Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

I've never been more moved by a voice than I have been by Roy Orbison. I loved him personally, and I loved his voice. I think of him often and frequently listen to his songs.

With what's happened in the world the last three years, it's easier to see why it's become popular again to diminish and revile Arabs and Muslims in American popular culture.

The most self-destructive thought that any person can have is thinking that he or she is not in total control of his or her life. That’s when, ‘Why me?’ becomes a theme song.

I don't know what happens when people die Can't seem to grasp it as hard as I try It's like a song I can hear playing right in my ear That I can't sing I can't help listening

Love Me Do, the first song we recorded, John was supposed to sing the lead, but they changed their minds and asked me to sing lead because they wanted John to play harmonica.

It's as simple as finding something on the street and then writing a jingle. If I'm driving and I have my turn signal on and it's rhythmic, maybe I just write a song to that.

My mom used to ask me when I was gonna write a happy song. I still tell her that it's when I start to write really happy-sounding songs that everyone needs to start worrying.

Pop music has greater power to change people and to affect people because it's a universal language. You don't have to understand music to understand the power of a pop song.

I've recorded myself for four or five years and have been doing lots of experiments. I'm not that good an engineer - so it always becomes a different song - but I have ideas.

I don't get boy bands these days. Thye don't write their own songs and everything is choreographed from their dance moves to how they have sex with each other after the show.

I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.

My grand plan is that I can master having a better life by making sure I have a regular flow of songs. Then I can give myself time to tour or celebrate or write a film score.

A song without a hook is like a train without rails. It skitters all over the place, bangs into everything. Boom! Crash! There goes Grand Central Station. Crushed by a train.

She was Daenerys Stormborn, the Unburnt, Khaleesi and queen, Mother of Dragons, slayer of warlocks, breaker of chains, and there was no one in the world that she could trust.

When I do older folk songs, I'm not doing them because they're old. I have no interest in reviving or continuing a tradition. I'm just doing them because they're great songs.

Once a jolly swagman camped by a billabong, Under the shade of a coolibar tree, And he sang as he sat and waited for his billy-boil, You'll come a-waltzing, Matilda, with me.

A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.

I have a song called 'Decisions' that features Jamie Foxx, Mary J. Blige, John Legend and Common. It's about people who have made a decision to really stand by you as friends.

The cozy fire is bright and gay, The merry kettle boils away and hums a cheerful song. I sing the saucer and the cup; Pray, Mary, fill the teapot up, And do not make it strong

Everything in the service needs to preach - architecture, lighting, songs, prayers, fellowship, the smell - it all preaches. All five senses must be engaged to experience God.

I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.

I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.

I think I write a lot, but it's always a continuous stream of consciousness, I guess. It's a mechanic. It's a discipline and it's a way to have supplies for the songs to come.

Slade was never pretentious. It was just music to them. Pop, rock, soul....it was all the same to Slade. They wrote great songs. And, besides, I'd like to raid their wardrobe.

I would say, you can never do enough gigs and you can never do enough songs. Make sure that every opportunity you can, play a show and every opportunity you can, write a song.

I've definitely done my share of tripping over monitors, etc. but nothing could compare to the time when I totally forgot the beginning of a song that I was starting on stage.

Love is a rose But you better not pick it. It only grows When it's on the vine. Handful of thorns And you'll know you missed it. You lose your love When you say the word MINE.

When I look into your eyes I still get weak And when Im this close to you I just cant speak And its hard to keep my hands to myself When I know I could never love anybody else

Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.

I definitely like to go out and dance. I'm a big vibe person when it comes to music so a song really has to make me feel a certain way in order for me to fall in love with it.

If I ever get some free time I end up thinking about what to make next. I don't pick up a guitar and start playing the songs I already know; I immediately try to write a riff.

It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.

I was never encouraged to do it and I played the accordion, which I hated. I wish I had taken piano because I definitely would have written more songs of my own, but I didn't.

River Song? Amy Pond? Hardly weak women. It's the exact opposite. You could accuse me of having a fetish for powerful, sexy women who like cheating people. That would be fair.

With the backdrop of The Salvation Army's century and a half of service to the world's poor, these songs and reflections are born of meaningful engagement with a living Gospel

The incalculable winds of fantasy and music and poetry, the mere face of a girl, the song of a bird, or the sight of a horizon, are always blowing evil’s whole structure away.

I understand why people get desensitized and roll their eyes when they hear a protest song, or even a politician making some flowery speech. It doesn't really change anything.

I love the pursuit of songwriting, and I've seen what songs can do in people's lives. Some of the stories that come back from songs flying around the globe are so encouraging.

When I want to party, I play Beyoncé's "Crazy in Love." That's always been the song that my friends and I get ready to; or before I go on a first date, I play it to feel sexy.

My music is the chicken soup kind. I want people to get a good feeling in their soul from these songs. Roots rock, heartland rock...whatever you want to call it is OK with me.

The best compliment I ever had is, one day I was in Nashville, some disc jockey said, Hey, that sounds like a Tom T. Hall song. Up until then there hadn't been any such thing.

Even though the hero of emo is Morrissey, the great song of emo is 'Love Will Tear Us Apart.' An emo soundtrack would introduce Joy Division's music to a whole new generation.

I know a lot of actors who live with kind of a soundtrack in their lives, even to go to the market. I'm not that kind of actor. I don't listen to songs. I actually like quiet.

Depending on the story, I don't feel that the music is disappearing. I feel if the story demands songs, they'll have songs. If it doesn't demand songs, you'll have underscore.

When you're sitting in the basement trying to get on, you have no choice - you've gotta figure out how to make a song: 'I've gotta bang on these buttons until it sounds good.'

My friends are gone and my hair is grey. I ache in places I used to play. And I’m crazy for love but I’m not coming on. I’m just paying my rent every day in the tower of song.

It wouldn't be a Carrie Underwood album without a revenge song on it. People really like when I do that. I don't mean to. I don't hate men that much. But it turns out so well!

A song has a few rights the same as ordinary citizens... if it happens to feel like flying where humans cannot fly... to scale mountains that are not there, who shall stop it?

In Georgia where children work day and night in the cotton mills they have just passed a bill to protect song birds. What about the little children from whom all song is gone?

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