Falling in love is awesome, but I'm never drawn to happy songs per se, so whenever you sit down to write a heartbreak song and you're happily in love, it's like, 'OK, now I have to go back to a sad place to get something good.'

Instead of yelling and spanking, which don't work anyway, I believe in finding creative ways to keep their attention - turning things into a game, for instance. And, when they do something good, positive reinforcement and praise.

There's nothing romantic about my work... I don't believe in inspiration. I believe that you get to your desk, you stay there, you work, you think of nothing else. You write and you write, and in the end, you write something good.

Sugarland was a band we started to try to make things better. It was in the aftermath of 9-11; it was in the aftermath of my mother dying... there was a lot of weird stuff that had gone on that made you want to start something good.

I know my game is about trying to get past players and I know that if a bad tackle is coming my way, I have to jump or push my body out in front, but this is football. If they try to foul and target me, then I'm doing something good.

It's frustrating sometimes: as an athlete, you're thrust into the spotlight, and you know, I think this team has always done a really amazing job of understanding that we have this incredible platform; let's do something good with it.

Movie directors, or should I say people who create things, are very greedy and they can never be satisfied... That's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.

My dark secrets are life threatening. Pockets of unhappiness set in aspic that build and build. I have this primitive feeling that if something good happens, it is going to be followed by something bad. There is always a price to pay.

Even before I did stand-up, I've always been the kind of guy - and I talk about it on stage - who says I like people and I always look for the good in people. I say, 'Every person has something good about them, if you can just find it.'

I feel like nowadays it's almost become a corny thing to say that you want to be a role model or do something good for the world, but the artists I've looked up to - like Michael Jackson, Whitney Houston, and Prince - were about something.

I don't think any of us know how we would react until we were put in a situation where we have to do something bad or do something good. I think I'd like to believe I'd act like a decent human being, but I'm realistic to know I don't know.

You cannot train saving with your feet, but sometimes it is instinct. Sometimes it is quicker to go with the feet; going with the hands is sometimes more difficult. Even when I was young, I would go with my feet, it's something good for me.

When the Atlanta Braves were owned by Ted Turner, he was very passionate and did whatever it took to do something good - and eventually he made money. Labels used to be the same way. Now they're corporations, and it's only about their stock.

At the end of the day, I look at it like this: pro wrestling is really hard on the performers, the luchadoras, and any time a performer is in a position to do something good for themselves and make money, I'm always happy to see that happen.

There is a prevailing school of thought that something good must take time, sometimes years to create and hone. I have always felt that the books I have written fastest have been my best - because I caught an unstoppable momentum in the writing.

I think most artists will experience a lot of negative people on Twitter but, thank God, I've got so many followers that I'm not able to see them that much. I'll see some from time to time but, for the most part, I always focus on something good.

I tried to instill a different motivation, to give them the security and the conviction that they were doing something good, something necessary, something useful - if you want to use a grandiose expression, that they were doing something for peace.

A lot of artists fail when they try to act, and they flop. So when I get into acting, it's going to be to do it well, something good, something of quality. I want people to say, 'Wow, that movie' - or that show or whatever - 'turned out really well.'

When kids want a picture or autograph, you reflect later on and realize you did something good. Then you see them come back five years later, they're all grown up, have their own lives and they tell you how much you inspired them. You're like, 'Whoa.'

I've kind of been in a video game, I've kind of been an action figure. It was actually a Barbie doll, so that's why I say kind of, but if I can get made fun of on 'South Park' or 'Family Guy,' then I'll know that I've done something good with my life.

When the kids were growing up, they learned to be independent. I told them, 'As long as you're doing something good, it's worth pursuing.' That's why I invested in them in the first place and gave them as much as I could for their first company, Zip2.

I think that each woman, whatever age, needs to recognize something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful decolletage or a beautiful waist or beautiful hands. Everyone has something great.

You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.

To me, 'Garden of Delete' is a way of describing the idea that good things can bloom out of a negative situation. All the traumatic experiences I had during puberty, ugly memories and ugly thoughts in general can yield something good, like a record or whatever.

Those ethical choices often are made every day at a time, minute by minute in ways that you may not even relate to ethics, so I'm going to walk them through the whole story from that perspective and hopefully they'll be able to walk away with something good from it.

I've always considered myself a workaholic... The way I work, I have to turn myself upside down and hang myself by my ankles and wring myself out like a wet sweater, and I have to do that with other people, too, because I think that's where something good comes out.

I was also lucky to play for an owner, Bud Selig, who truly cared about his players. He'd call me into his office once in a while when he knew things weren't going so well. And it's funny. Every time I left there I always felt like something good was about to happen.

Once I dedicated my time to mixed martial arts, I became careful about what I let into my mind. I made a goal of being the best on Earth in mixed martial arts and fighting. I wanted to build my mind into something good, not just of the world. I wanted to be different.

I don't feel superior because I think there's no God. Actually, I would love to be able to go, 'Well, the world hasn't been kind to me, but there's something good around the corner, because the Man has a plan.' I wish I believed that. There's wonderful comfort in that.

Turning 30 changed me in ways I didn't expect. For the very first time, I felt like my life is valuable. Not my life because I'm putting something good into the world or I'm well-respected in my field, but my life as a human being on this planet for a limited amount of time.

Sunday night is curry night. I always order a spinach paneer and a chicken tikka. There's usually something good on TV like 'Mr Selfridge' or 'Downton Abbey,' so I'll watch them before I have to think about blowdrying my hair and all the other boring stuff us girls have to do!

You're well-spoken, or you're very analytical, or you're a great team-builder, or you're great with relationships... Playing to your strengths is always something good to build on because you're trying to develop a foundation to keep growing, as a professional and as a leader.

When I started playing football, I started as a left-defender. Maybe I wasn't very talented in that position but I knew that something good could come out of it. I got some skills with my feet and that helped me a lot later on. Those qualities have helped me a lot in my career.

As a woman of color, I've come to rely on straight white men telling me my experience of the world has nothing to do with my gender, race or class. (Unless something good happens to me, in which case they tell me my gender, race and/or class is exactly why that thing happened).

I don't want to do anything and everything. I want to be a brand that, every time I leverage my name, I want people to feel sure that it's going to be something good - so whether it be my movies, my perfume, my restaurant, my musical, it'll be good work, good food and good everything.

Going to the Olympics as a Maasai I want to make them proud because, after the warm welcome they gave me when I went back and being their leader, I want to also be the warrior in the Olympics. That will be something good because that will be the first Olympic gold medal for the Maasai.

If I'm on form and I'm not being bothered too much by mental problems or whatever, I can whip out something good. That's why I've done quite a few overdubs for Tina Turner and things like that, because even before she made this comeback I said yes to her, just because I love Tina Turner.

If you're a writer, you know there are ways in which we don't know what we're doing at all. We're working out mysteries in a sort of poetic realm, and hoping that if a story is honest, if you're dragging the deep truth out of yourself, then something good and profound might come out of it.

Two to four classes each offseason - just trying to chip away. There are times when I think, 'Man, I don't need to be doing this. Why am I doing this to myself?' But to fight through that and come out and make a good grade, it feels worth it. Hopefully something good comes out of it one day.

Sports in Indonesia aren't being supported by the government. The rewards you get as a young player don't match the effort you put in. I want to be different from other athletes, if not better, and I want to make something good out of my profile and help the younger players have opportunities.

It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?

I got on the scale and I weighed around 203. I'm only 5'7. I was about to turn 30, and I wasn't active anymore. So I started working with a nutritionist and a trainer. I played basketball twice a week. And soon it all just became a habit for me. I became addicted to something good for a change.

The characters I've played that I like the most are people that have a lot of obstacles. They have a lot of bad things going on. They're seeking to do something good amidst all the detritus around them, and they're aware of how badly they've screwed it up. That kind of self-awareness is tragic.

Everywhere I go, the kids call me 'the book lady.' The older I get, the more appreciative I seem to be of the 'book lady' title. It makes me feel more like a legitimate person, not just a singer or an entertainer. But it makes me feel like I've done something good with my life and with my success.

I don't think I have reached that stage where I can evaluate my career. I still have a long way to go. All I wish for now is to make sensible moves and to choose wisely. It doesn't matter if there are gaps between films, as long as the ones I do give me the satisfaction of having done something good.

Getting past my early 20s, I feel a bit more maturity and responsibility about that stuff. You get a good feeling from doing something good. You see a kid and you make his day, you realise the power of it. Whereas before, I was like, 'That's cool, whatever.' But now, that's what I'm most appreciative of.

I don't want to use the word 'instinct,' but when something good happens - something big or good in my life - I have this sensation that it was inevitable. Anything careerwise, 'Lord of the Rings,' 'Rudy,' or getting married. Which is weird, because you don't ever want to be ungrateful for what you have.

My parents were reluctant to let me start auditioning until I was at least a little bit emotionally stable - I'm still working on that! And so I started when I was fifteen, and it was the best thing that could have happened to me in terms of being able to focus my crazy teenage energy into something good.

It strikes me every time I do an interview that I don't really sit around thinking about my goals and my life and my career. I do what I love doing and I get a lot of feedback. I'm free as a bird, you know? If I do something good, it's, 'Wow, that was brilliant,' and if I do something bad, it just goes away.

I just kind of talk about what's happening in my life and it's kind of like a therapy session. Usually something good comes out of that. Or sometimes other writers will come to me with ideas and then I'll put my own spin on it. It's usually really collaborative and open and it's very therapeutic for me as well.

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