I don't want to be 45 competing with 20-year-olds, running to go get Botox. I want to be an expressive actor hired for the age that I am, portraying women who are my age: 40. I'm just hoping I can find some of those roles to play. Otherwise, I have to find something else.

No one wants growth, constant expansion, physical swelling. Growth is not a human value; it's a means to the ends of sufficiency and security. Once we have enough, no one wants more, unless it is sold to us as a cheap substitute for something else, something non-material.

A lot of producers and creative types want to see you be you. Throw something else out there and show them where you would take this part. A lot of them are launching shows for the first time, so they've got a lot riding on this, too, and they want you to be their flight.

A lot of the songs on '2' are pretty personal, but even if I'm writing about something like that, I still tend to keep it pretty simple and open-ended. I like the idea of people listening to my album and it meaning something to me but maybe meaning something else to them.

The thing is I really struggle with commitments, so committing myself to six months to a year in a soap opera... I don't think it would suit my lifestyle. A few days working on a project is enough for me, and then I get bored and am ready to move on and do something else.

I sort of leave the character at the end of the day. I don't carry anything around with me - no excess baggage or unnecessary thoughts. I think it's too exhausting to do that. To put things into perspective - your work is your work, and your leisure time is something else.

If you find a solution with the Cube, it doesn't mean you find everything. It's only a starting point. You can work on and find something else: you can improve your solution, you can make it shorter, you can go deeper and deeper and collect knowledge and many other things.

I've been talking to certain wrestlers on the phone lately, and certain female wrestlers that were huge stars ten years ago, and the first thing I ask them is 'do you still want to work?' Do they want to talk, or do they want to wrestle or do something else in the business?

I think a lot of people miss out on opportunities, they miss out on achieving their dream, and they miss out on doing what they love to do because they're allowing something else, something outside of them and outside of God, to dictate what their life's going to look like.

I wait and see what scripts come my way and then try and make a decision within the choices that I'm offered. I see what turns up, and if it's something I'd really rather not do, or I think it's too similar to something I've just done, I'll wait and hope for something else.

I like zombie movies. I like 'The Walking Dead;' I like the metaphor of it, simply because when we go with the zombie concept - if you're bitten by a zombie, you don't transform into something else like a vampire or a werewolf or whatever. You become something that's not you.

Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a lot of action to keep her interested, you must offer something else in its stead. Slow pace is ideal for complex character development, detailed description, and nuances of style.

I love classical music, but I hated classical guitar. But I like flamenco, because there was something else there going on. It wasn't just the notes being thrown at you. And there were certain kinds of jazz that I really liked and other kinds that just went right over my head.

I tend to be freer on the piano. I never took guitar lessons, so my reach exceeds my grasp - what I hear in my head I don't always know how to play. But I love to play over something else. I'm not a self-starter. I get kind of bored with the same three folk chords that I know.

I used to take it personally when a casting director didn't like me or I didn't get picked for something. Now I realize you can't do that. It'll mess with your self-esteem. Don't take rejection overly personally. If that doesn't work out, there's something else waiting for you.

My idea is to paint paintings so that when you walk into a room, I'm pulling you in, or that makes you suddenly stop and wonder: 'What is this? There is something groovy, something else going on here.' Also, I want to give you what is obvious and what is not obvious to the eye.

If you try to multitask in the classic sense of doing two things at once, what you end up doing is quasi-tasking. It's like being with children. You have to give it your full attention for however much time you have, and then you have to give something else your full attention.

People come to L.A. because they're chasing that dream of a better life. That's why I came here, because I thought it would be a place where I would find other people like me; people who wanted to write, people who had a dream of being something else. And that proved to be true.

One has a responsibility to clean up one's space and make it livable as far as one's own resources go. That includes not only material resources, but psychological resources: the commitment of time and a portion of your mind to something when you'd rather be doing something else.

When I grew up, and I think about City Council, I look at the men and women then - these were people who just wanted to be a part of the community and give something back. They weren't necessarily trying to use it as a steppingstone to something else. I looked up to those people.

Usually, YouTube channels are named after the person that you see on camera... or in the case of ours, it could have been the show, but we didn't even name the company 'Red vs. Blue.' We named it something else to give people the idea that we were going to be doing more than that.

When I came in at United, I'd seen what the manager set, how the players lived their lives, how they trained, how they lived with the expectation and all sorts, playing three games a week at that level. And that is when I thought 'woah - this is different, this is something else.'

We believed that there's no such thing as good art or bad art. Art is art. If it's bad, it's something else. It was a much, much harder line in the '50s and '60s than it is now, because the idea of art education didn't exist - they didn't have a fine arts program when I was a kid.

When I was a young player, I never dreamed of scoring five goals in a game - and in nine minutes is something else. And when it happened, it was incredible that there could ever be anything like that in the history of the game. It took me a couple of days to realise what I'd done.

What I realized the moment I got to Oxford was that someone like me could not really be part of it. I mean, I could make a success there, I could even be perhaps accepted into it, but I would never feel it was my place. It's the summit of something else. It's distilled Englishness.

To understand something, whether we are aware of it or not, depends on choosing a model. We get to understand what we see by comparing it with something else, something that we think we understand better. But what we compare it with turns out to have a huge influence on the outcome.

The way I see it is, you can be a character on a TV show for years, then the TV show gets cancelled and your favorite actress or favorite comedian, you don't see them for a little while and then you see them back doing something else. You can still be enjoying them performing on TV.

In writing literary fiction, you are trying to help yourself. And readers are going to literary fiction not just to be entertained, but because they feel something else will happen; that the experience will take them beyond themselves and show them something they haven't seen before.

How do you top 'Mormon?' I get sent scripts all the time and I don't know what I would do next. What do you do after that? So I think if you do see me onstage, you'll see me in something dramatic, maybe, or you'll see me try my hand at something else. Perhaps fail, terribly, but try.

You have to force yourself to give up and to move onto something else. That's the way you grow as a writer, by trying new things and tackling new subjects. But it's difficult. There's part of you that doesn't want to give up because you realize that, in some way, you're surrendering.

I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.

I think it's about the feeling more than a language. And I think that we and every culture in the world has to keep their own language just to bring something else, something different, and show a different vision of the world, actually. And that's why I'm trying to keep my language.

I know a lot of people love applications on their phone, but I'm like, 'Yeah, I understand the nice experience, but there's something about it that doesn't flow well.' Opening an app, closing it, moving to something else. There's something about the open web that's very free flowing.

One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.

I don't have time to celebrate accomplishments. When good things happen, it's great, and obviously I get excited inside. But soon I gotta do something else; I gotta keep doing more stuff. The whole world will never be familiar, so I'm constantly going to be on a quest to get familiar.

But it is nice to know that you have other races lined up, because sometimes you can get so focused on your next marathon that it can become kind of unhealthy in some ways. So it's nice to have something else to slap you in the face and say, all right, there is life after the Olympics.

I think it's no coincidence that people who are good at writing far-out fiction are also good at meta-fiction. Think of all the best Phillip K. Dick stories, where you experience a sort of dislocation, and suddenly what you think you've been reading is, in fact, something else entirely.

Demagoguery sells. And therefore radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell. You know, when I look at an Ann Coulter or I look at a Rush or I look at a Sean Hannity, I think to myself, 'What kind of self-image do you have?'

Foucault is one of many who want a new conception of how power and knowledge interact. But he is not looking for a relation between two givens, 'power' and 'knowledge.' As always, he is trying to rethink the entire subject matter, and his 'knowledge' and 'power' are to be something else.

If your current get-rich project fails, take what you learned and try something else. Keep repeating until something lucky happens. The universe has plenty of luck to go around; you just need to keep your hand raised until it's your turn. It helps to see failure as a road and not a wall.

Acting is fun and I refuse to get involved in the semantics and the politics of strategy and breaking out of something or doing something because you need to do something else. For me it's all about what fuels my soul and if I'm passionate about a screenplay then that's what I'll do next.

I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.

If the first year of the Trump administration has made anything clear, it's that experience, knowledge, education and political wisdom matter tremendously. Governing is something else entirely from campaigning. And perhaps, most important, celebrities do not make excellent heads of state.

To be the first British athlete to win a gold is amazing, but to win it in the U.K. is something else. Also, having my family here with me has made it extra special, and I know all my friends back home have been cheering me on and putting posters in their windows. I want to thank them all.

I'm inspired when I find out about something that I didn't know was a remake. An example is, of course, stuff like 'The Fly,' or 'The Thing,' or even 'The Blob.' For our generation, all those things, whether it was 'The Blob' or 'The Fly' or something else, we had no idea they were remakes.

I've always thought stability was suffocating and deadly. Like, when I read that the kids I went to law school with have stayed at the same firm, I feel like I'm reading an obituary. How much money do you need? Six million, seven million? Put that in the bank and do something else. Get out!

Work used to be the No. 1 important thing to me. Everything revolved around it, and to have a new perspective and have something else, my family, not just being a mom but being a part of an incredible family of my own, it makes me have a different perspective on life that I think is richer.

I think people are transient. Back in the early church, there was a 'stick and stay' mentality. In this day and time, people have a fast food mentality of ministry. If it doesn't fit them or if it doesn't fit in their schedule, they'll move on to something else. That's a norm in today's time.

As readers, we sense when the game is being played for real and when something else is afoot: pride, showmanship, the pursuit of power, self-aggrandizement, revenge, making money. Not that there's anything wrong with any of that, but I dislike closing a book with the sense that I've been had.

Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form.

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