Because I want every breath you take to be empty unless you're close enough to smell me. Every word you speak to be unimportant unless it's to me. Every sound you hear empty unless it's my voice. I want you to remember that whatever pleasure you have from now on, you'll have it from me. ~Rurik Wilder~

You have a visceral, physical response to being in [the real] places, and the sights and sounds and the smells just bring something else out in you. You're not having to fake that or imagine that. It's there. It becomes as much an act of something you bounce off as the other people you're working with.

A woman at the Limited once asked me, 'Why do you work?' She said, 'You made a lot of money as a young man, so why are you still working?' I had never thought about it before. Forced to consider it, I told her, 'You know why? Because I think that if you stop to smell the roses, you'll get hit by a truck.

People come from internally, from other places in the United States, but also displaced people from other parts of the world. They come here. If you walk in the streets of San Francisco, you hear all the languages. You smell all the foods. You listen to the music from everywhere. There's great diversity.

I can remember lacing up my boots ahead of my first cap against Japan in the 1995 World Cup in South Africa. I remember the changing room, the smell of the place, every last detail of how I warmed up, walking out onto the pitch, thinking how proud my parents would be. I was doing all I ever wanted to do.

Being a cult figure in one's own lifetime I am afraid is not at all pleasant. However I do not find that it tends to puff one up: in my case at any rate it makes me feel extremely small and inadequate. But even the nose of a very modest idol cannot remain entirely untickled by the sweet smell of incense.

I wanted to create a line for women and men alike that would encourage them to embrace the harmony and divine balance of sensuality and spirituality within all of us. Forplai is an opportunity to not only smell good and feel good, but to also take time to connect with the heavens above and the god in you.

A woman at the Limited once asked me, 'Why do you work?' She said, 'You made a lot of money as a young man, so why are you still working?' I had never thought about it before. Forced to consider it, I told her, 'You know why? Because I think that if you stop to smell the roses, you'll get hit by a truck.'

First, I eat healthy; it comes from the inside out. If you eat right, your skin, hair, nails will look good. The same if you have negative thoughts - they can give you a bad look, too; we reflect what we eat and think. We also taste and smell what we eat. Being happy and doing what I love really reflects.

It really comes down to parsimony, economy of explanation. It is possible that your car engine is driven by psychokinetic energy, but if it looks like a petrol engine, smells like a petrol engine and performs exactly as well as a petrol engine, the sensible working hypothesis is that it is a petrol engine.

We praise Him, we bless Him, we adore Him, we glorify Him, and we wonder who is that baritone across the aisle and that pretty woman on our right who smells of apple blossoms. Our bowels stir and our cod itches and we amend our prayers for the spiritual life with the hope that it will not be too spiritual.

My father took me to see Hank Williams on December 14th, 1952. I was two years and four months of age. And I remember a little cool eddy of hair hitting my cheek, and I remember the smell of his hair oil, and I remember the mingling tonality of the small talk before the show started. Those are my memories.

One of the main dilemmas that's pretty common to a lot of people who are getting older is the idea that maybe there's a finish line and that maybe there's a time in your life when you start to slow down and stop and smell the roses and just kind of settle into what will be a comfortable period in your life.

Readers want to visualize your story as they read it. The more exact words you give them, the more clearly they see it, smell it, hear it, taste it. Thus, a dog should be an 'Airedale,' not just a 'dog.' A taste should not be merely 'good' but 'creamy and sweet' or 'sharply salty' or 'buttery on the tongue.'

I think that animals aren't less intelligent than humans, they're just of a different intelligence. We have five million smell-sensitive cells in our nose, they have two hundred and fifty million - they can smell emotion. They can smell different types of emotion, they just have another type of intelligence.

When a herd of cattle see a strange object, they are not satisfied till each one has sniffed it; and the horse is cured of his fright at the robe, or the meal-bag, or other object, as soon as he can be induced to smell it. There is a great deal of speculation in the eye of an animal, but very little science.

You are eating the sea, that's it, only the sensation of a gulp of sea water has been wafted out of it by some sorcery, and you are on the verge of remembering you don't know what, mermaids or the sudden smell of kelp on the ebb tide or a poem you read once, something connected with the flavor of life itself.

A lot of these girls have a goal in life to find a rich guy. I can smell it from a mile away. They won't catch me! I know what they look like. They come with their little Kelly bag and their Rolex and the Louboutin shoes that are slightly too sexy. Shove off! Do you think I'm going to be the next sucker here?

Touching his hair, she leaned hesitantly forward, and he folded his arms around her, sinking into sensation again as they kissed--the slight weight of her on his lap, the smell of her. He glided his hands up the warm dip of her spine, felt her shiver and press closer. He could never get enough of this. Never.

Y’all might as well come on out,” I said. “I know you’re there. I can smell you.” “Smell me? But I just took a shower this morning!” an indignant voice drifted out of the shadows. There was a loud sound, like someone was getting smacked upside the head. Then another voice let out a low mutter. “Shut up, idiot.

My son smelled like a cinnamon bun, and that smell entered into my biological being, and it became an imperative that I keep him alive at all costs, so then there's this monster - this tiger or lion - that comes forward in you to protect them. And it doesn't stop. It doesn't matter if they become men or women.

I was writing this really long joke about the smell of poop, and I was like, 'What am I doing with my life?' I started to think about why I was a comedian, and then I came up with a reason for existence, which is: inserting absurdity or stupidity into strangers' lives in order to make the world a better place.

Before a show, you might have aches or pains, or it's a bad rainy day, or it's too humid. We all complain about stuff. But... how do I put this poetically? Once it's the roar of the crowd and the smell of the greasepaint, forget it. Once the adrenaline kicks in and your chest expands, you forget about all that.

One immense old lady has a family of lively young crocodiles running over her, evidently playing like a lot of kittens. The heavy musky smell they give off is most repulsive, but we do not rise up and make a row about this, because we feel hopelessly in the wrong in intruding into these family scenes uninvited.

In bitter almond oil, like in a great number of other substances that previously had been counted among the 'aromatic compounds' on behalf of their strong smell, a derivative of benzene is present. The special properties of benzene and its derivatives are caused by the typical arrangement of their carbon atoms.

I didn't go to many movies. My mom would make a family outing and bring chicken in the theater. Smell up the whole place. The most impactful movies were 'Godfather II' and 'Scarface'. I loved the human complexity, and those movies are so well shot. Cinematic greatness. I really stopped going in my early twenties.

Granny Ditto always referred to perfume as 'smell good' and for me it's an essential. I have a sweetheart who's extremely allergic to most scents, so I have to be extra careful - as well as creative - in the smell department. The key, I've found, are essential oils, which come in all kinds of 100% natural scents.

Granny Ditto always referred to perfume as "smell good" and for me it's an essential. I have a sweetheart who's extremely allergic to most scents, so I have to be extra careful - as well as creative - in the smell department. The key, I've found, are essential oils, which come in all kinds of 100% natural scents.

I use these senses - touch, sight, feel and smell - as triggers that invite readers or propel them into the scene. The trick is not to make it obvious. I've written an entire chapter about this in my book, 'The Successful Novelist.' I've lectured about it extensively, but have yet to see many people pick up on it.

I loved Westerns for different reasons as an adult. It is not only our only native brand of storytelling - the only one that's not influenced by Europeans and not something that's done better by the French - but I also love the sensuality of the Western. The sights, sounds, and smell of a Western are very exciting.

You will never have this day with your children again. Tomorrow they will be a little bigger then they are today. This day is a gift. Breathe and notice. Smell and touch them; study their faces and little feet and pay attention. Relish the charms of the present. Enjoy today mama. It will be over before you know it.

You know you're living with the habit of zest if you purposefully choose the scenic route to wherever you are going. Or you choose clothing because you love the texture of the fabric. Or you pick a shampoo or cleaning product because you love the smell - smell being just as important to you as how the product works.

Growing up, I had really bad skin. I had a skin disorder. Yes, I did. And my mother went to great lengths to try to find something to remedy it. I remember she took a trip to Madagascar and came back with all these alternative, medicinal herbs and stuff. They didn't smell so good, but I think they worked some magic.

For me, fragrances are very - one of these beautiful art forms that bring about a whole host of things. It's what you want to smell like, it's memories that make you smile or are resonant of times in your life, it can remind you of music. If you're a lover of scent, it's a very kind of particular and evocative thing.

I've been hitting up Hooters since 1983, and I can assure you nothin' says football season is here quite like watching the game on wall-to-wall flat screen TVs with the smell of Hooters world-famous chicken wings in the air and an ice-cold beer in your hand, served up with one-and-only Hooters hospitality, of course.

In 'A Bone in the Throat,' he describes his protagonist and alter ego, the cook Tommy Pagano, as 'darker, and not as tall as the chef, his hair stood up straight and spiky like a young Trotsky's.' He describes Little Italy with such verve, such flavor, that it is impossible not to smell the streets or taste the food.

All our lives we are engaged in preserving our experiences and keeping them fresh by artificially sprinkling the water of memory over them. They have ceased to retain their original smell and fragrance. Do you call it life- this effort at the preservation of a phantom freshness in something that is withered and gone?

First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.

Organismic awareness is awareness of the Present only - you can't taste the past, smell the past, see the past, touch the past, or hear the past. Neither can you taste, smell, see, touch or hear the future. In other words, organismic consciousness is properly timeless, and being timeless, it is essentially spaceless.

As a kid, I wasn't allowed to have girl toys, but I would take my cousin's My Little Pony and smell it. That weird, synthetic, fruity-sweet smell - that's how I wanted to look. I wanted to look like this fabricated toy. I wanted to look like you could pull a string on my back, and I would say, like, six catchphrases.

If you want to get into the shoes of someone, it's not just about seeing and hearing. It is also about what you touch and what you smell. Smell is so specific and so powerful. And this is the beauty of immersive theatre - it's something you cannot get in any other art form. I think this is the real future for theatre.

The ideal job letter starts with a brilliant light. Then we realize that this brilliant light is actually sunlight, shafts of it, pouring through trees onto a thick bed of pine needles. Soft dusty resin floats in the sun shafts, invitingly. The smell of pine and sap rises from the forest floor. A twig snaps underfoot.

Another way to be awakened by the beauty and complexity of the word is to get a dog. Small Things like a plant that I had passed a thousand time and never given a second thought to. But the dog is curious. And the dog stops and wants to smell this and smell that. And the dog makes you look and focus and take the time.

We used to have skunks that would go under our house and scratch their backs. I remember after I had my first baby, I didn't really have many friends, but I got invited to a dinner with a group of people from town. We all took the same vehicle, and I got in, and someone goes, 'I smell skunk.' I had to fight back tears.

When I first went to university, I did a big shop with my dad. We bought loads of stuff but it didn't occur to me that I needed to refrigerate it, so I just put it in my room. I remember thinking, 'What's that smell coming from under the bed?' It was a bag of potatoes. How long does it take for a potato to rot? Months!

London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.

Magic is really only the utilization of the entire spectrum of the senses. Humans have cut themselves off from their senses. Now they see only a tiny portion of the visible spectrum, hear only the loudest of sounds, their sense of smell is shockingly poor and they can only distinguish the sweetest and sourest of tastes.

I've always been a fan of AXE and when I heard about their new product and they sent it out to me for me to try and smell and I was like, oh man. It's hard for me to talk about something I don't care about or I'm not really into but once I tried it out for myself I was like, wow okay I can get into this [ collaboration].

I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.

He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.

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