Michael Berkeley's 'Sonata' is very - what can you say - melodious.

My 10th Sonata is a sonata of insects. Insects are born from the sun... they are the sun's kisses.

When people ask me for playlists, I always put in 'Moonlight Sonata' because it is my favorite song. I play it all the time.

I didn't want to look back in 10 or 20 years and say, 'Yes, I always wanted to write that piano sonata or that novel, but I never had time.'

My teachers said, 'Always keep a Beethoven sonata under your fingers.' I always have. I still play chamber music, and I always play classical.

The first dramatic experience I had of music was when I was five. The electricity had gone out in Georgia, and my mum played the 'Moonlight Sonata' on the piano.

As for my own music, I've never written a book about it. I'm not pedagogical... When I write an abstract piano sonata or a concerto, I write what I feel. I'm not a self-conscious composer.

I really love to play 'Moonlight Sonata' by Beethoven. I can still read music, but I need to practise more. The way your fingers move - it's something that comes from memory. I love music.

I think, bad times, I sit down and I play - there's definitely certain songs that touch in certain ways. I go back to 'Moonlight Sonata' by Beethoven; that usually takes care of everything.

Some of my favorite music in the world is Haydn. I had a sabbatical one year and made myself one promise: to play a different Haydn piano sonata each day - they are inexhaustible treasures.

All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.

The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.

There is no piece of guitar music that has the formal beauty of a piano sonata by Mozart, or the richly worked out ideas and passion of a late Beethoven string quartet, or for that matter the beautiful mellifluous poetry of a Chopin Ballade.

Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.

In college, when a girlfriend asks you to watch a film in black and white, you do it. That's when I discovered a lot of films. I was really obsessed with Bergman, the whole world he creates. One that I always quote a lot is 'Autumn Sonata.' When you see women go through issues with their mom, you realize how right and poignant Bergman was.

Learning great works like the Liszt Sonata or Beethoven's 'Hammerklavier' should be a struggle to a certain extent, where you need to labor intensely with your own brain and soul for the meaning of the work instead of cutting and pasting a bunch of stuff together from the Internet and - boom! - there you are with a performance ready to go.

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