When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.
Fools, art is a heavy task, more heavy than gold crowns; it's far more difficult to match firm words than armies, they're disciplined troops, unconquered, to be placed in rhythm, the mind's most mighty foe, and not disperse in air. I'd give, believe me, a whole land for one good song, for I know well that only words, that words alone, like the high mountains, have no fear of age or death.