Quotes of All Topics . Occasions . Authors
My sound is constantly progressing and maturing. It's hard with all the songs that I have written over the years to compile them all into one album. It's almost impossible to categorize them into one genre.
I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
People try to be more edgy, or write about that first explosive meeting between two people in a club, but not so much the long-term issues; I don't know how to write a song about teenage heartbreak anymore.
I'd sell one of my songs for any car commercial in the world that paid enough money. But to stay in the Top Ten for weeks on end when I'm in my forties by letting Glen Ballard write songs for me? F**k that.
Most of the songs are, in a roundabout way, actually addressed to myself, there's a certain aspect of the songs that's very confessional, very unadulterated...It was a very unfettered, spiritual experience.
I work more emotively. If someone listens to one of my songs and says, "I know exactly what that's about," then I've done something wrong. I'm not doing my job properly because that's not what I want to do.
When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I can't think that many of them want to see me a French maid outfit somehow!
Write great songs that sound amazing if sung and played on the piano or acoustic guitar. Always encourage sing-alongs! Be prolific! Say "Yes" to new collaborations because you never know where it could lead.
Sometimes to move forward you have to let go. I figured that out through opening myself up, allowing people into my creative process. It allowed me to write songs that surprised me, and in fact, inspired me.
Background vocals during her song "I Hope You Dance" .....'Time is a wheel in constant motion always, rolling us along. Tell me who wants to look back on their years and wonder, where those years have gone.'
I feel like a lot of the singer-songwriters in my genre and in my generation have gotten more and more snooty about covering other people's songs. They believe that creativity is the intersect of expression.
It will affect me in ways I can't even begin to get my mind around. This day is a dark crater. There is no room for songs. The songs are wrong. Every song is wrong. And I don't know what to do without music.
It's very hard for me to say "Do I have favorite?" because I find that each song represents a different sounds different emotions in Andy's [Kim] life. Particularly "Sister OK", 'cos that started everything.
This was absolutely an attack on [British Prime Minister] Tony Blair, principally, and the perspective which is really predominant in Europe right now that he's not questioning enough of Mr. Bush's policies.
I take no joy in mead nor meat, and song and laughter have become suspicious strangers to me. I am a creature of grief and dust and bitter longings. There is an empty place within me where my heart was once.
I try to sing many different kinds of songs. If I sing a batch of humorous songs, I'll throw in a deadly serious song. Or if I'm singing too many serious songs, I'll throw in a ridiculous song, to mix it up.
The music kind of possesses me when I sing. So whenever I start to sing on a show - I mean, first, I'm nervous, and then when I get into it, it's just like I feel like I'm the person who sang the song first.
I would rather write songs and then practice with the band. Just the band camaraderie is awesome and then writing music and then just listening to it and saying 'Dude, we made that music!' That's really fun.
I have been writing mainly fiction. Occasionally there will be a song that hangs around the truth a little more than the rest, but even with those I end up fudging the facts just to keep it from going stale.
It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
When you play the old songs, it's awesome and I love it, but it's not work because everyone already knows it and it's easy. I have to break the crowd in on a new song and that's what is kind of cool and fun.
My whole career was launched in such sort of poptastic style with 'Kids In America', and I liked - and like - being poptastic. Songs big on melody, high on energy, lots of attitude... what's wrong with that?
Sleep in my arms. Like a baby bird. Like a broom among brooms... in a broom closet. Like a tiny parrot. Like a whistle. Like a little song. A song sung by a forest... within a forest... a thousand years ago.
A lot of country music is sad. I think most art comes out of poverty and hard times. It applies to music. Three chords and the truth - that's what a country song is. There is a lot of heartache in the world.
I'm glad that life isn't like a Christmas song, because if my friends and I were building a snowman and it suddenly came alive when we put a hat on it, I'd probably freak and stab it to death with an icicle.
Staying healthy through movement and eating well gives you tons of energy and helps mold the skills that allow you to achieve goals from playing soccer to doing a tough homework assignment to writing a song.
I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
Keep a cool head and a warm heart. A mantra that became a song, inspired by the wise words of Maharishi Mahesh Yogi. If we all take the time to listen and love each other, this world would be a better place.
A band has a certain responsibility to work songs for years and stick to rules more. A solo artist can just do whatever they want, and also present themselves as somebody who's just singing about their life.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
I like songs that have like a little bit of quirkiness to them. What I like to do with songs, is kind of throw a little curveball in the lyrics or in the arrangement, to kind of give it a little twist to it.
He was a Baptist minister who prayed through his six-shooter which he claimed was the most efficacious form of prayer, especially in dealing with Yankees...he would go into battle singing the songs of David.
The way that I've always viewed my career, I always do what comes to me. I don't write forty songs per album, I write fifteen to twenty songs and pick the ones that represent this period of my life the most.
A mockingbird... was heard to blend the songs of 32 different kinds of birds into a 10 minute performance, a virtuoso display that served no practical purpose, falling, therefore, into the realm of pure art.
A lot of country music is sad. I think most art comes out of poverty and hard times. It applies to music. Three chords and the truth - that’s what a country song is. There is a lot of heartache in the world.
I don't know what makes a guy want to write songs and sing, but if you've got a message, you want to get it across. When I come up with an idea about the way I feel, I can really state it strongly in a song.
The main thing for all of us was having a ballad, a slower song. Finally, they get to hear more of a vulnerable side to us! We didn't really have that in 'Reflection,' and that's something we all fought for.
The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
I emphatically denounce Paul Ryan's use of my song 'We're Not Gonna Take It' as recorded by my band Twisted Sister. There is almost nothing on which I agree with Paul Ryan, except perhaps the use of the P90X.
A good song has to have a great melody, and the lyrics have to touch my heart. Now, if it's just a little toe-tapper, got to make me feel good somehow or another, or when I sing it I can't make you feel good.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
When we're in trouble, it's usually a line from a song that saves us. I wish it was sermons, but, I'm sorry, it's not. When you're in crisis, what comes to mind is 'O love that would not let me go.' You know?
I'm always making music. I'm constantly making little musical recordings on my phone or on a little voice recorder I carry with me so I can remember these little pieces of music that eventually becomes songs.
I ain't here to argue about his facial features. Or here to convert atheists into believers. I'm just trying to say the way school need teachers the way Kathie Lee needed Regis that's the way yall need Jesus.
Well, at the very beginning of the Amboy Dukes, I was doing background but I never sang my own songs. I would sing them for the guys to show them how I wanted the songs to go, but I always had lead vocalists.
I try to keep the idea that there's an audience in as little space in my mind as possible, but you can't erase it entirely, the idea that when you're sitting down to write a song, people are going to hear it.
I've waited for the day my debut album is released my entire life, so naturally I've designed it to be listened to from start to finish - so every song flows into each other in a way that tells a sonic story.
Every day it gets worse and worse and worse. We just want to get everyone to vote and be a part of the noise. I can't do phone banks because I have to save my voice for stage, so the least I can do is a song.
If you're asking if I would be foolish enough, or insulting enough, to write about people in my life that I respect and sell it to the masses as a "break-up song," I can't imagine doing that to people I love.
Liesel crossed the bridge over the Amper River. The water was glorious and emerald and rich. She could see the stones at the bottom and hear the familiar song of water. The world did not deserve such a river.