Quotes of All Topics . Occasions . Authors
I love harmonicas - old blues players like Sonny Boy Williamson.
My little boy Sonny makes me laugh all the time. He has good comedic timing.
Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
I met Sonny after (Blind Boy) Fuller died, and me and Sonny played in the streets like everybody else.
Sonny Liston stood up to me and actually made me give ground. No one has ever done that to me before or since.
If I said I would knock out Sonny Liston in 1 minute and 49 seconds of the first round, that would hurt the gate.
Oh, I listened to a lot of the blues. I love the blues. You know, Slim Harpo, people like that, and Sonny Boy Williamson.
The bottom line is, between Sonny Osborne and Earl Scruggs, I better know how to play banjo. I had the greatest teachers in the world.
Once I beat Gervonta Davis like I've been calling it, that's going to be like history repeats itself with Sonny Liston and Muhammad Ali.
The project that I did between 'Boxer & Saints' was 'The Shadow Hero,' which is illustrated by Sonny Liew, an artist who lives in Singapore.
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
One of my major goals off the field is to conduct myself in a way that... parents are proud to say, 'Oh yeah, look, he wants to be like Sonny Bill Williams.'
I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.
From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto.
Grover Washington was my main influence, and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
Well, Grover Washington was my main influence and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
Sonny Liston is nothing. The man can't talk. The man can't fight. The man needs talking lessons. The man needs boxing lessons. And since he's gonna fight me, he needs falling lessons.
I'd actually love to play Sonny in 'Dog Day Afternoon' now that it's being adapted for Broadway. People don't talk about that movie that much, but it's really a beautiful gay love story.
I'd gone to watch Wortley play in their home tournament but they didn't have enough players so I played for them. I got scouted by a guy called Sonny Sweeney and went to Leeds City Boys.
My hero when I was 14 was Sonny Liston. No matter what kinds of problems you were having with your parents or at school, whatever, Sonny Liston would go and knock guys out, and that made it all right.
Tuppence was what my grandmother nicknamed my mother, so she gave it to me. My sister is called Angel, and my brother was going to be called Bubba or Sonny, until they let me and my sister name him Josh.
I'll never forget the first concert I basically went to. Actually, Sonny and Cher was my first concert, but U2 was my first real concert. I was 17 and saw them at JFK Stadium and had really crappy seats.
Sonny and another Hells Angel who was at the meeting thought they were beyond a little patch so they headed down to a local tattoo shop in Oakland and were the first to get the famous One Percent tattoos.
I've played with some great players and against some great players, and Sonny is special, he's so humble and I think that you underestimate that because of the work he puts in, then his quality, outstanding left foot, right foot.
They used to say it was bad for Indians to drink, but it's bad for anybody. When they drink they lose their cool, a lot of us. Like when we played with Sonny Boy, I would never get paid, you know. He would drink up all the money.
'Donnie Brasco' was 85 percent on the money. The only thing that they slanted was my feelings for Lefty and Sonny', and this idea that I didn't want to go through with seeing them in jail. I was never swayed. There was no conflict.
My mom said to me: 'Sonny, you need to study English.' And I replied to her: 'Mom, I do not need it. I'm going to be horse-boy, would I speak English with horses?' Mom said: 'Darling, you need to.' But I did not listen to my mother.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.
I've never really been serious about my villainy. I don't have a master plan. I suppose my philosophy is: Every villain has a mother. For every cold-blooded killer on your screen, there's a little old lady somewhere who calls him 'sonny.'
For every moment of triumph, there is an unequal and opposite feeling of despair. Take that iconic photograph of Muhammad Ali standing triumphantly over the prostrate, semiconscious wreckage of Sonny Liston. Great photo. Now think of Liston. Do the pleasure/pain calculus.
I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X.
The best compliment came from Knopf's Sonny Mehta. We were at lunch in New York with my editor, Gary Fisketjon, it was my first time meeting Sonny, and after ordering our food, he turned to me and said, 'Adam, I read 'Mr. Peanut' in two days; every page surprised me, and that, I can assure you, doesn't happen often.'
I grew up in the age of variety shows. 'Flip Wilson,' 'Carol Burnett,' 'Donny and Marie,' and 'Sonny and Cher' - I never missed an episode. These shows had it all: singing, dancing, and sketch comedy. One minute, they're ice-skating with pyrotechnics, the next they're doing a scene on a gigantic set. I just couldn't get enough.