Quotes of All Topics . Occasions . Authors
I wrote 'Fight Song' as this declaration to believe in myself, and that is similar to what you are taught to believe in Girl Scouts. Building confidence. Building character. And above all else, being there for each other as a community.
I decided I was just going to sing the type of songs I gravitated toward and inspired me and moved me. I was going to let the people whose job it was to decide what places to put it, and let them do that. I'll stick to the singing part.
The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.
Singers, like Frank Sinatra and myself, we interpret the songs that we like. Not unlike a Shakespearean actor that goes back to the greatest words ever written, we go back to the greatest songs and bring about my interpretation of them.
Of all the girls I ever knew some loved and some denied me And all the words I ever said have been no use to hide me And all the songs I ever sung each one of them untied me And all the girls I ever loved have left themselves inside me.
I do believe that a poet would possess a stronger intuitive sense of phrasing with a rock song. There is a way to tap into the emotions of an audience simply by the cross of a certain phrase, even a single word, against a certain chord.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
My record, Evolution, is really about me evolving as an artist and trying a few new things. There's a song called, Road Worn, which is about spending so much time on the road and is a lot more jazzy sounding than most of my other music.
Doing something that you love regardless when it's a blockbuster movie or you're writing a pop song or trying shamelessly to succeed in something is not selling out. I think that's actually fine, and I would encourage that all the time.
I give myself time with a guitar and PA to let my subconscious do its thing. This happens repeatedly over a period of time, and slowly, a set of songs emerge that make some sort of sense to me as a body of work that turns into an album.
I am always interested in making myself as uncomfortable as I can. Sometimes I ask myself, 'Can I stand onstage and sing this song and sell it?' Sometimes I can't. In a room, you get to pretend a little bit and step outside of yourself.
I'm really sick of anthems. Every song has to be a very big singalong thing - it feels very Eighties. There are a lot of 'whoah whoa whoahs,' this stadium thing. You're even getting that from some of the 'folk' groups. I can't stand it.
I'm so thankful for 'Backseat' because it's doing so much. It's almost at two million listens on Spotify. It's changed my life. It was the song that Dreamville really pushed and they just really made it explode, and I'm just so thankful.
Lost in Static 18 And the storm is closing in now Automatic 18 - Got to push through - Trapped in living hell You're a prisoner of the dark sky The propeller blades are still And the evil eye of the hurricane's Coming in now for the kill
I think that's one of the problems with downloading mps these days. You never really get a chance to attune to a different logic, a different musical logic. If you hear a song and don't like it, you'll just delete it off your hard drive.
I try not to take any liberties when it comes to being factual. Sometimes you have to, just to make the song sound good. But I feel like, personally, if you've lived it, then you shouldn't stretch the truth. It should be that experience.
Processions, meetings, military parades, lectures, waxwork displays, film shows, telescreen programs all had to be organized; stands had to be erected, effigies built, slogans coined, songs written, rumours circulated, photographs faked.
When I began to cover songs for YouTube, they all tended to be in the super pop-genre.. as in, smash-hit songs. My writing process was heavily influenced by this - I went from a more heavy punk rock style to straight up sugary-sweet pop.
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
I worked with Snoop, but I would love to work with him again, but DMX I would love to work with him as well I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
The song I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument. The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart . . .
No matter what, if you write a song that's great that everyone expects to be a hit, then everyone's going to be expecting another one from you. If you write a song that no one notices, you're going to want to write one that someone will.
Celebrate your success and find humor in your failures. Don't take yourself so seriously. Loosen up and everyone around you will loosen up. Have fun and always show enthusiasm. When all else fails, put on a costume and sing a silly song.
The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.
The most entertaining songs don't always come from a nice place. In songs where I think I'm being really sensitive, they seem quite boring actually. I've found that the songs that come out of nastier, more misanthropic places are better.
When someone says that I'm angry it's actually a compliment. I have not always been direct with my anger in my relationships, which is part of why I'd write about it in my songs because I had such fear around expressing anger as a woman.
You're always going to write and draw inspiration from things that you're feeling, things that you've felt. It's kind of impossible not to unless you're writing a song and there's an exact scenario that you're trying to write a song for.
The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
Usually, I think of the song, and then the video plays out in my head as I'm writing the song. I started rapping to become a comedian, so I'm certainly thinking about the visual component of things beyond just the music most of the time.
When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.
If you want some big revelation, since 2010 I have dated exactly two people. The fact that there are slide shows of a dozen guys that I either hugged on a red carpet or met for lunch or wrote a song with ... it's just kind of ridiculous.
When I was writing some of songs for the record in Galapagos it was the feeling of being there I wanted to evoke more than anything. I remember hearing all the parts of the songs in my mind when I was walking around over the lava fields.
I just wanted to have some songs I could stand behind, and when I'm on stage just be loving it. People ask me why I did that and I think perhaps it's because Berlin is quite a gray place and I needed to sympathize with a bit of sunshine.
I'm usually really drawn to a song, and I know it would be good to cover if it sounds like something that I could write, or I wished I could write. Sometimes a writer just sounds like they're in your head, and that is really cool for me.
A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.
What I am doing is making songs that I like that I think sounds like other songs that I like. I'm really trying my best to emulate bands that I like a lot. Which I think is what a lot of bands are doing, whether they're saying it or not.
I think whatever an artist does, it just has to be quality and good. I think the way Kanye's doing what he's doing with the Auto-Tune is actually creative because he just writes good melodies. He just writes good songs. He's just gifted.
The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.
I'm doing a fun EP. It's called 'Songs in the Key of Phife: Eight Is Enough.' It's radio-friendly, but then a lot of it just has that raw hip-hop. Some of it will be vintage Tribe, but for the most part I'm just letting my voice be heard.
I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.
Recently I danced in a video spoof of the song 'Gangnam Style,' and it was quickly banned across multiple Chinese online video platforms. But the story still traveled all over the world, carried in hundreds of international media reports.
Man wants but little here below Nor wants that little long, 'Tis not with me exactly so; But 'tis so in the song. My wants are many, and, if told, Would muster many a score; And were each wish a mint of gold, I still should long for more.
The best tunes are songs with a face. You recognize them. You know them. It’s like a person. They have a face that’s outstanding. Other songs don’t have a face. You just hear them, that’s all. The really good ones are few and far between.
Well, this is shortly after the idea was put to me because it wasn't my idea to do a Christmas record. We can talk about that a little bit, if you like, later on. But I wrote that song actually about two days after the idea was put to me.
I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.
Ah, Aphrodite, if I sing no moreTo thee, God's daughter, powerful as God,It is that thou hast made my life too sweetTo hold the added sweetness of a song.There is a quiet at the heart of love,And I have pierced the pain and come to peace.
I don't think I'll ever do a record that's just the same song over and over again because I'd like to think about it like it's an album and a snapshot of everything that makes you who you are and where you're at at that time in your life.
Like fire and rain, (fire and rain) you can dirve me insane But i cant stay mad at you for anything, Were venus and mars, (venus and mars) were like diffrents stars, but your the harmony to every song i sing, And i wouldnt change a thing.