When you are in the American Idol bubble, a lot of contestants want to go as far as they can and wish to be on point with ready-to-go songs.

Call me old fashioned, but I love songs that end. As a songwriter, I feel like you put a fade out when you can't work out how to end a song.

If you forget the words to your own song, you can always claim artistic license. Forget the words to the national anthem and you're screwed.

It's nice that there are movies and songs about romance - it's what motivates us as human beings. I'm all for being brainwashed by rom-coms.

Without a song the day would never end Without a song the road would never bend When things go wrong a man ain't got a friend Without a song

I labour over details and whether a song should be a straight pop song form or exploratory. This is the curse with doing things by yourself.

I suppose that being moved to write a song is more applicable to me, I have to be moved, I have to have a reason to write a particular song.

When I think about the songs I might record, I ask myself, 'Can I picture anybody I know back home sitting in their truck cranking this up?'

It does make sense to put on some songs that are relatively short, because radio usually only plays songs that are less than 4 or 5 minutes.

I order that my funeral ceremonies be extremely modest, and that they take place at dawn or at the evening Ave Maria, without song or music.

Every day, I hear a song and I think, This would be great to cover on Glee. I like Led Zeppelin, of course, and Pink Floyd, Alice in Chains.

I just got a new iPod. It's got 80 gigabytes. Because I like to jog for three weeks at a time and I do not want to hear the same song twice.

These days, there are many people around the world who listen to the songs that made me infamous and read the books that made me respectable.

I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!

"Tangled Up in Blue," shifts perspective several times during the song to tell a "tangled" version of [Bob] Dylan's marriage and dissolution.

To write a book is for all the world like humming a song—be but in tune with yourself, madam, 'tis no matter how high or how low you take it.

Songs remain. They last...A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.

I took guitar lessons and recorded the song in New York. It was kind of a dream. I got to pretend I was a recording artist for a couple days.

God left the world unfinished; the pictures unpainted, the songs unsung, and the problems unsolved, that man might know the joys of creation.

You listen to your favorite song just until you're almost getting sick of it, and then it's so fun to rediscover it after a couple of months.

I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit.

I think when you've lived a bit, you read more into the songs. I do, anyway. And you're sort of living the songs rather than performing them.

If you pour your life into songs, you want them to be heard. It's a desire to communicate. A deep desire to communicate inspires songwriting.

I never thought of having platinum albums and winning awards. I just wanted to write songs and sing when I started out in the music business.

Surely common sense as well as anthropological evidence documents the universal need to pray, to hope, and to lament or carouse through song.

I'm a big fan of songs like Joe Cocker's 'You Are So Beautiful' and Eric Clapton's 'Wonderful Tonight' - songs that go straight to the point.

I don't work so hard at trying to get every song to be three-dimensional and mean so much. I just want to breathe, right now, with the music.

I sort of just wrote the songs, the way I wanted to write them, sing them the way I wanted to sing them, perform the way I wanted to perform.

In the nights sometimes now he'd wake in the back and freezing waste out of softly colored worlds of human love, the songs of birds, the sun.

The music suddenly became important enough for me to build my own sound studio and start to prepare songs to possibly put out into the world.

The weary August days are long; The locusts sing a plaintive song, The cattle miss their master's call When they see the sunset shadows fall.

A lot of people hear the records on the radio, they aren't absolutely sure who exactly Tears For Fears is, they just know they like the song.

It's really hard to find a love song that is real. That's when you really strike a chord with somebody, when you dig in deep and grab a hold.

I don't get into the favorite songs thing, because so many speak to different parts of my life, but the music in the '90s is just unbeatable.

Bob Dylan tends not to have geographical or chronological markers that tie a song to any specific context, so they stay alive, stay relevant.

Unfortunately for humanity, I've gotten into the habit of providing my own closing music for shows by singing a song and playing the ukulele.

The reality is that the shows kind of disconnect from the songs a little bit. You're playing the songs, but they take on a life of their own.

To me, there are 3 parts of the album process: writing, recording, and my favorite part: getting to sing the songs with the fans every night.

I know all the songs that the cowboys know'bout the big corral where the doggies go,'Cause I learned them all on the radio.Yippie yi yo kayah

The owner of Spotify is worth something like 3 billion dollars ... he's richer than Paul McCartney and he's 30 and he's never written a song.

I don't want to be somebody who stands still and sings pretty. Each song is a world. Each song is a story. I don't achieve nearly what I want.

You want songs to sound cohesive with the other songs on the record but when you first start writing you just want to write to tell the truth.

I don't listen to music. I very rarely listen to music. I only listen for information. I listen when a friend sends me a song or a new record.

I tend to be the one that breaks the mold most often, and thus, I tend to be the one with a lot of outtakes, songs that don't make the record.

Pop is an easy way for evil business people to make a lot of money. But I find myself humming a Christina Aguilera song every once in a while.

We're all writing out of a wound, and that's where our song comes from. The wound is singing. We're singing back to those who've been wounded.

Don't try to follow any trends, just concentrate on writing great songs and knowing your instrument. All the other stuff will fall into place.

Honestly I don't like to write songs that often, only when I feel like I need to and when I've got something that I really want to sing about.

You hear sounds and orchestration, it's ... the fastest way, I think, to your emotions, even if you don't understand the language of the song.

To a certain extent, yes, we do. But there's - but there's a very limited menu. There's only about sort of 20 songs that you hear on rotation.

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