I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'

For me, I want to create a environment for the songs to live in. So one song by itself only tells a piece of the story, but in the context of the album, more of the colors are revealed.

I would say the main themes are love, loss and life. Although a lot of the songs represent hard times and situations I think my album is positive, the message is things will get better.

I once wrote a song so beautiful that I myself couldn't sing it. It's called Plastic Government Cheese Swan, and it's about how the world is plastic and full of government cheese swans.

Every year on my birthday, I start a new playlist titled after my current age so I can keep track of my favorite songs of the year as a sort of musical diary because I am a teenage girl.

Up till now I wrote the songs on my acoustic guitar alone with the Lord. Then I would take the song and share it with my family and then we all would figure out instrumentation together.

I've certainly collaborated with others for their songs and it's fun. To me, it's exciting to write from a place that doesn't have to be so true to my life and is more just storytelling.

I don't think the singers take it as seriously as we used to. The words, the meaning, the phrasing, the feeling of the song. They see the words, they know the tune and they just sing it.

Some days I'll be like, "You know what? Why don't I go to my daughter's studio and make a song?!" And then I don't! I don't know if I would have all the time it takes to put into a song.

Honestly, musicals? I just can't. What if this was real life and I was just walking down the street on Rodeo Drive and all of a sudden I just burst into song about how much I love shoes?

So darlin' if your wonderin' why I brought you here tonight I wanna be your husband I want you to be my wife I ain't got much to give you but what I got means everything Its my last name

I don't write poetry for the page because my inclination in that area is satisfied by songwriting. "Ornamental Hermit" was a comparatively effortless song to write, which is rare for me.

I wanna make stuff that sonically sounds really good. I don't wanna make a song about how people think I'm this when I'm really that. I don't wanna make a song about how I grew up broke.

Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.

I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.

New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.

Once, he'd used it in song, but the songs in his heart had gone silent long ago, and he knew that one day so would his voice. A man with nothing inside him eventually had nothing to say.

I brewed potions in a vain search for life everlasting, I read books, I sang songs of history, And today I've come home to Cold Mountain To pillow my head on the stream and wash my ears.

I find myself a lot more open to bands if I just hear their song. It gives you an opportunity to engage with the thing itself and not be overwhelmed by everything else that surrounds it.

All ages serve and worship the same God, gather under the same gospel and add to the collective song that praises the faithfulness of God as each generation shares in his promises to us.

As a writer, I never paid much attention to the length of titles. I've just wanted them to communicate the emotional overtones of the content of a record or song that they are describing

I really love that I'm giving myself the opportunity finally to not have the pressure of every single song you do having to be "political" or whatever. I'm just making what I wanna make.

I definitely like the oddballs. There's a song called 'Little Thing,' which is the only song that I have recorded that has no words. And it's the one that I get past my critic inside me.

I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.

You can get too bogged down in technology and you can sort of forget what it is you were trying to do. And with the Pet Shop Boys it's primarily about the songs, it's about song writing.

When you write songs, you have to like them yourself first, but then you have to make everyone else like them, because you can force them to play it, but you can't force them to like it.

When it comes to songs and music, yeah, people love to sing and dance and play music and tunes, and that stream of consciousness that exists in music, nobody knows where that comes from.

I'm tired of playing little girls. I'm a woman now. I can't run around forever being the Little Miss Fix It who bursts into song. I want to get out of Hollywood and get a fresh approach.

Sometimes the teacher would tell me that if you're singing a love song and you just don't feel it with a person or something you've experienced, just think of a dog or cat that you love.

There aren't that many songs that pay homage to the DJ. They are the ones getting artists' music out there. They are the ones getting the club popping. But no one's giving them any love.

As I've evolved in life my writing process has taken a turn. I'm inspired by everyday life. I could be in the middle of something and hear a commercial. I enjoy songs writing themselves.

Believe it or not, one of my favorite songs is 'La Marseillaise'. I'll watch Casablanca just to hear it. It is enough to get me off my ass and want to jump on a horse and yell, "Charge!"

I will make you brooches and toys for your delight Of bird-song at morning and star-shine at night. I will make a palace fit for you and me Of green days in forests and blue days at sea.

George Bush doesn't care about black people... They're saying black families are looting and white families are just looking for food... they're giving the (Army) permission to shoot us.

I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.

When I was five years old, me and my cousin got into a fistfight because when "That's the Way (I Like It)" came on the radio, he said, "That's my song," and I said, "No, that's my song."

The smartest thing I've done for my kids is writing a song about a holiday. Every year after that, even after I'm gone, they'll get a small check from the play it gets around the Fourth.

It's not a normal recording shift where you do a song and you get a day to tweak it and the third day you mix it. It's like double the work in the period of time it would take to do one.

If certain songs become popular enough to the point where I'll be playing them the rest of my life, I don't want them all to dwell on the same down moment that I'll have to keep reliving.

Most of my songs are about Jesus. Most of my songs are about the idea that there is salvation, and that there is a Savior. But I won't mention his name in a song just to get a cheap play.

I had done a cover of the song 'Nenani Neevani' and put it up on Sound Cloud, which Sunny M.R., the music composer of Rowdy Fellow, came across. He liked it and approached me for 'Yedho.'

I have so much pride and love for the songs of The Smiths. However, I must ask you, if you come across any Smiths CDs, don't buy them, because all the money goes to that wretched drummer.

A big mistake a lot of filmmakers do is they like, "We cut our whole ending to a Rolling Stones song." You better find a new ending then, because unless you have $2 million for that song.

God's poet is silence! His song is unspoken, And yet so profound, so loud, and so far, It fills you, it thrills you with measures unbroken, And as soft, and as fair, and as far as a star.

Well mostly in song writing my experience is that there isn't so much inspiration as hard work. You sit there for hours, days and weeks with a guitar and piano until something good comes.

Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.

I had a guitar sitting around, and it just happened to have four strings on it, and I would sit around watching TV and playing it. I ended up writing bunches of songs around four strings.

The siren song of redistribution of wealth by centralized government never ceases for those who seek irreversible and unusurpable control over the lives and liberties of private citizens.

I'm very parasitic, from my own experiences. I just go and mine my dirty laundry, you know, and go through it until I find something that's interesting enough to me to write a song about.

Mos is a true artist who has a story to tell and gives back through his music. He remixed my song 'Different' in 2005, and the song we're working on now will be one of my future projects.

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