Quotes of All Topics . Occasions . Authors
There's just not a lot of inventory, and to find a shortstop or a catcher, or a centerfielder, that you think that could stay at those positions... they're very hard to acquire. Sometimes you have to overpay for them, because of that lack of inventory.
Obviously, I've been on sets before but nothing as big as 'Twilight.' You forget sometimes that you're on set of one of the biggest movies ever- so when you just sit back and think about it its just so incredible. It's such a great learning experience.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
If you're climbing the ladder of life, you go rung by rung, one step at a time. Don't look too far up, set your goals high but take one step at a time. Sometimes you don't think you're progressing until you step back and see how high you've really gone.
I learned early in my life that sometimes I'm going to lose. I don't like it, but I accept it, meaning that I understand it's going to happen. But I don't see it like defeat; I see it like a learning process. Then if there's nothing to learn, I move on.
I think 3D can be an incredible thing on a movie and a terrible thing for a movie, depending on what kind of movie it is. And I've seen movies where I thought the 3D really enhanced the experience, and sometimes where I thought it just detracted from it.
Throughout our history, the Supreme Court has entered national crises, often preventing presidents from doing what they want to do. Indeed, sometimes the court's verdicts are not vindicated by history. And yet presidents have complied with those rulings.
Sometimes you do absolutely know there's something there. You feel it in your bones. I actually literally feel it on my skin sometimes. I do get goosebumps. There are times when you go oh God, that works that moment! But you find you take it apart again.
You won't lag behind, because you'll have the speed. You'll pass the whole gang and you'll soon take the lead. Wherever you fly, you'll be best of the best. Wherever you go, you will top all the rest. Except when you don't. Because, sometimes, you won't.
I have a mess in my head sometimes, and there's something very satisfying about putting it into words. Certainly it's not something that you're in charge of, necessarily, but writing about it, putting it into your words, can be a very powerful experience.
I am more of a New Yorker than ever and just actually, sometimes I fantasize about living somewhere else, where it's maybe not quite so crowded or stressful, blah, blah, blah and after September 11th, I guess I could just not imagine living anywhere else.
Looking at and shaping your own work is a very intuitive process. You see something you've written in your notebook. It's there on the page and either feels right or it doesn't, and it's hard sometimes to go beyond that and discover why it feels that way.
Be a gift to everyone who enters your life, and to everyone whose life you enter. Be careful not to enter another's life if you cannot be a gift. (You can always be a gift, because you always are the gift - yet sometimes you don't let yourself know that.)
It's hard to tell people who they should hang out with and who they shouldn't, especially if they aren't ready to hear that. You have to let your friends make their own mistakes sometimes. You can't protect them from everything, or else they'll never learn
They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
I feel like all of my records have potential to be hits. Sometimes it's promotion, sometimes it's bad timing, but yeah I take it very personally. I'm very hard on myself when it comes to my records. I really believe that if it's not number one, I've failed.
If we are honest with ourselves, we have to admit that sometimes our assumptions and preconceived notions are wrong, and therefore, our interpretation of events is incorrect. This causes us to overreact, to take things personally, or to judge people unfairly.
Without him, [Nate] she was completely alone in the world. There was no one at all for her. No one in the world who cared whether she lived or died. Sometimes the horror of that thought threatened to overwhelm her and plunge her down into bottomless darkness.
I'm drawn to the stuff that's maybe a little bit on the fringe. Part of that is just practical sometimes. We can't compete with the major labels for some acts, so you figure, "Okay, what could I introduce to people, or what do I like that is within my means?"
Sometimes God picks you up and tells you, "You've been messing around now. You're going to have to stop this, stop that, but I'll give you another chance." And you wonder why you're given another chance. It must be for something; it must be to celebrate life.
Sometimes you say things with a smile with the precise intention of making it clear that you are not being serious, and are only kidding. If I salute a friend with a smile and say, "How are you, you old scoundrel!" clearly I don't really mean he's a scoundrel.
Crowley shook his head. "I sometimes wonder if it was a good idea having Halt train apprentices. He seems to teach them no respect for authority." "Oh, he teaches us to respect authority," Gilan said innocently. "He just teaches us to ignore it when necessary.
Sometimes you just have to say, “...I don't know what we are doing, let's just go and see what happens.” You have to embrace the experience itself, so that things you didn't intend to happen can make your work more authentic. And you have to hope that it works.
I actually love Twitter, but I don't ... I never know what to ... I get a lot of my news from Twitter. But, I never ... I sometimes just don't think ... I think Twitter is full of a lot of talkers and not many listeners, so I'm happy to be one of the listeners.
Sometimes we don't need words. Rather, it's words that need us. If we were no longer here, words would lose their whole function. They would end up as words that are never spoken, and words that aren't spoken are no longer words. - (Where I'm Likely To Find It)
President Heber J. Grant often quoted the following statement, which is sometimes attributed to Ralph Waldo Emerson: “That which we persist in doing becomes easier for us to do-not that the nature of the thing is changed, but that our power to do is increased.'
I've never been impulsive. It's always been in my nature to consider things carefully and then decide upon the best solution. Except, sometimes the circumstances change. Sometimes things get so complicated and so bad that your nature just doesn't matter anymore.
I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene. It's not a movie-by-movie or a part-by-part basis. It's a day-by-day thing, and sometimes an hour-by-hour thing.
Sometimes in astronomy, a heavenly body has been virtually invisible until a single observer detects its presence and points it out to his colleagues, who then see it with increasing clarity. Perhaps a myriad of unknown senses are only awaiting our consciousness.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
Good. Because I don't need protecting." "I knew you'd say that.But the thing is, sometimes you do. And sometimes I do. We're meant to protect each other, but not from everything. Not from the truth. That's what it means to love someone but let them be themselves.
I have spoken to many people who have begun to live in presence, and they find many changes come into their lives. Sometimes these changes happen as inner realizations - "This is what I have to do" - or they arise from the external when something suddenly happens.
Sometimes I would take Nietzsche or something. And I wouldn't read it, but more just scan the words. Sometimes I would get whatever the popular thing at the time was. I don't know, something like Bret Easton Ellis. It was just a very random, inefficient education.
I'm ashamed that we've progressed as little as we have sometimes. I think the template that every band looks at is The Beatles and how much they progressed in six or seven years. But if you're seeing it, good. Hopefully we're evolving. It's hard to tell from here.
Nothing is impossible. Whatever idea comes up, we always try to make it. Sometimes it doesn't work because it's just not technically achievable. But you can always make things better, more contemporary with the construction, the inside, the weight, and all of that.
The situation that women were in, at the time, was something that Dumas doesn't really go into, but it's a great subject to look at. It's a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it's the same in this genre.
You've just got to get people organized and tell them the truth. There aren't any magic tricks to it. You know, sometimes it's pretty amazing. Actually, I mentioned a pretty striking case of this in "Crisis and Hope," which was the Caterpillar case in the early 1990s.
When it's easy, it's great. But when something bad happens is when you really learn. It causes self-examination, it causes you to take a look at yourself. You naturally start analyzing. It's not that you're wrong; it's that sometimes you just need to make adjustments.
More than a non-acting director, I think I notice when an actor is not believing in themselves. Chicago actors in particular, they work very hard and are very talented, but sometimes they don't trust how talented they are. I notice when they keep something in reserve.
I would drink and drink and then at 3 o'clock in the morning take anything that was put in front of me. And I'd sometimes be disappointed when conventional things were put in front of me. Like, I'd do a line of something and be disappointed to find it was just cocaine.
Sometimes I imagine that there's a binary division going on in contemporary practice that has to do with chromatic versus diatonic. I notice that I tend to listen in a diatonic sense, that I register a pitch as a member of a diatonic scale, even in a non-tonal context.
I've discovered if you have a small circle of people you know you can rely on - in good times, bad times, happy times, sad times - who aren't going to judge you and will, sometimes, just sit and listen to you without saying anything, then I think you're very fortunate.
I said peace is sometimes narrowly interpreted; it's the absence of conflict between nations or something. But peace is more inherent, more basic to human life, human beings, what we feel about each other, what we feel about life around us and what we see in our future.
The strong equilibrium point f just described is one of "unrelenting ferocity" against offenders. It exhibits a zeal for meting out justice that is entirely oblivious to the sometimes dire consequences to oneself or to the other faitheful i.e., those who have not deviated.
The structure of my life has changed a little. But we no longer have the time that we had, to be with family. Sometimes you can't even spend any time with friends because you are working so hard. You're either on tour or on promotion or suddenly we're taping the soap opera.
I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who listens and supports me.
Sometimes we fall, sometimes we stumble, but we can't stay down. We can't allow life to beat us down. Everything happens for a reason, and it builds character in us, and it tells us what we are about and how strong we really are when we didn't think we could be that strong.
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.
Sometimes people are surprised to learn that most of the films I've made don't work. They've been released but nobody has ever seen them. Maybe 40 percent of them are very successful. That's a very high percentage; most people have maybe 10 or 15 percent of their films work.
I think that sometimes people [who overreact or lash out] will hang on to their point just because they're so embarrassed that they made it. They won't set it down because they are the authors of these [disproportionate responses] and they have a lot to be embarrassed about.