Quotes of All Topics . Occasions . Authors
A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste.
There is no reason to make the search for friendship sound like an animal instinct. Friendship does not always come as a result of a search; it can come when we least look for it, just as it denies itself when we pursue it too earnestly and with pathetic eagerness.
It's hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.
I wanted to tell you that I just--I miss you. And maybe that sounds ridiculous--like we barely know each other, but between the emails and texts and... everything else, I felt like we did. Like we do. and I miss--I don't know how else to say it--I miss both of you.
We have as many planes of speech as does a painting planes of perspective which create perspective in a phrase. The most important word stands out most vividly defined in the very foreground of the sound plane. Less important words create a series of deeper planes.
There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.
All I maintain is that on this earth there are pestilences and there are victims, and it's up to us, so far as possible, not to join forces with the pestilences. That may sound simple to the point of childishness; I can't judge if it's simple, but I know it's true.
The reader's ear must adjust down from loud life to the subtle, imaginary sounds of the written word. An ordinary reader picking up a book can't yet hear a thing; it will take half an hour to pick up the writing's modulations, its ups and downs and louds and softs.
This hype word bothers me though It always sounds like an accusation, what does it mean, advertising, column inches in the press? Bands themselves are never really responsible for all of that. That is something that happens to you when you sell millions of records.
I'm working on poems about work, I guess. Or related to work. Which sounds dull as drywall but I'm having great fun working the vernacular of work into poems. I'm also writing some poems about family. And I don't know, just writing. Taking breaks. Writing some more.
One of my most persistent, long-term fantasy wishes is not that I could fly or become invisible, but that I could make sound recording be invented decades or even centuries earlier than it was, so I could hear what people in the 1830s or 1750s actually sounded like.
Although housing sales and starts have cooled to more typical levels, the housing market remains strong and sound. Without the expansion of homeownership and the strength of our housing market, our nation would not have the economic growth we are experiencing today.
Certainly being proficient in an instrument does have its problems. Because the better you get, the more you just start sounding like an ordinary guitarist. There are certainly guitarists that transcend that and do really find their sound and all that sort of stuff.
The equipment you've got really dictates what you're going to do. When I started touring, there were no monitors, so I had to take the sound from the hall, and of course it was on a delay, so I would sing, and then I would hear it back, but later. It was very weird.
James Ralston, my guitar player, has performed with Tina Turner for about 22 years. Jim Hanson on bass has played with Johnny Cash, Rodney Crowell and Bruce Springsteen, and they're fantastic musicians and amazing singers they get a really cool vocal sound together.
Volunteering has been undervalued in Britain for a long time. Often it has been seen as a kind of cut-price, amateur version of work that would be better done by the state. When politicians speak about it, people hear in the background the sound of budgets being cut.
In 1987, I was in Edinburgh doing my first one-man show. I took part in a kickabout with some fellow comedians and tripped over my trousers and heard this cracking sound in my leg. A couple of days later I went into a coma and was diagnosed with a pulmonary embolism.
I know this sounds incredibly lame, but I don't want losing my virginity to feel like I'm losing something. I want it to feel like I'm finding something. I want sex to be amazing. I want it to be life-alteringly wonderful. And I want it to happen with someone I love.
I have this natural want to... when things sound very easy and straightforward, something inside me always makes me want to take a left turn. If it comes to me and it's too simple, there has to be a more complicated route. I will complicate things like that at times.
The Clash were innovative, radical and helped drive a change in music that was ground-breaking. In comparison to some of the music today they sounded like they meant it. I still listen to their music today to remind myself what music made with commitment sounds like.
Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
Magic is another word that makes people uneasy, so I use it deliberately, because words they are comfortable with, the words that sound acceptable, rational, scientific, and intellectually sound, are comfortable precisely because they are the language of estrangement.
A lot of people are like, "How are you going to re-do it?" I'm not worried about what people are going to say because you know people are gonna be like, "It doesn't sound like this... It sounds like this." I'm just going to make music that I know I'm supposed to make.
3D is great, but I just think of it as another tool, like colour or music or sound. It has the potential to add another emotional layer to certain things if you use it right. But it's not the saviour [of the movies], the be all and end all, the reason to do something.
When you play to an audience, you come away energized. It's the promo that really breaks an artist. Some lad sitting on a box trying to create a drum sound in a dry little studio. Everyone goes, 'Great - okay, now on with my day.' You go back to the bus, and you weep.
My family is from Liverpool, so I have some of those vowel sounds, I've got the slack tone of someone from Birmingham, and then I was raised in Bedford, which is just north of London. So my accent, if it's possible, makes even less sense to a Brit than to an American.
Videos are tricky because stuff sounds amazing on paper and it seems like it's going to be this mystical experience and you're going to look back and go, "Wow, that was magic." But more times than not, it doesn't end up that way, so I never know what I'm going to get.
If I'm on a train, with headphones, MP3s are great. At home, I prefer CD or vinyl, partly because they sound a little better in a quiet room and partly because they're finite in length and separate things, unlike the endless days and days of music stored on my laptop.
The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural... The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
Sound... if you look at bats you know that navigate with sonar, they're like you know they're very precise. They can even see a bat head towards a building and swerve away, but you'll see a bird that doesn't... you know smash right into a glass window. It's very funny.
I decided to do what I do when I was 2 years old. At 2 years old, you know, I heard the sound of a drum playing in the village, and I found my own drum and just picked it up and started playing, the worst song ever written by Wyclef Jean.But it actually started a vibe.
I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.
My favorite animal to hunt is probably elk. There's nothing like the sound of a bugling bull splitting the cold air at first light. And that smell is unmistakable. Once you experience their musk in the wild there's no going back! A close second would be a varmint hunt.
I don't want to sound arrogant and say that I know everything about directing and I've got it cracked, but it was just all in all a joyous experience. To me, the key to directing, to be honest, is just surround yourself with brilliant people and let them do their thing
Sometimes it takes a while to find that perfect balance between knowing who you are, what your sound is, and building the right team to make that happen. Once it all really comes together and it makes sense, both for the audience and your fans, there's no stopping you.
German accents and Hassidic accents aren't that romantic. They're more harsh. Although Hebrew, when spoken by certain people, sounds beautiful. There's this beautiful woman I know who speaks Hebrew, and when she speaks, it's so attractive. Maybe it's who's speaking it.
I like a narrative, even if it's fractured, or kind of psychedelic. But my favorite thing is if I hear words and I close my eyes and the connotations or the image I get in my head, combine with the sound of them - sometimes phonetics. I'm just stringing those together.
I have that precious commodity - freedom. I can live my life a day at a time, and I am open to whatever the next day brings. I know I sound as if I have been off with some guru in India, but I haven't. I've come to realise the value of being able to decide for oneself.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.
We gather the things we learned, and they don't nearly add up to fill the space of a life. You will miss the taste of Froot Loops. You will miss the sound of traffic. You will miss your back against his. You will miss him stealing the sheets. Do not ignore these things.
Classical stuff takes a lot of rehearsal time and preparation, but with stuff that involves improvisation, you can over-rehearse it and it gets stale. You don't want it to be too comfortable. In fact, a good sound check, a good rehearsal usually means a bad performance.
In noise can be read the codes of life, the relations among men. Clamour, Melody, Dissonance, Harmony; when it is fashioned by man with specific tools, when it invades man’s time, when it becomes sound, noise is the source of the purpose and power, of the dream – Music.
Sounds a little like my quote for the week. Do you want to hear it? This is by Augustine: O soul, He only who created thee can satisfy thee. If thou ask for anything else, it is thy misfortune, for He alone made thee in His image can satisfy thee. That's rich, isn't it?
There are writers who pour out words, concepts that sound really important but that basically say nothing. I always tried to be as concise as possible, all to try and reach everyone, but especially the simple people, those who needed to be reached more than anyone else.
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
Take some time to be silent and repeat the sound of God as an inner mantra. Meditation allows you to make conscious contact with your Source and achieve success in every area. If a problem arises, then go within, get very quiet about it and find the answers inside of you
Let's assume for the moment that the logic behind Presidents Day is actually sound for certain presidents. Why not have a separate holiday for Lincoln and one for Washington - as we used to do, before we became so concerned with the 'Every President Gets a Trophy' ethos?
When we believe the best of people, we let go of each thing they do that is hurtful to us. And we choose to think things like, 'I don't believe they meant to hurt me.' 'Maybe they're having a bad day or don't feel well.' 'They probably don't even realize how they sound.'
Usually, impersonations come out of something you dig, because you're listening to it over and over. And you kind of start developing... You're really trying to emulate them, then you realize, 'I sound ridiculous doing this. Oh, hey, maybe this is a funny impersonation.'