When I'm in a songwriting phase, it's a phase. I don't just suddenly feel inspired and then write a song, because I always write with a co-writer.

It's incredible how one song or even one little phrase or just a few notes, if you really concentrate on it, can be a kaleidoscope of possibility.

We put on certain music when we're going to a party, right? You have that playlist of songs that you listen to before you get pumped up to go out.

People really respond to the songs when I play them in concert. Every song comes from a different place emotionally or from a different headspace.

No, I never sing in the bath. In fact, I've never even practised singing. I would only ever sing indoors if I had to learn a song with my pianist.

I'm not afraid to use my personal experiences and put them into a song. I think that's when you get the best stuff anyway, when it's real emotion.

The coolest part about 'God Made Girls' is you had all these different women writing it, so you had all these different perspectives in this song.

The song 'Tyler Durden' is about the movie 'Fight Club,' so obviously, it's not a personal experience, but I love that song. It's my favorite song.

Stray birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.

What song the Syrens sang, or what name Achilles assumed when he hid himself among women, though puzzling questions, are not beyond all conjecture.

I love writing every song I can like a little mini movie. I like to have a character, or some characters, and really paint a picture with the song.

Every time I'm home from tour I try to write some new songs, but it can get really hard trying to keep up with normal life, I always get so behind.

I took the song The First Time Ever I Saw Your Face from a folk singer called Bonnie Dobson. I knew her and she had a record with that track on it.

Yes, I did lock myself in my room for about two years and write some songs and things like that. But I don't feel like I missed out on a whole lot.

My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.

Hit songs did not come out of musicals. Pop-rock was creating the hits. There were very few songs that made the charts out of any Broadway musical.

I said, other people can write songs, let's see if I can. So the first 400 or 500 wound up on the floor somewhere. Then I wrote one called Melissa.

My wife really pushed me in that direction, to write my own songs and start singing, so I think having the whole family thing is such a huge thing.

There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.

I have never sung a whole song on my own before and I am not the best dancer in the world, but I would rather try and fall than not not try at all.

Sporadic thoughts will pop into my head and I'll have to go write something down, and the next thing you know I've written a whole song in an hour.

In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.

A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.

Once more the liberal year laughs out O'er richer stores than gems or gold: Once more with harvest song and shout Is nature's boldest triumph told.

My first gig, I was about 17 or 18. But I'd been singing a long time. I got a guitar when I was 8, and started trying to write songs as a teenager.

But there's actually a lot of punk bands out there that go out of the norm, use odd time signatures, or a lot of different tempo changes in a song.

I see pictures in my mind and become the character in the song as I'm writing. It's kind of method songwriting, where you're the actor in the song.

My mom is a very religious woman. So when I began recording music, I was afraid she wouldn't accept it. But when I played her a song, she loved it.

It's not just about getting a song on the radio or appearing on television. It really is about helping people change their lives one day at a time.

The music usually occurs to me as a complete sound, and then I have developed the skill of being able to translate that into a fully realized song.

It ( In My Life ) was the first song that I wrote that was really, consciously about my life.... up until then, it had been all glib and throwaway.

There's no separation between electronic music and acoustic music. It's all one thing. Each song has its own heartbeat. Each song has its own soul.

I really enjoy playing solo acoustic. I think it's good for me as a songwriter to stay in touch with what it takes to make a song work by yourself.

I started putting down my own pen and spending some time searching for the best songs out there possible. It doesn't matter if I wrote them or not.

My family life, my adoption - it could be related to the songs, but I think the songs are deeper than that. They're not just about this experience.

Maybe the songs that we sing are wrong, Maybe the dreams that we dream are gone, So bring it on home and it won't be long, It's getting better man!

The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.

I met PJ Harvey when I was in England, and the first thing I want to do when I meet a songwriter I admire is to ask them how do they receive songs.

I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.

I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me.

I write songs to handle emotional pain. I guess what they say is true: with every heartache comes a great song. I also pray and have great friends.

I think there's nothing better than seeing a three-chord straight up rock 'n' roll band in your face with sweaty music and three minute good songs.

Music is also supposed to be fun. On this record, (titled 'III'), I really had the desire again to jump back into some good-time, fun-loving songs.

It's fun to play characters in songs. I can just cheat a little bit... be this person for just a small amount of time and just help vent that idea.

Almost every song on OK Computer revolves around how I am afraid computers get up at night and attempt to choke me with their wires.*doesn't laugh*

I love Neil Young. His songs were the first songs I learned to play, and I recommend anyone who is starting guitar to learn Neil Young songs first.

All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent.

I try to make an album that reflects what I love about country music. It's not just all about happy parties all the time. There are some sad songs.

My favorite Elton John song is "Daniel"; my son is named Daniel and he's partly named after my wife's father, but also partly named after that song.

The Beatles mean so much to so many people, you know? Everybody has at least one song of The Beatles that's one of their favorite songs of all time.

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