Quotes of All Topics . Occasions . Authors
I think it is good for people who are incarcerated or who are bound up one way or the other-people like Lily Kimball and all the prostitues of Memphis. This gal, she needs some wings, and a good song can make that happen.
In a world where like everyone's so accessible now, to say something new in an article that you can't find out about a n--- through his Twitter or like Googling him or some s--- is rare. Just like how a good song is rare.
I think my music is definitely country but it's got a little bit of that rock flair about it. I always try to find the things that everyday people deal with in their everyday lives and situations in the songs that I sing.
As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
I do a lot of stuff for free anyway. Like a lot of people who you see who don't need money. Mick Jagger - he needs money? He just likes to go sing Satisfaction every night. If I wrote that song I probably would do it too.
I think when black performers performed in blackface, they were kind of taking back slave songs, but it was still a little bit iffy because they were performing, a lot of times, for white audiences who found it hilarious.
I write anywhere. I'm always banging around on the dashboard. Whatever I'm doing. I can make music out of anything. Whenever a song hits me, I'll pick some sort of melody or rhythm out on it, and kind of enhance the song.
I knew the full 'Judy Garland Carnegie Hall' double album set at age 2. And then my mother wondered why I was gay. I was like, 'Are you nuts? You would make me get on the table to sing Judy Garland songs and you're upset?
I got a call from my manager who told me Diplo was working on a country project. I put my vocal on the songwriting demo and my team sent the song to his team. Evidently they fell in love with it... and the rest is history.
I have a huge span of fans, some who know all my radio songs and are familiar with my popular stuff and then some who have their own personal favorites. When I do my show, I try to take into consideration all those people.
Anyone who's ever read the lyrics of an already cherished song has most likely encountered that hollow sensation of something missing, the absence of certain emotional integers. It can be like viewing a loved one's X-rays.
I don't care if you're Muslim or Christian or Buddhist or whatever your religion is, when you listen to a spiritual song and you really open your heart, you can feel it. You can feel the message of it. Just a simple story.
I'm not the kind of writer that goes, 'I'm gonna write a song about sunshine,' or, 'I've just heard a phrase, so I'm gonna write that,' and then I write a song. I'll wait for inspiration to hit, and you can't depend on it.
There's a little book I'm thinking of writing - "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.
When it's a funky uptempo song, you're basically having the same kind of release you would have when you have sex, only it lasts longer. Whether you're playing it on the guitar or on the dance floor, you're in that moment.
Musicians always want to sacrifice our creativity to get involved in environmental issues or political activism of some sort - to reduce it to something more populist in terms of sing-alongs or guitar songs with a message.
We should write an elegy for every day that has slipped through our lives unnoticed and unappreciated. Better still, we should write a song of thanksgiving for all the days that remain-now that we know how to cherish them.
I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.
I am not insecure enough to count the bouquets I receive on my birthday, I don't assess my popularity by the number of magazine covers I am on, I don't get worried if my song is on the seventh position on countdown charts.
It's different obviously with a song when you're talking about narrative, you're talking about the verse leading into the chorus or whatever it is, but you have to have a sensibility of how something would flow either way.
A song is composed of music and lyrics: 50 percent is the producer, 50 percent is the artist. So, I'm responsible for 50 percent. All I know is that I have to do my job, and I have to do it well. And he has to do the same.
He's probably their battle poet, too." "You mean he makes up heroic songs about famous battles?" "No, no. He recites poems that frighten the enemy....When a well-trained gonnagle starts to recite, the enemy's ears explode.
If I had more time, I could've utilized the stage more and turned it into my own but since I used all my energy writing and producing songs, my mind was blank when it came to my performances. That's what I regret the most.
So what I do, more than play any instrument - I mean, I love to play - but more than that, I write songs. Songs that are about living, about what it's like to be going through all the things that people go through in life.
After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
Songwriting becomes a conscious attempt to delve into the unconscious. Even those writers who scoff at the concept of a spiritual source for their songs admit that the phenomenon of having them simply arrive feels magical.
You know One Direction do a lot of up tempo songs, but when they did that Ed Sheeran song 'Little Things,' that was probably their biggest song off their last album, so it shows you that a ballad never goes out of fashion.
Clouds of insects danced and buzzed in the golden autumn light, and the air was full of the piping of the song-birds. Long, glinting dragonflies shot across the path, or hung tremulous with gauzy wings and gleaming bodies.
I can't relate to the process of just disappearing and writing a record, all at the same time, followed by the sort of drudgery of going out on tour and trying to recreate the record, playing the same 12 songs every night.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
I'll know when a song's really awesome, for sure, and I get super stoked, and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it, and you can really just over-think everything.
A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.
The collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen as totality, is a new sonic event.
You have this mounting aggressive ignorance with the rabbit's foot of their particular religion. You don't really have any kind of spiritual law, just a kind of a rabid mental illness. The songs are a little slice of life.
It was your song that made me sing It was your song that gave me wings It was your light that shined guiding my heart to find This place where I belong It was your song Dreams can come true With God's great angels like you
There are some singer-songwriters who start out as poets. So someone like Leonard Cohen wrote and published poetry in the early 60s, but then started writing songs. Bob Dylan's a poet in the sense of bard, aoidos or vates.
I think art can really serve to inspire a movement - and, of course, it has in the past. The Civil Rights movement wouldn't have the same resonance without the songs from everyone from Pete Seeger to Odetta to James Brown.
Every few years, I go back into all the songs and I update them so that it never sounds like an oldies show. If you come to the shows, they're full of muscle. 'Copacabana' sounds like it could have been released yesterday.
We have oral traditions in Mali, and songs are passed down and around this way. I think in the US you can play all the time in your own room and never see another musician your whole life. We can't understand that in Mali.
Not any specific one, but I was a huge fan of Frank Jacobs, I guess he wrote the plurality of the song parodies for MAD, Sam Hart, a few others, but that was also where I was first exposed to the art form of song parodies.
A well-composed song strikes the mind and softens the feelings, and produces a greater effect than a moral work, which convinces our reason, but does not warm our feelings, nor effect the slightest alteration in our habits
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demo-graphic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.
There have always been people making music. On their porches, playing folk songs. Playing piano in quiet salons. You don't have to listen to every MySpace page, so what's the difference? It's just noise that you filter out.
I write songs on a universal basis. I was born out of the earth of Jamaica which I consider to be a part of Atlantis, the sunk continent, but that's my thing. But I write songs on a universal basis, not like Jamaican songs.
Getting a great idea with song writing is a lot like love. You don't know why this one is different, but it is. You don't know why this one is better, but it is. It sticks in your head, and you can't stop thinking about it.
When we are making our independent music, we know our directors and what's happening around as we are paying for it. When it's a movie song, it's not you who is doing everything it's the creative heads and production house.
I enjoy the song writing process more than anything. It's what I like the most, just sitting in my room with guitar or at the piano or something. Just making something up, something that's not there, that suddenly is there.
I'm probably the most proud of "Mrs. Potato Head," because I had that idea in my head for so long, and I tried writing that song one time and I just couldn't tell the story the way I wanted to, and I couldn't figure it out.
Sun worship is fairly simple. There's no mystery, no miracles, no pageantry, no one asks for money, there are no songs to learn, and we don't have a special building where we all gather once a week to pare compare clothing.