Song Quotes - Page 194

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So tired of this straight line, and everywhere you turn There's vultures and thieves at your back The storm keeps on twisting, you keep on building the lies That you make up for all that you lack. It don't make no difference, escaping one last time It's easier to believe In this sweet madness, oh this glorious sadness That brings me to my knees.

I don't want to force anything on anyone. I'm not trying to bust you over the head and make you buy this record or this song or whatever. I'm presenting it to you so you can take it in. You know, it's like trying to force a kid to eat broccoli. If I present it as trees that make your muscles grow, my son is like, 'I'm down with getting muscles.'

Although I have guitars all around and I pick themm up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics amd I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.

I even have some stories of people telling me how that song has changed their life, how it got them through hard times, how it saved their life when they were on the verge of thinking of doing the worst. That just really amazes me, that that movie [Romeo + Juliet] and that part in the movie are still having a huge effect on people's lives today.

I can listen to the same song back-to-back for two to three hours straight. I'm not psycho; I swear. There are some songs I won't listen to any more because they are songs that helped me get to emotional places. Even if I hear it, I'll have to walk out of the room or turn it down. It sounds so strange but those things affect me in a certain way.

A lot of people felt that I was just tying that into the "I Want Your Sex" theme because of the AIDS thing and the prospect of the song's being banned. I thought it was a relevant point to make because of the AIDS thing. I wanted to write a song which sounded dirty but which was applicable to someone that I really cared about. That was my point.

We had just played a sold-out show and it had been a fun night when we heard the news. It brought everything back to reality. He was a brilliant guy. He was an aerospace engineer and an entrepreneur. We were just starting to write new songs two weeks after he died. We were still grieving. So that was naturally a big subject matter for the album.

At the end of the day, I think that music lovers are going to love me. I think the pop songs that are on my album will be loved by the pop listeners and the R&B songs will be loved by the R&B people. I think that each song has a broad enough sound that I won't be pigeon holed. At the same time I think it is appealing to many different audiences.

All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.

Sara Creasy is a new writer to watch, and Song of Scarabaeus is a novel to read and enjoy. . . . The biological speculation rings with truth and possibility, the terraforming-gone-wrong creates an environment of delicious creepiness, and Creasy's imaginatively-constructed universe draws the reader in, to follow Edie and Finn's quest for freedom.

I try to keep my eyes and ears open all the time for the bones of my next song: things people say, melodies I hear in my head, and little musical parts I may stumble across. I write them down or record them on my phone. Whatever I need to do to keep the idea for later when I have the time to sit down with it. So writing for me is a 24/7 pursuit.

You sing songs hundreds of times over and over, but certain ones just morph and naturally, as you age and get life experience, take on a different form as well. When I was looking at songs for the album, I thought, "Which are the ones that connect with me the most? What do I think would work in album form?" Almost all of them I've done in shows.

Do me a favor... Stand up, walk to wherever the nearest window is, and just look outside. You may not know this, but there's an entire planets-worth of summers, friends, sunsets, street lamps, songs, late nights, great films, and night skies waiting for you. Your life is as amazing as you want it to be, but first, you have to let it be that way.

I think it's silly when people try compartmentalize musical genres. That was always my problem with the chillwave thing - people were trying to make it into some kind of musical movement, when it was not a movement. A couple dudes had a couple songs for a couple months. It's going to be a disparate onslaught of people throwing ideas at the wall.

I'd hear some beautiful Sade or Kings Of Convenience ballad remixed in a club and I liked that these simple little songs seemed to be masquerading. They had put on superhero costumes, got all beefy, and here they were on the dancefloor. I was interested in that. I can't make electronic beats, so I leave it to the pros like Boys Noize and Chromeo.

If I'm happy with the song and it's a hit song or not, for the rest of my life, I can hang my hat on knowing I did the best I could, and I'll enjoy getting out there and doing it. That's all that really matters for me. The icing on the cake is people actually enjoy it and sing it back to you. That's when you know that you've done something great.

I love the Beatles. I haven't named any kids after them but I still really love them. They were the first group that I was ever properly aware of. In my early teens I would sometimes stay in and listen to the radio all day in the hope that I would catch a song by them that I'd never heard before and be able to tape it on my radio-cassette player.

The woods were made for the hunters of dreams, The brooks for the fisher of song; To the hunters who hunt for the gunless game The streams and the woods belong. There are thoughts that moan from the soul of the pine And thoughts in a flower-bell curled; And the thoughts that are blown with the scent of the fern Are as new and as old as the world.

I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.

My favorite track from the album Independent is Hold On. Everyone at some point fights battles or has struggles, and in moments of doubt or defeat, this is the song coming from a place of never giving up. It makes me think of the angel on the shoulder voicing understanding but guiding you in the right direction to take you out of that dark place.

Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.

With DJing, there's still an art to it - you get two DJs and give them songs to play, one can play it better. There is a way, and it's not just about the songs you're playing, it's about how you mix, the timing, when you cut out and in. I love it, and I love feeling the excitement of the crowd - you go on this journey with them for an hour or so.

wanted to highlight that to a certain extent and go deeper into that direction. I also try to write each song in a different key, so I can be as diverse as I can. I'm always trying to push the envelope and not be complacent or happy in one spot. As far as the grooves on this record are concerned, I think we just tried to experiment in that realm.

With the song 'This Christmas' I wanted to do something that was kind of different. I mean, Donny Hathaway is an amazing artist. So I wanted to bring my flavor to the song so when people over the age of 45 or 50 hear it they'll be like 'OK, he did his thing with that record.' It's like I can appeal to everybody and not just a younger demographic.

I listen to music every day for study reasons, and I confess that I have very little knowledge of what is going on in the hit parades around the world. I have no prejudices for any kind of music genre, and I listen with pleasure to many songs on the radio that my children already know of by heart, while I hear them practically for the first time.

There is a way of ordering our mental life on more than one level at once. On one level we can be thinking, discussing, seeing, calculating, meeting all the demands of external affairs, but deep within, behind the scenes at a profounder level we may also be in prayer and adoration, song and worship and a gentle receptiveness to divine breathings.

In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."

If a slave were to raise his voice to his master, he risked all manner of punishment. Yet what was possible in many circumstances was to lift one's voice in song. This was a major ingredient in what is now known as blues and gospel. Slaves may have been regarded as subhuman by their cruel captors, but through music, they were proud and dignified.

I look at people holdings hands in the hallways, and I try to think how it all works. At the school dances, I sit in the background, and I tap my toe, and I wonder how many couples will dance to ‘their song.’ In the hallways, I see the girls wearing the guys’ jackets, and I think about the idea of property. And I wonder if anyone is really happy.

I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.

Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.

I cut my teeth playing rock songs on the accordion when I was a teenager and my friends always thought that was extremely amusing. I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny. So that was a joke that I continue up to this very day.

Of little use, the man you may suppose, Who says in verse what others say in prose; Yet let me show a poet's of some weight, And (though no soldier) useful to the state, What will a child learn sooner than a song? What better teach a foreigner the tongue? What's long or short, each accent where to place And speak in public with some sort of grace?

You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".

Rastafari is our king or emperor, and being a king, being an emperor you've been taught all the ways of the ancestors. With the knowledge and teachings and studying his majesty, I've learned to put all these principles and precepts into the music, so that is how it inspires me to be singin' good songs and makin' good music for the people. Natural.

I think most people get hit by the music first and you can be singing along and realize a song has this melancholy feel. As Swedes, I think we see a beauty in melancholy. You're heartbroken, you're looking out the window and you feel really at ease in the pain. I have so many memories as a teenager with music, sad music, but I was just so into it.

There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, "Le jeu et les moi." It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.

When I have just sat down and tried to write the lyrics of a song, usually about half of it sounds like bullshit. I just have to go away from something and come back to it again later. I do a lot of editing and switching around and putting little pieces together to get the right mood and personality, and it takes me forever to get a song finished.

The main thing that I've learned, artistically, is that if I'm in pain and feeling the budding of anger - if I absolutely feel like I need to write a song about it, I'll either need to transform that anger into something positive, or I'll just need to throw the song away. Because eventually, I'm going to want to transcend that pain and that anger.

I love analogue tape and I love digital, they both have pluses and minuses and I don't really feel like I have to use one or the other. I love digital because it's really great for songwriting because you can just cut and move choruses around and pull chunks of songs. It's really easy to hear quickly "Oh, maybe the arrangement should be like this."

Moonlight streamed in, sending loving beams over his face. He closed his eyes and basked in it, and I could tell it was calling to him, even though the moon was not full. She didn't speak to me, but Samuel had once described her song to me in the words of a poet. The expression of bliss on his face while he listened to her music made him beautiful.

Jem was safe from her, and he would ride away with a song on his lips and a laugh at her expense, forgetful of her, and of his brother, and of God; while she dragged through the years, sullen and bitter, the stain of silence marking her, coming in the end to ridicule as a soured spinster who had been kissed once in her life and could not forget it.

I started writing songs so late and I had so many day jobs - jobs just to pay the bills. So, when I started doing this, I said, "I'm never gonna do anything to corrupt this. Never try to "sell it." Never gonna do anything to make this a job." I can go five months without writing a song. Then something will happen and I'll write six songs in a week.

The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'

Often by the time writers and producers try to get a new hit song, the industry has already moved on. Whatever you're creating might not be as hot as it would have been during the time of your first hit. It definitely compromises the creative process when the music is changing and evolving so fast. If you're not on top of it, you will be forgotten.

What happened during the previews of 'Taboo' [musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.

The world belongs primarily to the dead, and we only rent it from them for a little while. They created it, they wrote its literature and its songs, and they are deeply invested in how children are treated, because the children are the ones who will keep it going. The idea that each of us has the right to change everything is a deep insult to them.

I find it very fascinating that one person or a group of people can get together as a choir and come up with a song that ends up inspiring people to create emotions, love and togetherness. Communication, which comes from this idea that sparks off of humanity and becomes something that is cherished and loved by the people, is very fascinating to me.

There are videos where I would go approaching strangers and sing the songs from 'The Lion King. I would have been about four years, and I came running up to people on the beach, strangers that I chose at random and began to sing, and my family never knew where I was, they were always looking for me, trying to imagine who I was harassing this time .

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