Quotes of All Topics . Occasions . Authors
A city is where you can sign a petition, boo the chief justice, fish off a pier, gaze at a hippopotamus, buy a flower at the corner, or get a good hamburger or a bad girl at 4 A.M. A city is where sirens make white streaks of sound in the sky and foghorns speak in dark grays. San Francisco is such a city.
The problem with modern politics is everybody is doing sound bite stuff. In my stump speech, I give 20 minutes on why I think we're off track. And I think people do really want to engage in a serious high-level discussion on how to get the country back on track because people care about their own country.
I can work a lot faster when I'm writing a screenplay than when I'm writing a play because, if I'm having a problem with a scene or something, I can just be writing it in a way where there's no dialogue, or find a way to make sound do the work that I want to do or a close-up do the work that I need to do.
I have tried every amp, distortion box, gadget etc. that has ever been made since 1967 to present and nothing has sounded like the Tonebone. It has become an incredible asset to my sound and I recommend this to anyone who is looking for that NATURAL warm sound with sustain for days and days! Buy this now!
In 'The Sound of Music,' I was a von Trapp daughter in a white dress with a blue satin sash, and my line was, 'I'm Brigitta. I'm 12, and all I want is a good time.' I got a laugh. And I was so delighted, I laughed, too. Sadly, that's a problem I still have - onstage, I laugh hysterically at how funny I am.
Even more than in the concert hall, in church there are things you can and cannot do, just out of respect. You would never have the sound of someone being nailed to a cross, or the sound of a child being born, because everybody knows the story. We know that we're meant to feel a complicated raft of things.
I put myself on tape and the cool thing was that Martin Scorsese had never heard of me. He had never seen [Everybody Loves Raymond]. I was just an unknown actor to him. I don't want to sound conceited, like he has to know who I am, but that seemed a little odd. He's a film genius. He doesn't watch sitcoms.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
The investor with a portfolio of sound stocks should expect their prices to fluctuate and should neither be concerned by sizable declines nor become excited by sizable advances. He should always remember that market quotations are there for his convenience, either to be taken advantage of or to be ignored.
People want leaders. Not ideologues. Not people whose life experiences have been so narrow that they've been able to maintain the purity of their youthful ideals. Not people whose principal contact with political life comes in the form of speeches and sound bites rather than decisions and responsibilities.
Fairy folk a-listening Hear the seed sprout in the spring, And for music to their dance Hear the hedgerows wake from trance, Sap that trembles into buds Sending little rhythmic floods Of fairy sound in fairy ears. Thus all beauty that appears Has birth as sound to finer sense And lighter-clad intelligence.
In 2003, I wrote a New York Times best-seller called 'Shut Up & Sing,' in which I criticized celebrities like the Dixie Chicks & Barbra Streisand who were trashing then-President George W. Bush. I have used a variation of that title for more than 15 years to respond to performers who sound off on politics.
Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.
It strikes me as a sound, honest statement for a prospective voter to say: 'Look, I haven't given this election a minute's thought, and it's just not fair for me to cancel out the vote of someone who actually gives a damn.' Indeed, it's not just sound and honest - it's the ethically responsible thing to do.
I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.
Under Marxism-Leninism, the self-proclaimed ideology of the Chinese Communist Party, individuals do not possess inherent value. People are merely a tool to achieve the ends of the collective nation-state. The idea may sound inhumane, but it is as fundamental to the CCP as the Bill of Rights is to Americans.
At present, the most effective way of preventing war would be for statesmen to direct politics so as to support a sound nationalism. This leads to concordance between people of kindred race and languages, whereas the conquest and coercion of people of different race and language inevitably lead to new wars.
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
Even with the 'Top Boy' series with Ashley Walters... I've been talking like on the creative direction wave with Drake about the series. Making greatness with it. The whole style of what's going on in London, the sound, is real. It's an actual thing that actually happened. So it deserves to be on the telly.
People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
I shall not convert you at the end of my argument. I think the argument is sound. I hold that belief in God is not merely as reasonable as other belief, or even a little or infinitely more probably true than other belief; I hold rather that unless you believe in God you can logically believe in nothing else.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
The way Woody Allen directs, there isn't a lot of direction. He kind of might give a few gentle suggestions, but he really says right from the first day, "Just make it sound natural, and if you don't like something, put it in your own words." And [Woody Allen] gives you a lot of freedom and just very polite.
I always think of albums as the format. I think it's perfect. I don't think you can tamper with that. It's not just sound, the analog, which is so much richer. It's the format. You're constrained by just 45 minutes, and it's perfect to me. I don't want to listen to any more than, and I live and breathe music.
Describing laughter: The sound is produced by a deep inspiration followed by short, interrupted, spasmodic contractions of the chest, and especially the diaphragm... the mouth is open more or less widely, with the corners drawn much backwards, as well as a little upwards; and the upper lip is somewhat raised.
You start to realize that the things that are different about you are the things that make you special. And, as cliche as at that sounds, you realize that if you are lucky enough to have something that is different about you...don't try to hide it. I don't try to blend in anymore, it's all about standing out.
I love finding out why people don't love things. And if you ask people why they don't like things, particularly when they get into this sort of culture box, you find out that they're not liking things because of what people are going to think about them, and not because of what the things actually sound like.
If you repeat something enough it can literally physically change the air particles around you and it can infuse the air with this sacred sound vibration, or it can change your material body, like transform your flesh to spirit. These are all beliefs within the Hare Krishna philosophy we were brought up with.
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. "I should've drowned you when I had the chance." His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt.
It may sound paradoxical, but however tight our schedule, however many things clamor to be done, we don't need to hurry. If we can keep our mind calm and go about our business with undivided attention, we will not only accomplish more but we'll do a better job - and find ourselves more patient, more at peace.
You can hear the profile of a sound, in retrospect, so much more clearly than you did at the time. And I think one of the things that's going to be nauseatingly characteristic about so much music of now is its glossy production values and its griddedness, the tightness of the way everything is locked together.
The roles of art, morality, religion, political faith, science itself are not to repair organic exhaustion nor to provide sound functioning of the organs. All this supraphysical life is built and expanded not because of the demands of the cosmic environment but because of the demands of the social environment.
I met him while I was imprisoned," I say, and my voice sounds far away even to me. "I was just curious." "I wouldn't judge him too harshly," says Fernando. "Jeanine can be extraordinarily persuasive to those who aren't naturally suspicious. I have always been naturally suspicious." ... "Yeah," I say. "So have I.
With a live performance, you feel nervous because there's a sense it could do well or badly based on how well you are performing, whereas the only variable with a film premiere is technical, which invariably you have very little control over, whether the sound is good, whether the acoustics of the room are good.
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.
Often, I think you find that you're enjoying certain things, you've got this new way of listening, and you find that you really enjoy the way that sounds on it and the way this other thing sounds on it and the way that other thing sounds on it. So, you're finding a new pleasure that you didn't know about before.
I really comprehend the fact that some of what I have to say sounds a little weird. But the more and more I purge myself of the stuff that had my focus so turned away from God, the more I shred myself, the more I have a greater connection to God. And what I know now that I didn't know then is that's why I'm here.
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
It all comes down to what you truly love doing, and what I love doing is overdubbing and making new sounds out of things that are sometimes quite ordinary on their own, but when you put them together, they make something new--or something that sounds new. Just discovering things like that musically is a pleasure.
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
In the absence of sound oversight, responsible businesses are forced to compete against unscrupulous and underhanded businesses, who are unencumbered by any restrictions on activities that might harm the environment, or take advantage of middle-class families, or threaten to bring down the entire financial system.
I don't want to sound Pollyannish about this. I understand that poverty is never just poverty. It's often this collection of maladies, this compounded adversity. I'm not naive about the problem. But I think that stable, steady housing is one of the surest footholds we could have on the road to financial stability.
It can sound trite if you just say citizens need to be educated for democracy to work, but for him it wasn't trite. It was really this strenuous challenge to citizens to use their moments of leisure, which he defined as time away from work, to collect the facts that were necessary for full democratic participation.
When companies are trying to find a state to locate a new business or factory, they look at a number of factors - including tax structure, employment base, infrastructure, education system, etc. One of the most important is a strong and sound health care system in the communities where employees will work and live.
Not a single one of the doctrines of Marx has ever been accepted by any economist or any philosopher. But what of it? It was necessary that Gaiseric should convince economists or philosophers that there were sound reasons why he should capture Rome. He and his followers wanted it, and they had the power to take it.
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
Although we have no actual written communications from the world of emptiness, we have some hints or suggestions about what is going on in that world, and that is, you might say, enlightenment. When you see plum blossoms or hear the sound of a small stone hitting bamboo, that is a letter from the world of emptiness.
When I created the Cruiserweight division in WCW, nobody called them cruiserweights in the industry at that point. That was a boxing term, not a wrestling term, but I did not want to call them junior heavyweights, light heavyweights, or anything that made them sound diminutive. I wanted it to sound special and cool.
Racial profiling punishes innocent individuals for the past actions of those who look and sound like them. It misdirects crucial resources and undercuts the trust needed between law enforcement and the communities they serve. It has no place in our national discourse, and no place in our nation's police departments.
Having a band was part of my heart's desire, musically. Within myself, I was saying that, 'Not until you have a band for yourself can you maintain the standard of your songs,' and the sound become a foundation. You don't have to feel around for two or three weeks for the sound because the foundation is already built.