Before, I was terrified on stage. I only play guitar during the acoustic songs. After a while, you can elicit certain responses from the crowd, like Elvis.

I think my first song ever was when my cat died. It was this awful, dreadful black cat who was angry and hated everything. Yet I was so upset when it died.

In high school, I was Mr. Choir Boy. I had solos, I was helping out the tenors with their parts and our choir teacher would ask me what songs we should do.

Melodies are very important in a song. Having a great melody and a great hook. That's what I would always come up with a great melody and that's important.

Om is the mysterious cosmic energy that is the substratum of all the things and all the being of the entire universe. It is the eternal song of the Divine.

When I was a child, I was referred to as the Danny Kaye of the family, because I was always impersonating and mimicking people. I was a song and dance man.

So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen.

Okay, a truly great song is a song that makes its own aesthetic intentions clear and then lives up to them and exceeds them in an interesting way. Alright?

Records are one thing, and obviously, without hit songs, you don't have the opportunity to do your shows. But my live show has always been my selling tool.

The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.

I got about 6037 songs I wrote myself and I'm trying to get them on the market and I just wish people could hear them and stuff but they'll do pretty good.

Music for me is this thing that's sort of saved my life over the course of my whole life, whether it be writing songs or listening to other people's stuff.

This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.

The coolest thing about doing live shows is I'm able to give the songs a new life. So even thought they're old, I'm able to do them in a way that's modern.

'Ice Cream' is such a sweet song, just like ice cream! Whenever I need to relieve some stress, or just want to feel better about something, I listen to it.

More than a career, I feel that I've got a function. I see things in a much more holistic way. Some people bake the bread, and some people write the songs.

I hardly ever listen to any of our old stuff now. Once the songs have been recorded and put on to vinyl they become someone else's entertainment, not mine.

Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.

Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.

The poetry and the songs that you are suppose to write, I believe are in your heart. You just have to open up your heart and not be afraid to get them out.

I write songs simply because I get a kick out of making them exist. I'm also sort of addicted to the recording studio, and making albums is my idea of fun.

Whether you're writing a book or a song or whatever, you've got to be involved in it. It's got to come from the heart I think...that's what it's all about.

When you first start writing a song, it's fun, then when you start recording it, it's fun, but by the time you've finished recording it, you're sick of it.

I had always wanted to write a song called 'The Vicious Circle'. I always thought it was like, the kids are born there, they grow up there, they die there.

My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.

The most beautiful, perhaps the only true philosophical song existing in any known tongue ....perhaps the deepest and loftiest thing the world has to show.

I hope people hear my songs and realize that writing music is kind of easy, or that taking your sadness and turning it into a beautiful song is worthwhile.

I heard Nirvana, and discovered that songs could be like poetry, but a little bit more refined: you didn't have to have 20 verses to get your point across.

Will you make a song for him?' the woman asked. 'He has a song,' the man replied. 'He is the prince that was promised, and his is the song of ice and fire.

The song was there before me, before I came along. I just sorta came down and just sorta took it down with a pencil, but it was there before I came around.

I think the humor, when applied in the right amount, only serves to intensify the other emotions in a given song; it highlights them, makes them stand out.

I realized that I started writing songs to make people feel how I felt, rather than just making them feel something. That's not the way I should do things.

I would say I'm an inspirational guidelines book. You can take my life story or scenarios or songs and relate to them and apply them to your everyday life.

Every time you come out with an album or a song, you want to feel like you're growing a bit in what you are and giving people something that they can feel.

When you research prolific songwriters, it is usually later in their career they write songs that they distance themselves from, or it's about other people.

I don't know what any of my songs are about. I don't sit down to write about anything. They're about whatever you want. I don't pick subjects. I just start.

The sea drowns out humanity and time. It has no sympathy with either, for it belongs to eternity; and of that it sings its monotonous song forever and ever.

The best songs are stories, and the best singers storytellers. Great singers can make you care about what they're feeling. You have a sense of knowing them.

I went along and basically learned a few of the songs they were doing at the time, which were quite a few of the songs we ended up doing on our first album.

I think I'm a songwriter. I grab an instrument to make my body a song, but I'm not a player as such, maybe a little more on guitar, but certainly not piano.

I like to write songs about what's happening, what I see around me and what I hear. Everyday life. Someone may be talking to me and I may take it from that.

Everyone wants to understand art. Why not try to understand the song of a bird? ...people who try to explain pictures are usually barking up the wrong tree.

There's a lot of ridiculous hypocrisy about sex in films today. And that's one of the reasons why I made 9 Songs, to say, "Why can't you put sex in a film?"

At the party, Rob Partridge said to me, "You gave hope to other balding men." My new epitaph: "Co-wrote a couple of decent songs and went bald shamelessly."

I think every good song tells a story, as ambiguous and vague as it may be. And if you know what a song is talking about, it can only help your performance.

I was the drummer in a band called Hemsworth for a brief stint, too - it was not very great. I didn't even write the songs, but the band was named after me.

You put a song on the record or on tape and you stop singing it. You just don't sit around and sing it anymore unless you're performing. That's kind of sad.

Between childhood, boyhood, adolescence & manhood (maturity) there should be sharp lines drawn w/ Tests , deaths, feats, rites stories, songs, & judgements.

I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.

What makes a song last is real content from a mind that is thinking a little bit harder about certain things. A lot of artists don't really think that hard.

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