time. Farming created cities. Writing, followed eventually by printing, vastly increased the preservation and transmission of cultural information across time and space.

Nearly everybody I know does something to try to remove herself to clear her head and to have enough time and space to think... All of us instinctively feel that something inside us is crying out for more spaciousness and stillness to offset the exhilarations of this movement and the fun and diversion of the modern world.

I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.

We needed a "psychenaut" program to be the opposite of the astronaut program in order to explore the enormous domains and dimensions of inner space. We need inner space exploration. We need to have access to more capacities in order to be adequate stewards of this most incredible process of transformation in human history.

I have never felt any rest in sleep. For a few seconds I am numbed, then a new life begins, freed from the conditions of time and space, and doubtless similar to that state which awaits us after death. Who knows if there is not some link between those two existences and if it is not possible for the soul to unite them now?

The Tyranni rule fifty worlds; they are outnumbered hundreds to one. In such a position, simple force is insufficient. Devious methods, intrigue, assassination are their specialties. The net they weave across space is a wide one, and close-meshed. I can well believe that it extends across five hundred light-years to Earth.

As children, we had access to all the open space imaginable. We would set up camps in rural Utah where the Tempest Company was at work laying pipe. We spent time around the West in Wyoming, Idaho, Nevada, and Colorado. Wild beautiful places. Now, many of these natural places have disappeared under the press of development.

The intellectual tradition of the West is very individualistic. It's not community-based. The intellectual is often thought of as a person who is alone and cut off from the world. So I have had to practice being willing to leave the space of my study to be in community, to work in community, and to be changed by community.

Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.

Are you distracted by outward cares? Then allow yourself a space of quiet wherein you can add to your knowledge of the Good and learn to curb your restlessness. Nowhere can a man find a quieter or more untroubled retreat than in his own soul. Avail yourself often, then, of this retirement, and so continually renew yourself.

Joy is a freedom. It helps a person to find his/her own liberation. The person who is joyous takes responsibility for the time he/she takes up and the space that he/she occupies. You share it! Some of you have it ... you share it! That is what joy is! When you continue to give it away you will still have so much more of it.

Obviously technologies that are sustainable are a logical first step to creating a just society, one that doesn't trample life in all its forms, whether it's other humans or other life forms on the earth, one that acknowledges that we're all sharing the space and that there needs to be room for every living thing somewhere.

In spite of the opinions of certain narrow-minded people, who would shut up the human race upon this globe, as within some magic circle it must never outstep, we shall one day travel to the moon, the planets, and the stars, with the same facility, rapidity, and certainty as we now make the voyage from Liverpool to New York!

In 2009 I went up on the space shuttle. I was in space for 16 days and docked at the space station for 11 days. The entire crew did five space walks, of which I was involved with three of them. When you're doing a space walk, you always have a buddy with you. It's a very dangerous environment when you're doing a space walk.

Who know what life is going to be like. I mean, there was no demand for the spaces before. It's not like people were flocking to Sochi before; they just didn't have enough hotel rooms and arenas to fill the need. So that's what we'll look at when we go there. But we'll wait a few years until things kind of return to normal.

Lifes That Way was an extraordinarily difficult book to write, because it wasnt written as a book. It was written as a journal of events that were happening as I wrote it, without the space or time either to digest or analyze those events and without the hindsight and peace that writing in the aftermath would have provided.

The supposed astronomical proofs of the theory [of relativity], as cited and claimed by Einstein, do not exist. He is a confusionist. The Einstein theory is a fallacy. The theory that ether does not exist, and that gravity is not a force but a property of space can only be described as a crazy vagary, a disgrace to our age.

When buyers see the pride of ownership - when they come in, and they're impressed by how clean the place is - they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they'll pay more money, too.

Kids today aren't listening to music audio-only. They're picking up a CD and looking at the lyric sheet and wondering why the pictures aren't moving around. Who wants to do that? It's like Bam Bam Flintstone hanging with the dinosaurs vs. Elroy Jetson who's flying around space. If I'm a kid, I wanna be kicking it with Elroy.

In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.

In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.

What I love about what I get to do is that I'm allowed to create the stories that I want to tell with minimal interference by some very big corporations like Microsoft and Sprint and EA and BioWare. The advantage that these tech companies have is that they understand the space organically, versus traditional media companies.

Each full, deep inhale creates more space in your body and mind. Each long, exhale moves you directly into that space. The deeper you breathe, the more opens up. It's like opening a door and walking through with each breath. The fuller your breaths the more and more doors open on up, leaving you with the space to walk on in!

People are using GPS systems to find millions of little hidden objects throughout the world - often as simple as a piece of Tupperware hidden in the woods. You go to a website, you get the latitude and longitude to get the specific location of a certain specific hiding space, and then you go there and see if you can find it.

Identity means "how do I get known? How do I expressmyself?" and that's generally what I'm helping somebody do. It may be three dimensional, it may be a public space, it may involve government,it may involve cultural institutions, it may involve corporations, it may involve editorial publications - it can be anything, really.

Men can be effective allies by making space and amplifying the voices of women around them. When each of us is an ally in our own sphere of influence - when we embrace the fact that representation is everyone's responsibility, all of the time - we won't have to go to the movies to see a world that's free of toxic masculinity.

Treading the soil of the moon, palpating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from Terra-these form the most romantic sensation an explorer has ever known . . . this is the only thing I can say about the matter. The utilitarian results do not interest me.

In our usual mind state, we are continually activating the process that in Buddhist terminology is known as 'bhava,' which literally means 'becoming.' In this space of becoming, we are subtly leaning forward into the future, trying to have security based on feeling that we can hold on, we can try to keep things from changing.

When I am doing things around the house - when I'm decorating, setting up furniture, putting out a vase of flowers, lighting my candles, my mind is always thinking, "What do I need to do to make this space peaceful and restful and comfortable so that when people walk into it, aesthetically they're heightened and enlightened?"

If one wanted to depict the whole thing graphically, every episode, with its climax, would require a three-dimensional, or, rather, no model: every experience is unrepeatable. What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space.

Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.

Objectively good spaces to work rarely end up being so; in their faultlessness, quiet and well-equipped studios have a habit of rendering the fear of failure overwhelming. Original thoughts are like shy animals. We sometimes have to look the other way - towards a busy street or terminal - before they run out of their burrows.

Night and day the river flows. If time is the mind of space, the River is the soul of the desert. Brave boatmen come, they go, they die, the voyage flows on forever. We are all canyoneers. We are all passengers on this little mossy ship, this delicate dory sailing round the sun that humans call the earth. Joy, shipmates, joy.

Any kind of creativity is not settling down into a happy little space. I don't try to be mellow or anything. I think I have quite... my voice is what it is, no matter what I'm singing, it's always going to sound like me. There's not too far I could go. I sound like myself. I hope that I haven't put any boundaries on anything.

We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.

A somewhat casual observer from outer space might well deduce that the course of evolution in this planet had produced a species of large four-wheeled bugs with detachable brains; peculiar animals which rested when they sent their brains away from them but performed in rather predictable manner when their brains were recalled.

He pivoted, gaze following me as I crossed to the shower and turned on the cold water, so it would drown out our conversation without steaming up the room. Great," he muttered."Now they're going to think we're showering together. Maybe we can just tell them we were washing off the crawl space dirt and trying to conserve water.

Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.

I would see my hometown, Los Angeles, change. Green space and orange groves gave way to cement, freeways flooded with traffic, and air pollution, all in the name of "progress." I felt like I was losing my home. It had a profound effect on me, and I realized just how important nature was to my spirit, my soul, my point of view.

Don't have conversations taking place in empty space. Weave in background details of where the action (dialogue is a form of "action") is taking place. Don't have invisible people talking, either. Let the reader see them as they speak - their facial expressions and gestures. And by all means "cue" the speeches to the speakers.

I'm old enough to remember the advent of CD. You thought, "What's this piece of space age technology that's in front of me?" Now I ask, "When's the last time you bought a CD?" You see things come and you see things go, and you have to be on your toes and be nimble and stay with it, or you die. It's exciting. I love technology.

The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.

A science of all these possible kinds of space [the higher dimensional ones] would undoubtedly be the highest enterprise which a finite understanding could undertake in the field of geometry... If it is possible that there could be regions with other dimensions, it is very likely that God has somewhere brought them into being.

'Waveform' puts you in charge of the wavy pathway of a ship in space. Hit the good stuff and avoid the bad things. While it sounds simple, this title will keep you on your toes as you try to navigate the dark inky space. By hitting the items you want or following the correct path, you build up your combo as well as your speed.

When something enters your life that is so big and so non-negotiable as catastrophic illness, you either go in denial for a while or ultimately you accept it and you make space for it. And in making space for it, you illuminate a lot of things that you normally don't have room for you simply just look at the world differently.

You need to be able to hit, kick, grapple, wrestle, but for me so much of this is about the mind, about feeling you are in complete control of the space around you, and you know what to do at any moment. That is a wonderful feeling, but it doesn't just happen, you have to work for it, train for it, think about it all the time.

If our friendship depends on things like space and time, then when we finally overcome space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?

It is difficult to see the great dance effects as they happen, to see them accurately, catch them fast in memory. It is even more difficult to verbalize them for critical discussion. The particular essence of a performance, its human sweep of articulate rhythm in space and in time has no specific terminology to describe it by.

The widest thing in the universe is not space; it is the potential capacity of the human heart. Being made in the image of God, it is capable of almost unlimited extension in all directions. And one of the world's greatest tragedies is that we allow our hearts to shrink until there is room in them for little besides ourselves.

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