When I was growing up, I was very lucky. My family was the most important thing to me. They provided me with somewhere safe to grow and learn, and I know I was fortunate not to have been confronted by serious adversity at a young age.

You open up a lot of tours making nothing just for the fact that you need to start somewhere and get some exposure. When you start to headline your tours, all the money is in headlining, but there's no money in headlining small rooms.

There have been some medical schools in which somewhere along the assembly line, a faculty member has informed the students, not so much by what he said but by what he did, that there is an intimate relation between curing and caring.

I think you have to remember that the people that are really muscly and toned at the gym started somewhere. You have to remember that they didn't always look like that, so when you're in there, don't look at them and feel intimidated.

I always want to be doing something - going somewhere, doing a project, teaching a class, writing an article. I try to use up my day. You have a limited time on this planet - try to use as much of it as you can for productive purposes.

The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.

I find it not hard to make friends, but it's definitely different when I go somewhere like summer camp and everyone already knows that I'm in 'Hunger Games'... My life is still pretty normal, and I still have some really great friends.

That's why I wrote this book: to show how these people can imbue us with hope. I read somewhere that when a person takes part in community action, his health improves. Something happens to him or to her biologically. It's like a tonic.

If you want a free email service that doesn't use your words to target ads to you, you'll have to figure out how to port years and years of Gmail messages somewhere else, which is about as easy as developing your own free email service.

The planets are never the same twice, they're always different, so they could compare the markings I had drawn with their current photographs and they knew that I was drawing what I was really seeing and it wasn't copied from somewhere.

A liberal is a person who believes that water can be made to run uphill. A conservative is someone who believes everybody should pay for his water. I'm somewhere in between: I believe water should be free, but that water flows downhill.

I think I became a writer because I used to write letters to my friends, and I used to love writing them. I loved the idea that you can put marks on a page and send it off, and two days later, someone laughs somewhere else in the world.

The places I visit in any given week are my home, so when I'm somewhere that feels good to me, it's a real game changer. If a place causes me to have a strong reaction, be it positive or negative, it'll often find its way into my music.

I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece.

I do know that I've read somewhere that it's been statistically proven that in times of war, horror films are much more popular. I don't know why that is. You'd think it'd be the opposite. You'd think people would want to escape from it.

Every time Mr. Trump goes to speak somewhere, he lays out the problems with that given location, whether it's Ohio or Michigan, or Indiana, you know, your country is a mess right now. Our jobs are leaving. Our trade deals are killing us.

When I was a child, I was raised Catholic. Somewhere, I didn't fit with the saints and holy men. I discovered the monsters - in Boris Karloff, I saw a beautiful, innocent creature in a state of grace, sacrificed by sins he did not commit.

If I'm not on tour or in the studio, I'm in nature somewhere, usually some kind of ocean. Playing music has afforded me that. It's not lost on me that it's a tremendous opportunity to be able to spend your life being surrounded by nature.

Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on.

MSNBC got some very good people. They've got a good-looking set. All They're first-class. Somewhere along the way, they kind of lost their identity as a news channel, and they started doing a lot of other sort of magazine-type programming.

My favorite pieces that I've written, either for St. Lucia or for myself, have always had a transporting quality to them, where they take you out of the moment and somewhere positive that feels nostalgic and happy but sad at the same time.

But aesthetics is not religion, and the origins of religion lie somewhere completely different. They lie anyway, these roses smell too sweet and the deep roar of the breaking waves is too splendid, to do justice to such weighty matters now.

In the universe of possibilities that exist for life, we've shown that it is a very easy possibility for life as we know it to include silicon in organic molecules. And once you can do it somewhere in the universe, it's probably being done.

Many of my friends and family are scratching it out somewhere decidedly south of the ever widening gap between the haves and have nots, looking at losing their homes, colleges they can't afford and healthcare they can't avail themselves of.

I never thought about becoming a politician. But during the military dictatorship, my grandfather was put in prison six times and my father twice. If my family and my country didn't have this history, I might be a professor somewhere today.

I have somewhere met with the epitaph on a charitable man which has pleased me very much. I cannot recollect the words, but here is the sense of it: 'What I spent I lost; what I possessed is left to others; what I gave away remains with me.'

I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.

The easiest thing in the world is to succeed. You can't help it if you follow the rules and play the game the best way you know how according to yourself, instead of according to the one next to you, or above you, or somewhere away from you.

Remember before nineteen seventy two Olympic Games I was total skinny, I was small, very strong, they may be don't like to see a gymnastics like that. I don't know but, gymnastics, might. Nineteen seventy two supposed to be change somewhere.

The important thing isn't the house. It's the ability to make it. You carry that in your brains and in your hands, wherever you go... It's one thing to carry your life wherever you go. Another thing to always go looking for it somewhere else.

I am a musician. I didn't know I would be so when I was young. I do know that I have always heard music in my head that I wasn't hearing somewhere else and I 'needed' this music. And obedient to the laws of nature, I created into this vacuum.

When I have sat at home with this God-given talent for music for a long time, somebody approaches me out of the blue and asks me to play for them. It's almost as though there's a force somewhere which is saying 'no sittin' around, out you go!

Money is always on its way somewhere. What you do with it while it is in your keeping and the direction you send it in say much about you. Your treatment of and respect for money, how you make it, and how you spend it, reflect your character.

The reason I did the book about holidays is that you're a different person on holiday. You're sleeping somewhere unfamiliar, knocking about with people you've never met and for 10 days you're someone else. You're out of your comfortable zone.

I always tell people there's only one trick to writing: You have to write something that people are willing to pay money to read. It doesn't have to be very good, necessarily, but somebody, somewhere, has got to be willing to pay money for it.

If we don't stop somewhere, if we don't accept an unhappy compromise, unhappy for both sides, if we don't learn how to unhappily coexist and contain our burned sense of injustice - if we don't learn how to do that, we end up in a doomed state.

When someone needs copper, or wood or an ag product, and they invest capital somewhere to make that happen, and people get jobs from that, and that good gets introduced to the world stage and it gets traded and moved, the whole world benefits.

The Spanish and the American audiences are lunatics. They are very passionate and, like the Irish, they don't have as many inhibitions. If you are playing somewhere like Austria or Sweden, it takes them a little while to come out of themselves.

We were playing, not for the drunks, but for the musicians, because it was more intellectually challenging. We needed somewhere to put our energy to show that we were growing, and as we started to achieve this, people came to hear us musically.

Roy, the guy I play in 'The Grifters,' is a guy who had a very bleak life. His mother had him at 13, and then when she was 17 or 18 and he was 4 or 5, they were trapped in a small Texas town somewhere, and she was ready to do anything to get out.

Nothing is a calling card. Everything is what you do. If you do it in order to get somewhere else, you're not actually doing it. If you're thinking, 'What is the weird thing I want to make with my friends?' money and other things will come later.

'Fowl Space' was a lovechild of boredom. While in class, two of the developers started passing designs back and forth. Somewhere in the middle of all that ink and crumpled paper, a chicken in a space helmet was born and thus we have 'Fowl Space.'

I believe in all of these Irish myths, like leprechauns. Not the pot of gold, not the Lucky Charms leprechauns. But maybe was there something in the traditional sense? I believe that this stuff came from somewhere other than people's imaginations.

I have a hard time waking up. No alarm clock works! It sounds childish, but I seriously have my manager, my mom or a buddy of mine wake me up if I have to be somewhere. It's a serious issue! I've been very late for some serious gigs because of it!

The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.

I think I lived those years very impersonally. It was almost as though I had erected someone outside myself who was the president's wife. I was lost somewhere deep down inside myself. That is the way I felt and worked until I left the White House.

I was with top CEOs in 2009, and they were clearly shaken. Top leaders of Wall Street and elsewhere, shaken. The ones at the top did get by because if they are seeing a decline somewhere, there is also growth elsewhere, like in emerging economies.

If one of us, any of us, any American is traveling in a town somewhere in America and a medical crisis hits them, for someone who is diabetic or perhaps has heart disease or some other problems, where do we get the records to determine what to do?

I grew up playing war. We threw dirt and rocks at each other. We'd lead attacks. We'd break up into squads. It became a neighborhood thing for a while, our neighborhood against the other neighborhood. There was always a war breaking out somewhere.

The earliest sensation at the onset of illness, often preceding the recognition of identifiable symptoms, is apprehension. Something has gone wrong, and a glimpse of mortality shifts somewhere deep in the mind. It is the most ancient of our fears.

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