Quotes of All Topics . Occasions . Authors
It was no easy feat becoming Dominick Dunne. Think about it. He was the most celebrated chronicler of downtrodden socialites. He feasted on their famine with little sympathy or admiration for their formerly exalted positions. Yet somehow they invited him back.
I've never turned to anybody for advice and counsel. Even when I was a very small child, I had to stand on my feet because of the circumstances of those times, and somehow, the circumstances have remained more or less the same. I have to take my own decisions.
The humanists' replacement for religion: work really hard and somehow you'll either save yourself or you'll be immortal. Of course, that's a total joke, and our progress is nothing. There may be progress in technology but there's no ethical progress whatsoever.
I was at La Fenice opera house back in 1991 with friends, and we started talking about a conductor whom none of us liked. Somehow there was an escalation, and we started talking about how to kill him, where to kill him. This struck me as a good idea for a book.
I found out that total creativity involves a certain intellectual rebellion - not to become a criminal, but somehow. to be totally creating, you have to do things that are a little bit forbidden. You have to feel free, and we know freedom is a hard thing to get.
Women somehow get portrayed as one type. You're either a feminist or you're not. You're a working woman or you're not. I'm raising two girls, and I say to them, 'I need you to be strong and soft. You can be smart and beautiful... You can be all of these things.'
Here we are, we're alone in the universe, there's no God, it just seems that it all began by something as simple as sunlight striking on a piece of rock. And here we are. We've only got ourselves. Somehow, we've just got to make a go of it. We've only ourselves.
I've talked to a lot of artists - painters, writers, musicians - many of whom have had great ideas on trains. The only explanation I have is all that stuff is coming at you while you're relaxed, so somehow it kicks you into hyperspace in terms of brain function.
It does surprise me that intelligent people in the 21st century could claim that if you respond to the terrorists with force, you spawn terrorism, but if you appease them, you somehow tame them. This argument, as I said, is very interesting, and very surprising.
One of the criticisms I've faced over the years is that I'm not aggressive enough or assertive enough, or maybe somehow, because I'm empathetic, it means I'm weak. I totally rebel against that. I refuse to believe that you cannot be both compassionate and strong.
There was a certain feeling I developed as a young person for black people. Somehow they were able to get pleasure out of things that I couldn't see them enjoying. I heard them sing a lot, and I didn't hear white folks going down the cotton rows singing that much.
Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind of impossible.
To mourn is to wonder at the strangeness that grief is not written all over your face in bruised hieroglyphics. And it's also to feel, quite powerfully, that you're not allowed to descend into the deepest fathom of your grief - that to do so would be taboo somehow.
We have a choice about how we take what happens to us in our life and whether or not we allow it to turn us. We can become consumed by hate and darkness, or we're able to regain our humanity somehow, or come to terms with things and learn something about ourselves.
It was our view of the worst that could befall our people if they were taken captive. So, what was fascinating to me was that somehow it appears the techniques that we have feared most in the world would be used on our people, we are using on people in our custody.
I can observe the game theory is applied very much in economics. Generally, it would be wise to get into the mathematics as much as seems reasonable because the economists who use more mathematics are somehow more respected than those who use less. That's the trend.
As President Trump quickly moved to limit immigration, civil rights, and environmental protections, I felt fear for my young children, and guilt, too - as if I'd somehow betrayed the unspoken contract all parents make to give our children a better life than ourselves.
People who bet against the Internet, who think that somehow this change is just a generational shift, miss that it is a fundamental reorganizing of the power of the end user. The Internet brings tremendous tools to the end user, and that end user is going to use them.
There is a terribly terrestrial mindset about what we need to do to take care of the planet - as if the ocean somehow doesn't matter or is so big, so vast that it can take care of itself, or that there is nothing that we could possibly do that we could harm the ocean.
I was a strange, dark little dude. I fell in love with horror movies, at a very early age. Somehow, as a first grader, I was able to convince my parents to let me go see stuff like 'An American Werewolf in London' in theaters, so I was headed in that direction anyway.
My ultimate is Peter Sellers - his ability to go broad and somehow humanize that and be hilarious at the same time. He was just relatable, real at the same time as insane. I find Ricky Gervais absolutely hilarious. Steve Martin is another hero of mine - he's a genius.
In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow managed to get the role.
In my life, there have been people that I was convinced would be around forever, and yet, somehow they managed to drift away after a couple of years. Likewise there have been people who have begun as casual acquaintances but become more important with each passing year.
I'm always attracted to people who interest me. They've got to be people who are really true to themselves somehow, and who are always trying to do something that makes their life more interesting, or better, or something for somebody else. They're interested in people.
Women are tough campaigners. They certainly know how to withstand attacks. And I think we make a mistake if we say, as some do, that women should play by different rules, or that they are somehow especially vulnerable to the rules of politics. I don't think that's true.
There's a motherhood penalty because we've been long taught things that are stigmatized about motherhood. As workers, we don't want to talk about our kids at work. We're afraid to, or that when we leave at 5:30 to relieve the sitter we're somehow going to be diminished.
We live in this era where we really enjoy being offended, although only on the Internet. I don't know how beneficial it is. I wonder if we live in an age where we don't have power, yet somehow feel we have virtual power. But I feel like it's a distraction from real life.
I always thought Woody Harrelson is quite a persuasive guy. He's the kind of guy who can call you up in the middle of the night and tell you, 'Let's all go get a donut!' And you're thinking, 'It's the middle of the night,' but somehow you still get up and go get a donut.
I don't ever remember them telling us or teaching us that the only way we could be more successful is if other people were less successful. They never inculcated the belief that somehow, in order for us to climb the ladder, other people have to come down from the ladder.
There is nothing so good for the human soul as the discovery that there are ancient and flourishing civilized societies which have somehow managed to exist for many centuries and are still in being though they have had no help from the traveler in solving their problems.
All women have a perception much more developed than men. So all women somehow, being repressed for so many millennia, they ended up by developing this sixth sense and contemplation and love. And this is something that we have a hard time to accept as part of our society.
I try to live my life as honestly as I can, and the last thing I want is to pretend to be something I'm not. To pretend to myself I am a sex symbol would somehow be dishonest. I'd feel, in my heart, that I were behaving artificially and that's the last thing I want to do.
You have tremendous flexibility in defining both the greater good and the greater community. If you don't succeed in this, then you will continue to pull that heavy wagon up the mountain, and despite the fact that you are pulling it, it will somehow run over your own foot.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
When I'm putting some communication out on Twitter or Facebook or Instagram, I think that it's helping me, my brain, you know, because it's always somehow stimulated by people who are sending things to me. And it works both ways. It's great. My brain is very happy about it.
To put it simply - you know, a lot of people believe that the benefit of this job is fame and fortune. I believe that you pay for the fortune through the fame. I don't buy into the notion that being famous is somehow a good thing, or an exciting thing, or a wonderful thing.
In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
I guess it's about getting older. I know that I'm going to lose people that I love - I'm going to die myself - so everything seems to be getting somehow sweet and more important and more special and more humbling and more challenging and more terrifying all at the same time.
I don't think I could play a character that I couldn't relate to somehow. I'm not unfamiliar with frustration, anger, shame, helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration, that sense of unfairness, and multiply it.
It is widely assumed, contrary to fact, that theism necessarily involves the two assumptions which cannot be squared with the existence of so much suffering, and that therefore, per impossibile, they simply have to be squared with the existence of all this suffering, somehow.
I've been asked countless times, 'Why are you drawn to horror films? Why do you think women are drawn to horror films?' And it's because, in a way, it's one of the few genres that tells it like it is. A lot of times, women do feel like they're running for their lives somehow.
The world is fine and everything is normal and then, bang, you just get bowled over by the wrathful deities somehow. That happens in very small ways and happens in very large ways when you have a major conflagration in the world. It's another cycle of existence of human beings.
Sure, jets are fast and economical, but, oh my, what fun we've lost and what leisure we've sacrificed in the race to efficiency. Somehow, stepping onto a plane and zooming across the United States in a matter of hours doesn't hold a candle to the dear, old-fashioned train ride.
My acting teacher, Earle Gister. He had a genius for knowing exactly where every one of us were in our development as actors. He always knew precisely what to say or suggest to unlock a moment. He somehow always made it seem like it was our idea. I call him 'The Invisible Hand.'
I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.
Part of my problem is that I cannot dispel the myths that have somehow accumulated over the years. Somebody writes something, it's completely off the wall, but it gets filed and repeated until everyone believes it. For instance, I've read that I wear a football helmet in the car.
You know, you learned that very young in American culture that the feminine boys don't do well. And yet, I had a dad who was a lieutenant colonel in the army. My dad was a man's man, but he still adored me. And somehow in the midst of that, I still grew up hating the sissy in me.
The perfect gadget would somehow allow me to fly. Isn't that what everybody wants? It would also cook a damn good microwave pizza. So while in flight you had something to eat - an in-flight meal. Where would I go? Well, nowadays, it would probably just take me to work a lot quicker.
I feel like one of my strengths is writing about stories that are unique to me but somehow relate with everyone, and the one thing I've found is that if you make a song wholly unique to you, then you don't have to compete with everybody, because nobody else can make a song like you.
We have so many young men, especially, who are growing up without their dads. We have to fill that void. We have to do a better job helping young people see what it means to be a man, what it means to be a woman. And then, somehow, we have to put that family structure back together.