I don't determine the singles. I believe the record company sends a bunch of CDs out to people that they trust in the business, and wait for their response to determine which songs will become singles.

I dream of songs. I dream they fall down through the centuries, from my distant ancestors, and come to me. I dream of lullabies and sea shanties and keening cries and rhythms and stories and backbeats.

His songs were soon curled on the lips of the world, they had earned him the highest acclaim. And yet his greatest desire was the simple warmth of love's fire, cause it's cold on the dark side of fame.

I want to do some different kind of songs, but say I want to do riffs, but I don't come up with any riffs that I really think are great. Then I can't do a riff album. I'm more of a song, melody person.

My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.

I could not get my fill of looking. There should be a song for women to sing at this moment or a prayer to recite. But perhaps there is none because there are no words strong enough to name that moment.

Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'.

The idea of having an indie rock "career" while living in a remote backwater like Seattle was too ridiculous to contemplate. It was simply about having adventures, one day at a time, one song at a time.

To the audience, it's like I'm changing the subject every five seconds, but to me, my show's almost like a 90-minute song that I know exactly. I wrote every note, and I know exactly where everything is.

When I was a girl, I would make up songs for fun. Then I realized, after making them up, that I could remember how they went a week later - I remember that's when I thought: Maybe I'm gonna be a singer.

I'm extremely happy, but I don't do love songs for the most part. It feels weird; that's such a personal thing to me. I'd rather live that in my real life and play a different character outside of that.

Say to your own minds, "I am He, I am He". Let it ring day and night in your minds like a song, and at the point of death declare : "I am He". That is truth; the infinite strength of the world is yours.

The video forum for me has been a source of great consternation because once you start projecting a look to a song, it robs the listener of their ability to adopt that song and make the lyric their own.

Well the country songs themselves are three-chord stories, ballads which are mostly sad. If you are already feeling sorry for yourself when you listen to them they will take you to an even sadder place.

I can write songs, but I'm not gonna really feel good about the song unless it feels like me, and I'm not gonna release a song or put it on an album or play it in concert unless it really feels like me.

A great song should make you stop everything that you're doing. You should be so into it that you just can't imagine doing anything else for that moment. You wouldn't even dream of picking up the phone.

Love is one of my favorite things to talk about. Every song will be about losing it or finding it, seeing a guy and not knowing if you want to tell him how you feel yet. I guess I'm a hopeless romantic.

It is amazing when you try and write songs without an instrument. It kind of forces the melody to be honed it. It has to be good. A lot of what I think are my best songs were made without an instrument.

There's songs that could either be taken as a conversation between two people, like "The Privateers," or "Why," from a much earlier record. Or "Glass Figurine." That's my version of a relationship song.

I continue to evolve as a human, I see things differently everyday so it's sure my songs will continue to change and it's a really good thing. It's nice to listen to my music and remember why I made it.

I'm pretty excited for people to listen to the story of each song. It's definitely like a giant book with different stories in it. They are all very child-like but also a balance between light and dark.

In a song you can shine a light on a topic and with your voice at a concert you can shine a light on an actual issue or a person, you can acknowledge whatever you like with music and people will listen.

Money is important, but I gotta like the song to play it. I won't just jump on anything because someone asked me to jump on it. I'm a musican. I love music. I gotta like it and feel comfortable with it.

My favorite process is writing, from day one. The songs I have written throughout the years were a real great opportunity for me to communicate, because I think tha'ts my prime objective on this planet.

We are the cause of a world that's gone wrong. Nature will survive us, we've been wrong after all. We are the cause of a world that's gone wrong. Wouldn't it be great to heal the world with only a song?

Sometimes, the best songs are the ones you write without any pen and paper or audio recording device or guitar in your hands. Because there's nothing between you and the melody; it's just a great lyric.

One of the nice things about a favorite pop song is that it's an unconditional truce on judgment and musical snobbery. You like the song because you just do, and there need not be any further criticism.

Sometimes song happens all at once where you sit down and the lyrics and the music just come out. So there definitely isn't one way that it happens - there are a lot of different things that take place.

I would enjoy venturing into music, as I do write songs and compose music! And, of course, dance, rhythm and performance are in my blood, so eventually I see myself doing something in that area, surely!

Music to me is a voice, my voice, it's my way of expressing what colours can I bring in, what emotions, what feel. What ideas can I bring out from these instruments that would make this song come alive.

I don't think there's anything wrong with not knowing how to play an instrument, but the rise of the non-musical producer has done away with musicianship and focused attention purely on the song's hook.

The amusements of broadcast consist mainly of songs, stories, and games, just as in tribal life. The songs and stories are mostly about courtship, the games mostly played by men, just as in tribal life.

It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song

It feels like the more I'm out there in the public eye, the more criticism I get. You need to have confidence - that's what it takes to walk out there and sing a song in front of a huge group of people.

Safe Harbor is a state of mind... its the place - in reality or metaphor - to which one goes in times of trouble or worry. It can be a friendship, marriage, church, garden, beach, poem, prayer, or song.

I'm working with a producer, Scott Jacoby, who co-wrote "Trouble" off No Beginning No End. Without giving away too much, it's a definite pop/r&b vibe, pretty strong melodies, and definitely about songs.

I've always found it pretty difficult to write a happy song. Since I was a kid, when I pick up my guitar it's been hard for me to write some sort of bubblegum lyrics. It's not really ever been my route.

But you, divine poet, you sang on till the end as the swarm of rejected maenads attacked you, shrieking, you overpowered their noise with harmony, and from pure destruction arose your transfigured song.

I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business.

In the course of my life, I've made some happy songs but it's the more sort of like pathos-laden, emotional, melancholic music that either I make or that other people make that really resonates with me.

Nowadays, people are so jeezled up. If they took some chamomile tea and spent more time rocking on the porch in the evening listening to the liquid song of the hermit thrush, they might enjoy life more.

You can only write so many pop songs before they all sound the same. I got to a point where something overtly melodic and straightforward sounded sort of cheesy to me. Pop songs seemed too manufactured.

For us the Dresden Dolls were porcelain dolls that were made in that city at the time, that is what they were to us, and also a reference in Slaughterhouse 5 by Kurt Vonnegut, and in a song by The Fall.

So every time I make a new circuit, a new time around, then I change the show. You can't change the songs; people still want to hear "Lady Sings the Blues" and they still want to hear some of the oldies.

I like the simple 'I love your work' letters. You never get sick of people's appreciation. They think they're troubling you, but it's lovely people associate my songs with certain moments in their lives.

I didn't make the same song twice, but I definitely made the sequel to it, because everyone would come up to me in the streets saying, "Yo Khaled, make another 'I'm So Hood.' We love that record so much.

Always I shall be one who loves the wilderness: Swaggers and softly creeps between the mountain peaks; I shall listen long to the sea's brave music; I shall sing my song above the shriek of desert winds.

The problem is I'm a perfectionist, so the producer might say he's happy with my vocal take but I'll say, 'No, it can be better.' I'll do it again and again until I feel I've got the truth out of a song.

I couldn't resist. I went over and joined in, and we just sang the song together, ... They had no idea that I had written it, or who I was. I was just some weird guy who wanted to join in on the singing.

I have been blessed with some incredible compositions to record and perform and all of my songs have had the ability to grow as I and those who have supported this career of mine for these 50 years have.

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