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What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.
I was definitely planning to go to college, but I deferred my admission to Carnegie Mellon to be in a non-equity tour of 'The Sound of Music.' But I made very little money in the tour, and college is really expensive, and I thought I'd never be able to pay off those loans.
I loved 'Terminator 2' as a teenager and 'Sound of Music' when I was a kid. I also loved 'Requiem For A Dream' as a college student and 'Mulholland Drive.' And I have loved 'Lincoln' as an adult. They are all the same, as they are all good stories and extraordinary actors.
Feelings aroused by the touch of someone's hand, the sound of music, the smell of a flower, a beautiful sunset, a work of art, love, laughter, hope and faith - all work on both the unconscious and the conscious aspects of the self, and they have physiological consequences as well.
When I was doing 'Family Ties,' I was not quite that mellow as a real father. In fact, my wife used to call me Captain Von Trapp from 'The Sound of Music.' I tended to be a little more authoritarian. I had been a very disciplined child myself, so I made the mistake of thinking one size fits all.
In 'The Sound of Music,' I was a von Trapp daughter in a white dress with a blue satin sash, and my line was, 'I'm Brigitta. I'm 12, and all I want is a good time.' I got a laugh. And I was so delighted, I laughed, too. Sadly, that's a problem I still have - onstage, I laugh hysterically at how funny I am.
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
When I was a senior in high school, I worked at a theater where they hired New York actors. And they told me about 'Backstage,' and so I got my school in Pennsylvania to subscribe. And there was an audition for a tour of 'The Sound of Music,' and I got the job. Deferred my admission to college just to go on tour.
When I did 'The Sound of Music' and 'Mary Poppins' and 'The Americanization of Emily,' all three were in the can and had not yet been released. So I was driving around having a fine time learning about how to make movies and enjoying myself enormously, and then they were released, and it was quite an assault, in a way.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
I am kind of a private person, so I don't miss that part of show business at all. Looking back on my career in television and making a movie like 'The Sound of Music' from an adult point of view, it actually seems kind of unreal. I was involved in shows that people grew up with - that hold memories for them - and it's a cool feeling.
In terms of influence, my style icons have been a mixture of Julie Andrews and Olivia Newton-John. When I was little I used to watch 'Grease,' 'Mary Poppins' and 'The Sound of Music' a lot. If you put all those things together you do kind of get my outfits. A slightly tarty nanny in a second-hand outfit. That is pretty much what I wear.