Quotes of All Topics . Occasions . Authors
And through meditation comes wisdom - not through studying books, not through scriptures. Through scriptures one can become knowledgeable but no wise. and knowledgeable people are sad, they are bound to be sad because all their knowledge is borrowed. There can be no song in it.
I had so many songs that were actually sort of finished. And I deleted them. I wrote on my website that I'd put them on the shelf, but that wasn't true. I actually deleted them from my computer. I got sort of trigger-happy and I think I deleted about 200 songs from my computer.
I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.
I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.
Somewhere out in the darkness, a phoenix was singing in a way Harry had never heard before: a stricken lament of terrible beauty. And Harry felt, as he had felt about phoenix song before, that the music was inside him, not without: It was his own grief turned magically to song.
You can drink pickle juice and imitate gorillas and do silly dances and sing stupid songs and wear funny hats and be as imperfect as you please and still be a good person. Good people are hard to find nowadays. And they're a lot more fun than perfect people any day of the week.
'Life Changes' is a song that we feel really connects to the spirit of our band and our fans. It's got that positive vibe we always want to put out there, and the message - no matter how many times you get knocked down, always get back up - will forever be part of the GC story.
I remember the first time I saw you. Your hair was in two braids instead of one. And I remember when you... you sang in the music assembly and the teacher said... "Who knows The Valley Song?" and your hand shot straight up. After that, I... I watched you going home every day...
I have a song called "Men." I mean, manhood and trying to be one, and failing as one, and trying to be a husband and a father, and failing at that. I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.
When I start to write a song, I have the words and I have the melody, and then it's just a matter of making it to the end. I think if I have something that I could identify as a talent, it would be that I can finish a song. I kind of know intuitively where the melody should go.
True love requires action. We can speak of love all day long, we can write notes or poems that proclaim it, sing songs that praise it, and preach sermons that encourage it but until we manifest that love in action, our words are nothing but sounding brass, or a tinkling cymbal.
Walt Disney was a great believer in the use of song to convey story. He was primarily a storyman & story-driven songs were his 'pets.' He always asked what was going on with the song - he hated 'singing heads.' He loved learning about character & motivation thru music & lyrics.
I feel like fans who like old Southern rock and country, and more lyric-driven songs in general, have come to country radio. I think that's why you see country radio growing and albums selling: People are craving a little more of the singer-songwriter stuff going on in country.
People are intended to resist symbolic interpretation, as well. At times, they break through - there are little hints of 'this song is about this,' but if you were to come here and be like, 'well, I've got the lyrics right here, let's go through 'em,' that wouldn't really work!
Melody is the single most important thing to any song, period. I don't care what anybody says, it trumps everything. Not because that's my opinion but because I think it's actually indisputable fact. The human brain retains melody easier than it retains words. It's that simple.
Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
It's very hard to be an artist, on my first album, and I'm like asking for money for a music video for every song - it's so hard to do. You have to pick your battles for sure, but I definitely want - and I've always worked to make it all connect - for all of it to feel cohesive.
It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.
I have done whole projects with Scoop Deville, I like to basically work with a single producer. I always just worked on a bunch of songs, and then put them together, whether it was an EP or another project. None of them were mixtapes where I was rapping over other peoples beats.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
I wrote these two songs ["Coming Out of the Dark" and "Always Tomorrow"] as a celebration of hope. And I want to send it out to all of those people who are suffering through this terrible disaster [Hurricane Katrina], and please know that you are not alone - and you will not be.
More of my songs are intended to be funny than almost anyone else. Sometimes maybe it cheers me up a bit. I've got a distance from it. Sometimes what I'm writing is more important to me than the rest of my life. It's more important to me that I'm writing well than anything else.
If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
Praise is the rehearsal of our eternal song. By grace we learn to sing, and in glory we continue to sing. What will some of you do when you get to heaven, if you go on grumbling all the way? Do not hope to get to heaven in that style. But now begin to bless the name of the Lord.
There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.
Now that I know that each star has its path, each bird is finally feathered and grown in the unbroken shell, each tree in the seed, each song in the life laid down - is the night sky any less strange; should my glance less follow the flight; should the pen shake less in my hand.
Animals of every kind live on the Other Side, .. you are not crazy if you feel the spirit of your cat rubbing against your legs, hear the sound of your dog's toenails clicking on the wood floor, or hear the familiar song your bird used to sing. Our pets do come back to visit us.
Though they live far from the coast, they retain a great fascination and passion for the ocean. The sound of crashing waves, the smell of salt air, it affects them deeply and has inspired many of their lovliest songs. There is one that tells of this love, if you want to hear it.
From long familiarity, we know what honor is. It is what enables the individual to do right in the face of complacency and cowardice. It is what enables the soldier to die alone, the political prisoner to resist, the singer to sing her song, hardly appreciated, on a side street.
It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.
Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldnt do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
I think anything you listen to is going to be different. You're going to listen to a song differently if you're just sitting around somewhere listening on your phone as opposed to sitting in a dark room listening to a vinyl album. It's going to be a totally different experience.
Nothing is more powerful than allowing yourself to truly be affected by things. Whether it’s a song, a stranger, a mountain, a tea kettle, an article, a sentence, a footstep -feel it all. Look around you. All of this is for you. Take it and have gratitude. Give it and feel love.
I think for new artists the hardest thing is putting the face with a name. People maybe heard our song on the radio or something but until they get several impressions of who you are - from whatever it is, whether TV or a live show, I feel like they don't quite connect the dots.
Willy DeVille knows the truth of a city street and the courage in a ghetto love song. And the harsh reality in his voice and phrasing is yesterday, today, and tomorrow - timeless in the same way that loneliness, no money, and troubles find each other and never quit for a minute.
I am always amazed by the novel angles that people come up with for kids' Christmas books. Even if a family is not religious, who could resist, say, "Olive, the Other Reindeer," about Olive the dog who thinks the song refers to her and heads for the North Pole to help Santa out?
I'm always trying to challenge everyone to raise the game on the artistic level. We are supposed to be the best. Make sure we don't get complacent or comfortable, and always trying to push the limit on trying to write great songs. At the end of the day it's why we do what we do.
To me it's just the knock, man. It's the knock and the groove of the beat. When I start a song, it's the first thought. It's the first thought and the first cadence, because that's the most natural. You know what I'm saying? I feel like people can feel when something is natural.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
I feel like sometimes, when I'm singing a song like 'Moment of Forever,' that it goes both to your significant other and to the audience, and was it wonderful for you, you know? I think the best love songs I've written work on that level, like 'Help Me Make It Through the Night.'
I always thought of myself as the piano player in the band. That, I suppose, I'm confident about, and I guess my songwriting developed as I went along and I got a certain amount of confidence in that. The songs are like my kids, I'm proud of all of them for one reason or another.
Households that have lost the soul of cooking from their routines may not know what they are missing: the song of a stir-fry sizzle, the small talk of clinking measuring spoons, the yeasty scent of rising dough, the painting of flavors onto a pizza before it slides into the oven.
Some sounds are coming from the keyboard and they are very important in the writing process, but on the other hand, we have melody and we have the song before, so if the keyboard sound fits very well, it takes its artistic direction. We play the machines and the machines play us.
When you listen to the music in this film [Despicable Me], it's working on the level of melody, but the other key element is lyrics. There are a number of songs in the film where the lyrics themselves are very much speaking to the essence of what Ted Geisel was setting out to do.
I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of "Animal" for example, so you think, "That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it."
The songs I write should only be gauged by what other writers or peers are doing today. If the barometer for all songwriters was to match his body of work, then anyone you might mention alive or dead is a failure. But I've learned to not be too hung up on what's fair or not fair.
I find it interesting when I look back at songs and it's what I've been thinking and feeling for the past two years. There's some sexual stuff in this record and I'm sometimes like, "Is that too far?" There's a confidence in it. It's over-sharing, but in a really therapeutic way.
When the heart is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind from the good old sea blow in to bathe the wound with salt and let it sting. Let a stray dog lick it Let a bird fly in the hole and sing a simple song like a tiny bell and let it ring.
"Alleluia" song is a street hymn in the sense that it's all about culture.It's almost a juxtaposition of the prayers of the world and the prayers of the culture and how we sometimes put an "amen" after crazy things. So it's really just that tension between madness and simplicity.