Quotes of All Topics . Occasions . Authors
By the time I was six or seven-years-old, I had learned several techniques of how to use my voice and was able to choose the sound I wanted to distinguish myself, so I started writing songs on the piano.
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
And this shall be for music when no one else is near, The fine song for singing, the rare song to hear! That only I remember, that only you admire, Of the broad road that stretches and the roadside fire.
It's basically me saying to the industry that I won't work within the walls in hip-hop. I want to put a twist on things, and that's what that song is all about. It's about putting a twist on stereotypes.
When you worry, there is static coming through your mind radio. God's song is the song of calmness. Nervousness is the static; calmness is the voice of God speaking to you through the radio of your soul.
My best album is called In Search Of A Song. That was my best shot right there. My finest hour, as they say. I could listen to the whole thing all the way through. There's nothing really crammed into it.
My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.
I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
I have always been heavily involved in every album I have ever made. I'm very stubborn when it comes to recording and will only record songs I love, which is why it takes me a long time to make an album.
Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales."
See, I'm not the type of writer that has 400 songs in a suitcase someplace on the shelf. I'm sort of a rise-to-the-occasion-type of writer, so when I know I'm going to record, I get in the mood to write.
Ryan stared at me as I pulled my phone out to see who was calling at this late hour. “You have the Fraggle Rock theme song as your ring tone,” he said, with a bemused look on his face. “You are so weird.
I think, you know, for me, whatever I need to slot into to make that music the best it can be or help the artists, or whoever I'm working with, achieve whatever vision they have in their head for a song.
I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.
I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.
We all know about love, faith, sadness, despair, hope, hopelessness, longing, desire... those are things we all have inside of us, and that's what my songs are about... what it means to be a human being.
Especially with 'Be Alright,' that's about a bunch of relationships and some people that I'd never even met, there was some stories friend and family had told me over the years, that I put into the song.
I think all the boys that write the screaming stuff would write the best love songs... because they have the most to hide. The guys that are in the most pain are usually the ones with the biggest hearts.
If people stop being interested it's because you haven't written a good enough album. Music will always be the most powerful thing. It doesn't matter what record labels or journalists say. It's the song.
Fashion costs money, but songs are free. You can write them for free and you can sing them for free and they can infect those around you or the people from the future and they can sing them for free too.
Pippa's Song The year's at the spring The day's at the morn Morning's at seven, The Hill side's dew-pearled The lark's on the wing The snail's on the thorn God's in his heaven- All's right with the world
The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
I always show love to the local record stores because they actually listen to me... They know the songs on my cds. They look like me, straight out the hood. They know whats hot and what is on they shelf.
It's taken a long time but eventually when I had the songs in place and demos right and I found myself a manager, that's when everything started happening quickly but I think that's always the way it is.
Punk. . .was more a kind of do-it-yourself, anyone-can-do-it attitude. If you only played two notes on the guitar, you could figure out a way to make a song out of that, and that's what it was all about.
As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.
My favorite song that I wrote is 'Love Line.' This was my first song that I wrote lyrics for, and I really wanted to express the feeling when you're in love and hoping the other person feels the same way.
I've always loved 'Umbrella.' Funny enough, my ex-husband wrote that, and I'm not saying it was meant for me or anything - people will start twisting this - it is Rihanna's song! But I've always loved it.
I was in my friend's apartment, and their buddy called us and was like, 'I'm in a car, and you're on the radio.' So we listened to the song. That was wild. I'm like, 'Is this real? How is this happening?'
I heard the Bloc Party record Japan before it came out in the UK as they are on the V2 record label. I think it has a great vibe and has great songs. I also think the Kings of Leon are right up my street.
Come unto these yellow sands, And then take hands. Curtsied when you have and kissed The wild waves whist, Foot is featly here and there; And, sweet sprites, the burden bear. Ariel's song, scene II, Act I
I try to make myself, and subsequently the audience, as uncomfortable as possible, whether it's completely desecrating a song they thought was one thing, or getting too drunk to really do a very good job.
What a fine-looking thing is war! Yet, dress it as we may, dress and feather it, daub it with gold, huzza it, and sing swaggering songs about it,--what is it, nine times out of ten, but murder in uniform!
Wasurenaide is neither my song nor anyone else's song. Because it is the song that belongs to the 5 members of Tohoshinki. Therefore, I don't want it to be sung, neither by one person nor by three people.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
I might've set out to write a particular song about a particular girl, but my experience will run out after four lines, so instead of getting obsessed with the girl, I write about the clothes I'm wearing.
I'll write for a while and then I'll find an appropriate song and in a weird way the music will keep me in the mood. I find music to define the mood of the movie, the rhythm the movie is going to play in.
This is a catastrophic universe, always; and subject to hidden reversals, upheavals, changes, cataclysms, with joy never anything but the song of substance under pressure forced into new forms and shapes.
At a recent show, I looked out and I saw this girl crying in the audience and it really affected me. I wanted to stop the song and go and give her a hug. I should have, actually - I regret not doing that.
I'd like to teach kids how to write songs. This will be my first year so I'm just as green as some of the rest of the folks. It's like a music camp and I get to hang out with some of the past contestants.
Being in a rock band is about touring. It's about writing songs and it's about making records but it's also about taking a wonderful smile onto that stage and making the people feel good about themselves.
As a songwriter, I was really into pulling away from the melodrama and the overdramatic type of writing that I was previously always doing. I think over time my songs have become more and more restrained.
My brother had written 'Ocean Eyes,' and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way - if you can't dance to a song, it's not a song.
When we're on stage doing a song about positive body image or another about female empowerment, everyone out there is super into it and right there with us. It's been awesome. I feel like we fit right in.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
Like I can't cry for myself so I will let this song take all of the things inside I can't let anyone else see and offer it up, as if the sound were some kind of god, and my pain is some kind of sacrifice.
Well, you stood there with me in the doorway, my hands shake, I'm not usually this way. But you pull me in and I'm a little more brave. It's the first kiss, it's flawless, really something, it's fearless.
I feel like that for the next album, we're going to know what we're doing for each song even more than what we did for this one, just because we'll have really fleshed them out as a band before recording.