My favorite song to write was a song called "Always" I wrote it about a girl who, at the time, I had feelings for her for a long time but she never really felt the same back. So it's one of my more personal songs and I'm very proud of it.

Writing is not work. In fact, theres nothing better. Writing is something that if the music business went completely away tomorrow - radio stations quit existing and music quit being popular and it was old hat - I would still write songs.

My idea of covers is that you should never cover a song and do it exactly like the artist because everyone's always going to compare it to the way the original artists did it, and they're just going to go, 'Oh I like the original better.'

Once I can focus in on something, I just play it in my mind until an idea comes from out of nowhere, and it's usually the key to the whole song. It's the idea that matters. It's like electricity was around long before Edison harnessed it.

I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.

For me, I say no, but then I am old, and life, with his sunshine, his fair places, his song of birds, his music and his love, lie far behind. You others are young. Some have seen sorrow, but there are fair days yet in store. What say you?

Name ten songs you want to hear again before you die, get all of your friends together and scream them. Because right now all you have is time, but someday that time will run out. That's the only thing you can be absolutely certain about.

Irony is the recourse of the weak-minded wimp, I think. I hate bands that deliver their songs with knowing smiles on their faces, so that if those songs fall flat they can say 'Ah well, we never really meant it anyway.' It's so dishonest.

I have no problem with people illegally downloading stuff. I'm not going to drive hard into 'You should buy my stuff,' because really, it's inevitable. If you like a song, you're going to download it for free. I have no problem with that.

You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.

Okay, my life isn't that romantic! No one has ever sung to me or wrote a song about me. But, I have to say that it's pretty much the most romantic thing ever. So, if that were ever to really happen to me, I would be really happy about it.

Sometimes when you grieve, you grieve at a time where you don't really expect it. You might hear a song or you might smell something or see something that might trigger something, and all of a sudden you get hit with this rush of emotion.

I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.

I did a lot of songs that I sold, but then they never came out and I never got paid for it. You learn real fast that the music industry, in the beginning, you're not going to get paid for a while, and then you start getting the accolades.

I don't feel super attached to a certain time when I hear the music. Some of the songs I still play live and, through that I feel like I've been able to have it move with me through my life as opposed to being just a little piece of time.

There's a particular trend towards the empty pop song right now. Where people are like, "This. Is. Brilliant. She's singing about a crush on somebody. Wowww." You know what I mean? There's a weird, I don't know... It's called "poptimism."

The Cicada sing an endless song in the long grass, smells run along the earth and falling stars run over the sky, like tears over a cheek. You are the privileged person to whom everything is taken. The Kings of Tarshish shall bring gifts.

For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.

The song succeeds or fails just based on whether you argue your point successfully. I like throwing images together, which create meaning if you listen to it one time, but if you listen to it another time you might get a different meaning.

I think I was six when I discovered the song "White Wedding" by Billy Idol, and that was the first time I thought I had discovered something on my own. It's the first song I remember hearing and liking without anyone telling me to like it.

I'm part of the party, getting the crowd fired up, singing songs, pouring drinks, whatever it takes to get them to have a good time. When I walk into the meet-and-greet, someone's always going to have a story, a sad story or a happy story.

The attitude is in my personality. It's going to come out in the songs no matter what. If you're pushing the vocal constantly at 10, there's no room for any dynamics. There's no room for any variation in tone. There's no room for anything.

But it's not just "Do you want a hit?" More importantly, it has to be something we - the artist and I - like. If you go in just wanting a hit song, it's not going to happen that way. You have to first be committed to making music you like.

The best way to write a song is to think of something else and then the song kind of creeps in. The beginning makes no sense whatsoever. It just, like, rhymes. And then all of a sudden I'll go into, I am an old woman named after my mother.

It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater… it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content.

I mean the fun part about when Andy Bernard sings on The Office is he usually embellishes the songs in fun, stupid ways. That's just something that I do in life, like in the shower or whatever. So a lot of that stuff is pretty spontaneous.

In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.

The future, good or ill, was not forgotten, but ceased to have any power over the present. Health and hope grew strong in them, and they were content with each good day as it came, taking pleasure in every meal, and in every word and song.

Most of my songs are pretty sketchy. There's not a lot of bass sections. I don't write big bridges. Sometimes I'll try. But it's hard for me to focus that way, because I always think it's more interesting to just see what will happen next.

Mentally, I write myself a little story. Of course, sometimes you have a song that says, "Do that." My best example is Singin' in the Rain. Arthur Freed had insisted that the song should be in the picture, but he was very anxious about it.

I discovered the same thing Gram Parsons did, that soul music and country music are practically identical. Based off of the same chord structures, and the songs are of heartache and loss. The main connection is they both came up in church.

I'm more interested in pulling out strands of joy from both myself and the audience. I'm not saying the music or songs are "light," just that when they're performed with the correct commitment it's a source of real pleasure, for me anyway.

I saw a Velveeta commercial and it was playing, I think 'Burning Love.' He [Michael Jackson] had approved it - that's something we can't control. He can do whatever he wants with the songs he owns to make money, and that got under my skin.

Speech after long silence; it is right, All other lovers being estranged or dead . . . That we descant and yet again descant Upon the supreme theme of Art and Song: Bodily decrepitude is wisdom; young We loved each other and were ignorant.

Brian Eno records and music got me through. It made me feel like there were other people out there who had the same questions and fears and unhappiness. Particularly those kinds of artists who were writing songs about exactly those things.

I think the difference between a good song and a great song is... honestly, I think the lyrics, because if you have a really solid melody and solid track and everything is there but then the lyric is just okay, then you've got a good song.

'Chamalkay' is an old Guyanese slang word. It means a 'young mischievous girl.' It's not derogatory, but it isn't over complimentary, either. It was probably a word I just Googled one day, and the song kind of played into the feel of that.

To create an album of love, I really had - I thought it was going to be easy, because I've always written love songs. But I thought if I really want to make a love album that contributes, that actually means something, I've got to go deep.

The main idea of it was to multiply everything, to have a bigger sound and grow venue size and grow fan base. As for a lyrical theme of the album [named "X"], it's just diary entries; it's just kind of like three years of my life in songs.

We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the "Girlfriend in a Coma" is, like, really funny.

When I go out clubbing I can dance 'til three o'clock in the morning with just a water bottle in my hand. I love dancing to anything with a good beat really. My favorite song to dance to at the moment is probably Drake's 'Best I Ever Had'.

I wish more artists would do that sort of thing - just focus on one sound on a record instead of "Here's my club banger, here's my metro booming track, and then here's my Americana song." I like albums to feel like a world. That's just me.

I met a girl who sang the blues and I asked her for some happy news, but she just smiled and turned away. And the three men I admire most, The Father, Son, and the Holy Ghost, They caught the last train to the coast The day the music died.

Irish fathers still have certain responsibilities, and by the time my two daughters turned seven, they could swim, ride a bike, sing at least one part of a Woody Guthrie song, and recite all of W. B. Yeats's 'The Song of Wandering Aengus.'

To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.

Their grandchildren had reminded Will of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.

New York became the first state to ban talking on hand-held cell phones while driving. First-time violators could receive a fine of $100, with an additional mandatory six-month jail sentence if your ringer plays a Latin-themed novelty song.

A choir is made up of many voices, including yours and mine. If one by one all go silent then all that will be left are the soloists. Don’t let a loud few determine the nature of the sound. It makes for poor harmony and diminishes the song.

It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.

Head held high and lips parted, she breathed in the music, sending it through her torso and arms and legs the way the Tai Chi teacher told us to breath the air, transforming it into energy, motion. Dancing is the body's song, and Bess sang.

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