Song Quotes - Page 200

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I don't care if it's Bruno Mars or Aerosmith or ZZ Top... it's about songs. 'Paperback Writer,' 'Satisfaction,' 'Cat Scratch Fever,' 'Walk This Way,' all the killer songs in the world start with an identifiable guitar pattern that is basically a bastardization of either honky-tonk or boogie-woogie. And that's in every cool piece of music in the world that you and I love.

Look how the smaller birds greet the sun, with so much merry chirruping and so much outpouring of song! It is their way of expressing worship for the only Light they can know, an outer one. But man can also know the inner Sun, the Light of the Overself. How much more reason has he to chirp and sing than the little birds! Yet how few man feel gratitude for such privilege.

I’m a hopeless romantic. I buy things because I fall in love with them. I never buy anything just because it’s valuable. My husband used to say I look at a piece of fabric and listen to the threads. It tells me a story. It sings me a song. I have to get a physical reaction when I buy something. A coup de foudre – a bolt of lightning. It’s fun to get knocked out that way!

I never try and force-feed any song idea or lyrical message. It's really what's on my mind and what comes out of me. And a lot of these lyrics are metaphors for specific life situations that I've been through, and in most cases, the struggles. Something about human beings wearing sadness heavily on their sleeve inspires me to make something uplifting about the situation.

I enjoy creating all types of music and I take inspiration from everything around me. Its not about trends or what’s fashionably popular, its about creative expression, quality, emotion and artistic integrity. I love and listen to all styles of music and try to blend the influences together into my songs. Including elements of funk, soul, dub, disco, ‘80s sounds and rock

If I completely understood what was going on and I understood these songs, they wouldn't make sense to play live anymore. They're still enigmatic for me. I'm still searching in the songs as they are. That's what's actually been the most fun about playing and touring for me is that there's still a lot of caverns in the songs where you can go and hide out different nights.

Ayahuasca is driven by sound, by song, by whistling. And its ability to transform sound, including vocal sound, into the visual spectrum indicates that some kind of information processing membrane or boundary is being overcome by the pharmacology of this stuff. And things normally experienced as acoustically experienced becomes visibly beheld, and it's quite spectacular.

I have a really weird relationship with myself where I'll say, "Do it, do it!" and then, "I don't want to do it anymore, I hate photo shoots, I'm so tired of this!" Or, "I wrote a song, and you're gonna sing it!" then, "I can't hit the note." I want to be a behind-the-scenes producer. I really hate being in front of people. But I'm also obsessed with becoming a pop star.

Let it not be death but completeness. Let love melt into memory and pain into songs. Let the flight through the sky end in the folding of the wings over the nest. Let the last touch of your hands be gentle like the flower of the night. Stand still, O Beautiful End, for a moment, and say your last words in silence. I bow to you and hold up my lamp to light you on your way.

(Talks about a school production) 'There was one solo; but it was a guy. It was this character called 'Freddy Fast Talk' and it was the bad guy. I didn't care, I was like I will dress up like a guy, I want to sing that song. And so I remembered we drew on eyebrows, and I had like a moustache,and we put all my hair up in this hat. So I dressed like a guy and sang the solo.

I just went into my studio and started to compile stuff. I was so happy with what was coming out that good momentum just carried over and when I would listen back to some of the riffs and some of the ideas, I was completely happy because I felt like, "wow, this was a breakthrough!" The ideas and the songs were really strong and I couldn't wait to show everybody the stuff.

There is truth in little corners of our lives. There are hints of it in songs and children's eyes. It's familiar, like an ancient lullaby; What do I live for? If we've eyes to see... If we've ears to hear... To find it in our hearts and mouths the word that saves is near. Shed that shallow skin... Come and live again... Leave all you were before... To believe is to begin.

Well you wave your hand and they scatter like crows They have nothing that will ever capture your heart They're just thorns without the rose Be careful of them in the dark Oh, if I was the one you chose to be your only one Oh baby can't you hear me now, can't you hear me now Will I see you tonight on a downtown train Every night it's just the same, you leave me lonely now

I think everybody should just turn off their TV machines and make up their own songs about whatever comes to mind-their couch, their friends their loaves of bread. Everybody's got their own songs. There should be so many songs out there that it all turns into one big sound and we can put the whole thing into a pickup truck and let it roll off the edge of the Grand Canyon.

These days, I find I'm applying a little more patience to my process. If I look back on my work, I can see those songs I bailed on could have been better, that had those great two verses and then I kind of coasted from there. These days, if a song is giving me trouble, I put it aside and pick it up later, and keep doing that, for a year if I have to, until it takes shape.

There is something elegantly sinister about the Rolling Stones. They sit before you at a press conference like five unfolding switchblades; their faces set in rehearsed snarls; their hair studiously unkempt and matted; their clothes part of some private conceit; and the way they walk and talk and the songs they sing all become part of some long mean reach for the jugular.

From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom…It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep.

"The way I feel about music -- any song, any style -- is that there is no right and wrong, only true and false. If the music and lyrics are conceived out of honesty and if the production of the song goes along with its original message, then what has been expressed is art, regardless of what anyone's opinion is of it. So things are a lots impler if you just tell the truth.

As the Christian's sorrows multiply, his patience grows, until, with sweet, unruffled quiet, he can confront the ills of life, and, though inwardly wincing, can calmly pursue his way to the restful grave, while his old, harsh voice is softly cadenced into sweetest melody, like the faint notes of an angel's whispered song. As patience deepens, charity and sympathy increase.

I get inspiration from things that have nothing to do with painting: caricature, items from newspapers, sights in the street, proverbs, nursery-rhymes, children's games and songs, nightmares, desires, terrors. ... That question [why do you paint?] has been put to me before and my answer was, 'To give terror a face.' But it's more than that. I paint because I can't help it.

I'm a human being just like you are. And I hurt and love just like everybody else, and people tend to forget that. I think I'm one of the friendliest celebrities around, because I'll stop to talk to anybody who recognizes me. I don't have a negative bone in my body. That's why I could care less about any gossip. It doesn't interest me. I'd rather sit down and write a song.

The wind has a language, I would I could learn! Sometimes 'tis soothing, and sometimes 'tis stern, Sometimes it comes like a low sweet song, And all things grow calm, as the sound floats along, And the forest is lull'd by the dreamy strain, And slumber sinks down on the wandering main, And its crystal arms are folded in rest, And the tall ship sleeps on its heaving breast.

Early on I was just a kid in a cowboy hat with a bunch of other guys in a room that were putting out some records. Now thank God, in the past 3 or 4 years, when.. it's really hard to burn an image of a face with a song these days. I think that the songs like 'Don't Happen Twice' and 'Young' were songs that helped me do that and I think that 'I Go Back'(did) that even more.

A song playing comprises a very specific and vivid set of memory cues. Because the multiple-trace memory models assume that context is encoded along with memory traces, the music that you have listened to at various times of your life is cross-coded with the events of those times. That is, the music is linked to events of the time, and those events are linked to the music.

People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.

Where are now the warriors of the world of the spirit? Where are those who raise their voices for truth, who lead us to goodness, beauty, strength and health? Where are those who utter heartwarming words, who will lead us out of the wilderness? Our homes are gone and the nation is destroyed, yet we have no Jeremiah crying out his last sad song to the world and to posterity.

Things would hurt me in a big way because I didn't seem to have a very thick layer of skin, but this also meant I had extreme empathy for other people. I think perhaps that's what makes my songs hit home for some people, because I've tried to see the world through their eyes and I recognise- even just for a second- that we all ultimately are struggling with the same things.

The past few years have been absolutely incredible and I feel so blessed to have the privilege of sharing even more music. 'Beautiful Day,' although a fun song, has a message saying that in spite of what we're going through, every day is a good day and an incredible gift because God made it. In my young life I've learned that every day can begin with worshipping my Creator.

...in song the words tend to lose their significance, do often lose it, while at the other extreme, in current prose it is the musical value that tends to disappear - so that verse stands symmetrically, as it were, between song, on the one hand, and prose on the other - and is thus admirably and delicately balanced between the sensual and the intellectual power of language.

Winter has caused damage everywhere: meadow and forest are all grey, where before you heard many sounds. If I could see the girls play ball on the street, then bird song would come back. If only I could sleep through the winter! When I am awake I feel only hatred that his power is so far and wide. God knows, he even fights with May; I picked flowers where there is now snow.

there is this one photograph... that is just beautiful. it would be impossible to describe how beautiful it is, but i’ll try. if you listen to the song “asleep,” and you think about those pretty weather days that make you remember things, and you think about the prettiest eyes you’ve known, and you cry and the person holds you back, then i think you will see the photograph.

I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.

You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.

I think that music has always been restricted to media. The LP is an antiquated form, and the CD is now an antiquated form, and there's no sense grieving. Music is forever, there will always be songs. It's exciting that we're not limited to the media any more. I don't hold a precious view of my work, that it exists outside of social constructs or the confines of a platform.

Use your eyes as if tomorrow you would be stricken blind. Hear the music of voices, the song of birds, the mighty strains of an orchestra as if you would be stricken deaf tomorrow . . . Smell the perfume of flowers, taste with relish each morsel as if tomorrow you could never smell and taste again. Glory in all the facts of pleasure and beauty which the world reveals to you.

Your youth is the most important thing you will ever have. It's when you will connect to music like a primal urge, and the memories attached to the songs will never leave you. Please hold on to everything. Keep every note, mix tape, concert ticket stub, and memory you have of music from your youth. It'll be the one thing that might keep you young, even if you aren't anymore.

We Are All the Same Listen to the reeds as they sway apart; Hear them speak of lost friends. At birth, you were cut from your bed, Crying and grasping in separation. Everyone listens, knowing your song. You yearn for others who know your name, And the words to your lament. We are all the same, all the same, Longing to find our way back; Back to the one, back to the only one.

When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."

I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.

We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience.

I don't think a lot of the times Foxygen songs require much editing. Our band rarely records a song and go, "God that sucked. We shouldn't show that to people." We're pretty confident in the way we make music, that rarely falters. We've just been doing it for so long, it's like a science between us. There's not a lot of times where we cut something or decide to not record it.

I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.

There's always stuff to write about. So it's very gratifying on a lot of levels. This is stuff I got asked over and over again, or heard about. People would ask me about it, but they kind of knew the answer. It would be this ongoing question: "Your fans are wondering, now that you're married, are you still going to be able to write songs?" I'm serious! I would get asked that!

I'm not sure how each one of us sees ourselves in the band, but we're being part of this ritual of identity where people see Café Tacvba as something Mexican, as a representation of the Mexican. The songs, the music, the energy given in a concert. Sometimes I question that there's not much decision from our part, like there's something that leads us to this. Something beyond.

I was sixteen, I became a working guitar player gigging in LA, mostly in top 40 bands, then touring. I learned to take songs apart, down to their bones. Songwriters would hire me to produce their demos, which lead me to become a songwriter. The relationship and power music has to TV and film attracted me to composing [and] I learned to write for instruments other than guitar.

There is a little bit of a head vs. heart kind of battle that happens sometimes with the song. There's the goose bump thing, where the melody or whatever it is just gets you and you don't know why. Sometimes, it's in a genre that you didn't think you liked and, all of a sudden, the song hits you and you just say, wow, I feel the hairs on the back of my neck. I love this song.

(Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.

Some of the songs come so fully, it's like they are pre-packaged. There have been a couple that came in the middle of the night. And I thought, jeez, I'll never forget that. And went back to sleep, and it was gone. You'll hear something years later that another songwriter that you respect writes, and you go, jeez, I think that was the remnants of that song that got sent to me.

Now I am going to speak a word and this is the word and here's the word. When the clock strikes 2.08. There are eight songs in the Bible. Noah started the world over with eight people. On the eighth day the Bible says Jesus appeared. Thomas because was not a believer but on the eighth day he showed up and Thomas was a believer. Actually Jesus was resurrected on the eighth day.

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