Quotes of All Topics . Occasions . Authors
I learned how to be more theatrical and have more fun, and to take a song and sing it over and over again in different ways, and make it different each time. I'm not just singing the song - it's this thing that's affecting me.
To tell you the truth, I used an Instagram filter called Ginza to share a snippet of the song - I simply left the name in the caption in case anyone wanted to use the same filter. But everyone started calling the song 'Ginza.'
Ideally, each week, I'd like to have rad, intelligent, creative, funny guests with different takes on the world of music. I will ask them all what their favorite blink-182 song is, and what they like best about me as a person.
I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.
I've tried over the years all kinds of ways of going about writing and even just thinking about the idea of writing. There was a time when I decided to try to write a song each day. Whether it was good or bad wasn't important.
I definitely feel like if I put out a song that was like me being super vulnerable, people would look as me as weak. I don't know if that has to do with me being a girl, or if that really has to do with anything, but I'm sure.
Everything I do, whether it's producing or signing an artist, always starts with the songs. When I'm listening, I'm looking for a balance that you could see in anything. Whether it's a great painting or a building or a sunset.
Every song youre trying to find something that going to connect in different ways but for me the songs that Im really drawn to are inspirational, songs that lift you and that everybody can relate to no matter where youre from.
Who of us does not recognize that the life we live, however larded with brave talk about values and thought and ideals, is not actually a life dedicated to immersion in the endless torrent of images, songs, sounds and stories?
Whatever meaning 'Annie's Song' had for me on a personal level, there was also a larger context. It could just as easily have been about love for a brother. Or a father. Or a friend. It could just as easily have been a prayer.
I write my own lyrics completely on my own. Sometimes I have people helping me with concepts or like choruses and stuff sometimes, but mostly I write all my own songs by myself, especially the verses and a lot of the choruses.
I was writing songs as a kid about leprechauns and Catwoman and teapots - whatever it is that little girls wanna sing about. The first song I wrote was called "Kitten." It was about a boy named Liam, who I was just crazy about.
I'm not complaining about my cell phone - all my friends are in there, and all my favorite songs and all my favorite Benedict Cumberbatch GIFs; I don't want to give it up. But cell phones are the worst for talking on the phone.
It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.
It blows me away the number of truck drivers or macho guys that will call, and then I start peeling back the layers, and I find out they've been listening to me for 10 or 15 years, and they know every lyric to every sappy song.
My granddaddy on my momma's side, he was a romantic. He loved love songs. Every Valentine's Day, I remember him buying a red carnation for my grandmomma, my momma and my sister. That was something you could count on every year.
Paul commands the Church to let the word of Christ dwell in us richly when we meet together, singing psalms, hymns, and spiritual songs. It seems clear here that style is not the important issue as much as the depth of content.
Man has gone to the moon but he does not yet know how to make a flame tree or a bird song. Let us keep our dear countries free from irreversible mistakes which would lead us in the future to long for those same birds and trees.
You are life, inventing form. No more can you die on sword or years than you can die on doorways through which you walk, one room into another. Every room gives its word for you to speak, every passage its song for you to sing.
I do believe we should push each other to write better songs and make better music. We do ourselves a disservice if we sit back and float along the river instead of trying to paddle and guide ourselves to a more creative place.
Songs kind of live in a timeless place for me, and since I make records I dunno, about every two-and-a-half to three years or something like that, it's just not enough to put all the songs that I have, no matter how much I put.
My eyes has been my camera taking pictures of the world and my songs has been my messages that I tried to scatter across the back sides and along the steps of the fire escapes and on the window sills and through the dark halls.
I cannot sing the old songs Though well I know the tune, Familiar as a cradle-song With sleep-compelling croon; Yet though I'm filled with music, As choirs of summer birds, I cannot sing the old songs-- I do not know the words.
I don't concentrate on technical things like where a microphone is placed and things like that. As a producer, I try to keep the initial feeling from when I first heard a song and make sure we do what were initially aiming for.
As the voices beneath the music are talking, you find that the music is just as important as what they're saying. The traditional thing is to lower the music so you can hear the dialogue. We just couldn't do that for that song.
I think of every song like a game. It's like a video game: "Okay, I'm going to hop over here and if I press this drum, or if I hit this note, then that doorway opens. Oops, I fell down a trap door but I'm in a whole new world."
I love opera so much. I would never go back to doing it, but I love to listen - I'm grateful for it. I studied diction, breathing control, phrasing, why the song means something. You want to bring that across to your listeners.
Set lists are tough because you come up with this structure of how the songs are going to go from one to the next, but at the same time, you have to be spontaneous and take requests and change the set list at the drop of a hat.
Each album comes from definitely a different period in the evolution of each of us individually as creators and the role that we take in life. The external stimuli changed... so the songs are full of lots of different meanings.
If someone is sad, they put on a song, or if someone wants to rock out, and they want to get into a good mood, they put on music. Just being able to be a part of something like that I feel like was my ultimate push to do music.
If it's worth remembering, I'll remember it. If something keeps coming back, if I keep thinking of that phrase, if I see manifestations of it at different times and different places, then I feel it's worth making a song out of.
What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
I wrote "Miner's Prayer" after [grandfather] died. I'd gone back to his funeral, and he died in 1979. And I came back to California, and I think a couple of weeks after that funeral wrote that song thinking about him, his life.
Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.
Yeah, if someone's selling downloads and collecting money for our songs I would be unhappy about that but if they're trading it I don't mind, obviously if I make a thousand records or CDs or whatever, I like to sell a thousand.
The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better.
I guess that's a big problem with working with computers - you've got the luxury to keep tweaking the songs until the last second and beyond. So I don't think I'll ever have that feeling, unless I'm the one finishing the track.
Last tour my bass rig was breaking down every other night. That was a pain. We would get on stage and Trey would count off the song, and I'd play the first note and nothing would be there. Those guys would just roll their eyes.
Falling in love is awesome, but I'm never drawn to happy songs per se, so whenever you sit down to write a heartbreak song and you're happily in love, it's like, 'OK, now I have to go back to a sad place to get something good.'
Usually when I'm writing, I try to write fairly quickly. If a song sits around too long, it starts to take on a stink. Most of my songs are written in one sitting, two sittings maybe. Those are the ones I like the best, anyway.
If you look over the years, the styles have changed - the clothes, the hair, the production, the approach to the songs. The icing to the cake has changed flavors. But if you really look at the cake itself, it's really the same.
A song is about heartbreak - but what are the constituent feelings? What are the aspects? There is anger, there is guilt, there are all these different things. I guess putting those voices into dialogue together just felt real.
I'm not claiming divinity. I've never claimed purity of soul. I've never claimed to have the answers to life. I only put out songs and answer questions as honestly as I can. But I still believe in peace, love and understanding.
So when or you or I are made A fable, song, or fleeting shade; All love, all liking, all delight Lies drowned with us in endless night. Then while time serves, and we are but decaying; Come, my Corinna, come, let's go a Maying.
Never till this day Did life disturb the dense eternity Of joyless quiet; never skylark's song, Or storm-bird's prescient scream, or eaglet's cry, Made vital the gross fog. The very light Is but an alien that can find no welcome
In country and R&B, there's much more of that division between writers and performers, and that's where you see more of those [crossover] songs, but you don't get a lot of that coming out of the more pop and rock side of things.
It would be fun to go back and see where all my songs stopped, because I think I'd have every number in the top 100. It never ceases to amaze me. It still hurts when one doesn't work, because you put your heart and soul into it.
I'm hoping that when people hear a live Dawes song on YouTube or at a show and then they get that studio version, hopefully they're excited, rather than saying, "Oh man, I wanted completely new material I've never heard before."
I start with a comprehensive list of all the recent songs that have been big hits - and then I go down that list and see if I can come up with funny ideas for them. I can always come up with ideas, but not necessarily good ones!