Space Quotes - Page 105

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Marcus Tullius CiceroMartin Luther King, Jr.Michael JordanSteve JobsJohn C. MaxwellThomas AquinasJean De La BruyereGeorge OrwellFrancis Of AssisiMuhammad Ali
WomenComputersBrainyDepressionNatureSuccess4th Of JulyRunningGirlI Miss You

How long do you remember that it is the Lord who is making you work? But then, by repeatedly analysing like that, you will come to a state when the ego will vanish and in its place the Lord will come in. Then you will be able to say with justice "Thou, Lord, art guarding all my actions from within." But, my friend, if the ego occupies all the space within your heart, where forsooth will there be room enough for the Lord to come in? The Lord is verily absent!

In fact, it seems that present-day science, with one sweeping step back across millions of centuries, has succeeded in bearing witness to that primordial 'Fiat lux' Let there be light uttered at the moment when, along with matter, there burst forth from nothing a sea of light and radiation, while the particles of the chemical elements split and formed into millions of galaxies ... Hence, creation took place in time, therefore, there is a Creator, God exists!

The important thing is that over time, scientific progress transforms things that used to have to be dealt with in a problem-solving mode down to the pattern-recognition space; and from pattern recognition into the rules-based mode. This is the mechanism by which less-trained people are enabled to do more sophisticated things. This is always the way disruption happens. It enables a larger population of less-experienced people to do more sophisticated things.

It is the hope of those who work toward the breakout from planet Earth that the establishment of permanent, self-sustaining colonies of humans off-Earth will ... make human life forever unkillable, removing it from the endangered species list, where it now stands on a fragile Earth overarmed with nuclear weapons. Second, the opening of virtually unlimited new land areas in space will reduce territorial pressures and therefore diminish warfare on Earth itself.

There is an idea in Kabbalah that the creation of the world is created through space. God is an ever present Being, and in order for anything outside of Him to exist, like this world for example, there needs to be what's called a TumTum[a], or a withdrawal of Godly-like. And that withdrawal happens not by connection but actually by separation. Conflict. And in the gap of that conflict is where the world is situated. That's where the world is created and lived.

Our intellectual powers are rather geared to master static relations and that our powers to visualize processes evolving in time are relatively poorly developed. For that reason we should do (as wise programmers aware of our limitations) our utmost to shorten the conceptual gap between the static program and the dynamic process, to make the correspondence between the program (spread out in text space) and the process (spread out in time) as trivial as possible.

I have finally mastered what to do with the second tennis ball. Having small hands, I was becoming terribly self-conscious about keeping it in a can in the car while I served the first one. I noted some women tucked the second ball just inside the elastic leg of their tennis panties. I tried, but found the space already occupied by a leg. Now, I simply drop the second ball down my cleavage, giving me a chest that often stuns my opponent throughout an entire set.

The greenest fuels are the ones that contain the most energy per pound of material that must be mined, trucked, pumped, piped, and burnt. [In contrast], extracting comparable amounts of energy from the surface would entail truly monstrous environmental disruption.... The greenest possible strategy is to mine and to bury, to fly and to tunnel, to search high and low, where the life mostly isn't, and so to leave the edge, the space in the middle, living and green.

When the sacred manifests itself in any hierophany, there is not only a break in the homogeneity of space; there is also a revelation of an absolute reality, opposed to the nonreality of the vast surrounding expanse. The manifestation of the sacred ontologically founds the world. In the homogenous and infinite expanse, in which no point of reference is possible and hence no orientation can be established, the hierophany reveals an absolute fixed point, a center.

We on Earth have just awakened to the great oceans of space and time from which we have emerged. We are the legacy of 15 billion years of cosmic evolution. We have a choice: We can enhance life and come to know the universe that made us, or we can squander our 15 billion-year heritage in meaningless self-destruction. What happens in the first second of the next cosmic year depends on what we do, here and now, with our intelligence and our knowledge of the cosmos.

I would require every producer of food to follow and have enforced a standard safety plan. We know how to produce safe food. It has a horrible name; it's called HACCP - Hazard Analysis and Critical Control Point - and this was a food safety system that was developed for NASA so that astronauts wouldn't get sick in outer space. If you just think about what it might be like to have food poison under conditions of zero gravity, you don't even want to think about it.

The catastrophe story, whoever may tell it, represents a constructive and positive act by the imagination rather than a negative one, an attempt to confront the terrifying void of a patently meaningless universe by challenging it at its own game. [. . .] Each one of these fantasies represents an arraignment of the finite, an attempt to dismantle the formal structure of time and space which the universe wraps around us at the moment we first achieve consciousness.

Human beings have got a lot of good, noble impulses inside them, and most people want to be good and do more good than they do evil. Hell, we've had nuclear weapons now for thirty or thirty-five years and nothing's happened yet. That in itself seems to be a miracle. If Reagan pushes the button or somebody pushes the button in Russia or somebody pushes it in Costa Rica, they can put a big tombstone in outer space that says, "We gave it a good try." Because we have.

There's no way anyone's going to understand my own personal experiences, where the songs came from, because they're mine. But I was very conscious of leaving loads of space in the songs so that people could interpret them with their own memories, feelings, and emotions. I love the process of taking stuff away so that people could finish the songs themselves. I was hoping it'd end up being as universal as possible, even though it comes from the most personal place.

Confronted with the loving-sharing Consensus of subject-SUBJECT relationships all Authoritarianism must vanish. The Fairy Family Circle, co-joined in the shared vision of non-possessive love - which is the granting to any other and all others that total space wherein each may grow and soar to his own freely-selected, full potential - reaching out to one another subject-to-SUBJECT, becomes for the first time in history the true working model of a Sharing Consensus!

It is amazing that 2001: A Space Odyssey has not aged at all, except for a few minor technical gadgets. The main reason is, of course, the philosophical or spiritual element in this story. We know as little today about the secrets of Creation and evolution as we knew before, and it is not likely that we'll ever know much more. We'll have to be satisfied, as Kubrick was, respectfully admiring the potential for evolution within the mystery of the universe's creation.

By entering through faith into what God has always wanted to do for us - set us right with him, make us fit for him - we have it all together with God because of our Master Jesus. And that's not all: We throw open our doors to God and discover at the same moment that he has already thrown open his door to us. We find ourselves standing where we always hoped we might stand - out in the wide open spaces of God's grace and glory, standing tall and shouting our praise.

We have indeed been out in space, but some are under the illusion that we have been off Earth. In reality humans have never been off Earth. We have always been on a piece of Earth in space. We survive only as long as we can breathe the air of Earth, drink its waters, and be nourished by its foods. There is no indication that as humans we will ever live anywhere else in the universe. Place, too, is continuously being transformed but only within its own possibilities.

'As a fraction of your tax dollar today, what is the total cost of all spaceborne telescopes, planetary probes, the rovers on Mars, the International Space Station, the space shuttle, telescopes yet to orbit, and missions yet to fly?' Answer: one-half of one percent of each tax dollar. Half a penny. I'd prefer it were more: perhaps two cents on the dollar. Even during the storied Apollo era, peak NASA spending amounted to little more than four cents on the tax dollar.

Possibly worst of all, from the standpoint of the dedicated enemies of freedom, the Internet is a world that libertarians - having been marginalized for three decades by the establishment media - have made their own, almost without effort. It's an alternative reality (unlike 'meat-space' we live in) in which - exactly like intelligence, bravery, or virtue - the human capacity for violence is not additive, and in which it's impossible to initiate force against anybody.

We come no nearer the infinitude of the creative power of God, if we enclose the space of its revelation within a sphere described with the radius of the Milky Way, than if we were to limit it to a ball an inch in diameter. All that is finite, whatever has limits and a definite relation to unity, is equally far removed from the infinite... Eternity is not sufficient to embrace the manifestations of the Supreme Being, if it is not combined with the infinitude of space.

I'd been reading Daniel Defoe's Journal of the Plague Year when the [1992 Los Angeles] riots broke out and I began to see them both - L.A. and the London plague - as the same event. A time of crisis. A time when rich and poor get thrown together - and, suddenly one sees alternatives. I began to think about what happens when the containment of a presumed danger through the regimentation of space breaks down, such as when South-Central L.A. began to invade Beverly Hills.

Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.

Woody Allen once said: "You know there must be intelligent life in space. The question is do they have good Chinese restaurants and do they deliver?" Which is really a joke, but it is also a very profound remark. When you say do they have good Chinese restaurants, what you're really saying is, "How much are they like us?" And when you say, "Do they deliver?" you're saying, "Can they get here?" Both of which are profound questions. And at the present, we have no answers.

One Chief Astronaut used to make a point of phoning the front desk at the clinic where applicants are sent for medical testing, to find out which ones treated the staff well-and which ones stood out in a bad way. The nurses and clinic staff have seen a whole lot of astronauts over the years, and they know what the wrong stuff looks like. A person with a superiority complex might unwittingly, right there in the waiting room, quash his or her chances of ever going to space.

When people are dying, they call their old enemies and try to forgive them and try to be forgiven by them. They call their old friends and affirm their love for them, as well as detach themselves from them, and they try to get into as free a space as they can so they're really ready to go. They give away all their possessions and are as generous as possible. They give up old hatreds and grudges, and that's a wise intuitive thing, because it's much freer to live like that.

What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.

The freedom of an individual depends upon that individual's freedom to alter his considerations of space, energy, time and life and his roles in it. If he cannot change his mind about these, he is then fixed and enslaved amidst barriers such as those of the physical universe, and barriers of his own creation. Man thus is seen to be enslaved by barriers of his own creation. He creates these barriers himself, or by agreeing with things which hold these barriers to be actual.

Now, more than ever, we need people in space... The events of September 11 show us how vulnerable we and our civilization are down here on Earth... So let us use our strength, our awareness of mortality as a civilization, to do something truly lasting and earth-shaking for humanity. Let us join with the peoples and cultures of this planet, the diversities of its perspectives and religions and science, so we can leave it-not behind, but as a springboard to something better.

He knows that after him everything will continue on much as before, except that there will be a minuscule absence, a barely detective gap in the so-called grand scheme, one unit fewer now. Or not even that, not even an empty space where he once was, for all will rush immediately to fill that vacuum. Pft. Gone. Recollections of him will remain in the minds of others for a while, but presently those others too will die and his few relics with them. And then all will be dark.

The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. To protect what is wild is to protect what is gentle. Perhaps the wilderness we fear is the pause between our own heartbeats, the silent space that says we live only by grace. Wilderness lives by this same grace. Wild mercy is in our hands.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

This is life. It is everywhere, and it is here for the taking. I am alive and I know this, now, in a more profound way than when I am doing anything else. These sights are ephemeral, fleeting treasures that have been offered to me and to me alone. No other person in the history of the world, anywhere in all of time and space, has been granted this gift to be here in my place. And I am privileged, through the camera, to take this moment away with me. That is why I photograph.

Einstein's space is no closer to reality than Van Gogh's sky . The glory of science is not in a truth more absolute than the truth of Bach or Tolstoy, but in the act of creation itself. The scientist's discoveries impose his own order on chaos, as the composer or painter imposes his; an order that always refers to limited aspects of reality, and is based on the observer's frame of reference, which differs from period to period as a Rembrant nude differs from a nude by Manet.

During this period (of technological confinement / [and language]) the human mind has been placed in its narrowest confines it has experienced since consciousness emerged from its Paleolithic phase. Even the most primitive tribes have a larger vision of the universe, of our place and functioning within it, a vision that extends to celestial regions of space and to interior depths of the human in a manner far exceeding the parameters of our world of technological confinement.

To all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing. If we give the attributes of a medium to the artist, we must then deny him the state of consciousness on the aesthetic plane about what he is doing or why he is doing it. All this decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis, spoken or written, or even thought out.

The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.

We can see from the experience of Odin that the image of the tree was the template within which all of the sacred world could be apprehended. The tree was the framework within which one "flew" to these Otherworlds. And since the exploration of sacred space was also a quest into the nature of human consciousness, the tree was regarded as an image of the ways in which we, humans, are constructed psychically. It was a natural model for our deepest wisdom, our highest aspirations.

I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.

The whole universe is one. There is only one Self in the universe, only One Existence, and that One Existence, when it passes through the forms of time, space, causation, is called by different names, buddhi, fine matter, gross matter, all mental and physical forms. Everything in the universe is that One, appearing in various forms. When a little part of it comes, as it were, into this network of time, space and causation, it takes forms. Take off the network, and it is all one.

Ambient means the natural center or atmosphere of a space. All music has that in it- a space or center. I think it just means the atmosphere or what defines the environment of sound and maybe removing the more destructive, harsh elements and harder rhythmic elements and you get down to the stillness that's inherent. There's an ambient quality in every sound. You may have to enhance that to hear it or bring it out in a different way but there is that in every environmental sound.

It is sometimes said that one of the casualties of the general suspicion and mistrust that permeated the old Soviet Union was that the distinction between truth and other motivations to believe tended to break down. Upon hearing a purported piece of information, the reaction was not 'Is this true?' but 'Why is this person saying this? - What machinations or manipulations are going on here?' The question of truth did not, as it were, have the social space in which it could breath.

We must acknowledge that we made a huge error in satisfying the lowest common denominator of the available human potential in Nigeria and we elevated what I call the reign of mediocrity. Quite frankly, I think it is about repudiating the past, creating space for new thinking for the best of the new generation, creating both political and geographical space and going at it with single mindedness that says, 'enough of buttering, sentiments and massaging the ego of the old brigade'.

When I showed ‘Black and the Red III’ in Malmö, Sweden, it was a continuum - a band - all around the galleryseeing this huge space in the gallery in Malmö, I just took a deep breath and I put the paper around in a single band. Then I continued along, printing on the wall like a trompe l’oeil to reiterate the images in the work printed on paper that I had push-pinned to the wall. I literally took the rhythm and the images from ‘Black and the Red III’ and continued that on the wall.

Ethical religion affirms the continuity of progress toward moral perfection. It affirms that the spiritual development of the human race cannot be prematurely cut off, either gradually or suddenly; that every stone of offence against which we stumble is a stepping-stone to some greater good; that, at the end of days, if we choose to put it so, or, rather, in some sphere beyond the world of space and time, all the rays of progress will be summed and centred in a transcendent focus.

Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.

Hearing, seeing and understanding each other, humanity from one end of the earth to the other now lives simultaneously, omnipresent like a god thanks to its own creative ability. And, thanks to its victory over space and time, it would now be splendidly united for all time, if it were not confused again and again by that fatal delusion which causes humankind to keep on destroying this grandiose unity and to destroy itself with the same resources which gave it power over the elements.

Doth not this Æthereal Medium in passing out of Water, Glass, Crystal, and other compact and dense Bodies into empty Spaces, grow denser and denser by degrees, and by that means refract the Rays of Light not in a point, but by bending them gradually in curve Lines? And doth not the gradual condensation of this Medium extend to some distance from the Bodies, and thereby cause the Inflexions of the Rays of Light, which pass by the edges of dense Bodies, at some distance from the Bodies?

Louise, I would gladly fire the past for you, go and not look back. I have been reckless before, never counting the cost, oblivious to the cost. Now, I've done the sums ahead. I know what it will mean to redeem myself from the accumulations of a lifetime. I know and I don't care. You set before me a space uncluttered by association. It might be a void or it might be a release. Certainly I want to take the risk. I want to take the risk because the life I have stored up is going mouldy.

While big corporations make huge, tax-free profits, taxes for the everyday working person skyrocket. While politicians take free trips around the world, those same politicians cut back food stamps for the poor. While politicians increase their salaries, millions of people are being laid off. I do not understand a government so willing to spend millions of dollars on arms, to explore outer space, even the planet Jupiter, and at the same time close down day care centers and fire stations.

Share This Page