Quotes of All Topics . Occasions . Authors
As a writer, that moment every few years when I buy a new laptop and find out that all the word processing stuff has slightly changed again (stuff I spend every working day using) is like getting into bed at night and finding some mad robot where you expected your wife to be.
None of us had any idea of how successful Downton was going to be. I thought I was signing up for another period drama that had a slightly modern feel. It had a freedom about it because it was coming out of the head of Julian Fellowes. Anything could happen and generally did.
Longest book was '2666' by Roberto Bolano, and it was an irregular reading experience. I read the first four parts during a cross-country plane trip, reading at slightly slower-than-usual speed but surprised at how accessible the book was compared with 'The Savage Detectives.'
I think human beings will always still really enjoy using our imaginations, and 'Fringe' allows you to do that. It's slightly scary and believable. There just might be an alternate universe. There just might be people on the other side that are like us, living a different life.
I think there's a very fine line between the type of performing that some actors do, and being in a state in your mind where you actually believe what's going on. If we weren't actors, what would we do with that ability? Would we not be slightly insane? Mentally ill? I don't know.
I have come to regard November as the older, harder man's October. I appreciate the early darkness and cooler temperatures. It puts my mind in a different place than October. It is a month for a quieter, slightly more subdued celebration of summer's death as winter tightens its grip.
From the rough, I'd use a 6-iron, play the ball back an inch or two and swing down on a steeper angle to catch the ball first. It also helps to aim slightly left and open the clubface at address. You'll get more height on the shot, and the club will cut through the grass more easily.
I would think the correlation between an era of increased globalization and an increased desire to participate in an entrepreneurial endeavor is not a coincidence. When interconnectedness is at a peak due to technological advances, the ability to spawn something new is slightly easier.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
Some people think that going on a caravan holiday is a slightly more upscale version of camping. Let me assure you, it is much better than that. You know that you will have your creature comforts wherever you are. I never have to pack light, and I can put the kettle on in any location.
If I look in the mirror when I get up or before going to bed at night, I see a man of average ugliness with stubble, an unruly mane of hair, a squint nose, slightly protruding ears, and bags under my eyes. But I also see a man who's completely happy with the figure staring back at him.
Shifting gears from my journalistic work to bakery life allows me to step away and see things from a different perspective. Some of my most creative ideas or biggest aha moments have come when I was immersed in one job while thinking about the other from a slightly removed point of view.
I'm a product of the '60s and the '70s - slightly rebellious back then in college, not so much in high school, when I got to college I think I was. And I think a lot of where I'm at right now is rooted in a lot of hypocrisy that I recognized back then that I never wanted to be personally.
I'm clearly doing what I want. I hope kids can see my act and feel like they can be slightly more comfortable in their own skin because I'm being so ridiculously comfortable in mine. I'm not that comfortable in my skin the moment I walk offstage. But I try to project that while I'm on it.
I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had - I don't know what - the literary equivalent of a shower. Something that would start them thinking in a slightly different way, perhaps. That's what I think writers are for.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
Sometimes, the other characters are too normal and then you start to be brought back to reality but then Luna shows up and she is just so funny and cool and honest and slightly mad and she's all that matters. She is 100% true. She puts on no shows, because she is so comfortable with herself.
I had a happy, dramafree youth, growing up in an upper-middle-class neighborhood in Dallas, Texas. The only thing that was slightly unusual compared to most of my friends was that I was an only child... I don't think that's why my parents gave me a dummy, at least they've never copped to it.
Quiet people, people who aren't given to emotional outbursts, people who are economic with words - they're also fun to play, but you find yourself needing a laser precision in those roles. Otherwise you just sort of stand around, looking slightly brain-dead. You worry about being uninteresting.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
An awful lot of successful technology companies ended up being in a slightly different market than they started out in. Microsoft started with programming tools, but came out with an operating system. Oracle started doing contracts for the CIA. AOL started out as an online video gaming network.
Every glass thermometer has subtle variations in the size and shape of the bulb at the bottom and the capillary tube inside, as well as variations in the width of gradations on the side. The compounded effect of these uncertainties is that each thermometer reads temperature slightly differently.
If you want to think new thoughts that are different, then do what creative people do - get the problem reasonably clear and then refuse to look at any answers until you've thought the problem through carefully how you would do it, how you could slightly change the problem to be the correct one.
When I wrote 'East,' I wanted a completely earthy, very sexy, very violent play, so I wrote in verse. I found it not only satisfying but releasing. It gave me an opportunity to play with language. We never played the characters like the yobs that they are, but rather in a slightly heightened way.
I would say 'competence' actually might be slightly more important than passion. I understand that it is important to feel strongly about things, but give me a competent dentist over a passionate dentist any day, if only because something about the phrase 'passionate dentist' is deeply unnerving.
A lot of stand-up comedians are actually very insecure, and they come on slightly battling the audience. They want to be the superior person in the room, sneering at the world. That can be very funny. But to me, what's more interesting is that the world is on my shoulders, and it's pushing me down.
I've been really fortunate and I've just tried to focus on the work and getting people to see Mexico, its food and its culture in a slightly different light. It's tricky with Mexican food because a lot of our recipes are so deeply rooted in tradition and Mexican history. That's a heavy responsibility!
'Filk' is the folk music of the science fiction and fantasy community - you get parodies, you get traditional music that's had the words slightly modified, and you'll also get just original works that have been written about science fiction and fantasy works, or with science fiction and fantasy themes.
I try to do different things as much as I can. I feel like every actor, there's a limited number of tricks and go-tos. The real good stuff you can't get to unless it's something you haven't done before. So I try to make sure each thing is slightly different. Unless it's for the money. Then I don't care.
There are different groups of people in your life that you behave slightly differently with. You behave one way with your family. You behave in a different way with your work colleagues. You behave differently with your friends from the movie club, your fitness instructor - all subtly different personas.
No breed of cats in its proper condition can by any stretch of the imagination be thought of as even slightly ungraceful - a record against which must be pitted the depressing spectacle of impossibly flattened bulldogs, grotesquely elongated dachshunds, hideously shapeless and shaggy Airedales, and the like.
It would be too glib, not a hundred per cent true, to say that my father's career as a banker was what made me a writer. But it would be slightly true, and it was certainly the case that his work as a banker made me see that the trade-offs people make between their work and their lives are often badly skewed.
A lot of these girls have a goal in life to find a rich guy. I can smell it from a mile away. They won't catch me! I know what they look like. They come with their little Kelly bag and their Rolex and the Louboutin shoes that are slightly too sexy. Shove off! Do you think I'm going to be the next sucker here?
Whether I'm doing a routine where I want to move people, or if I want to feel moved myself, I definitely tap into those moments where it's not just dancing or movement. It might just be a hand gesture or just a slow look, or even just the way you slightly tip your head forward. These subtleties speak volumes.
The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
These days it seems that every big, new, heavily promoted children's book is rather like the ghost of poor old Jacob Marley. Each one comes trailing a long, clanking chain of references - in the form of overexcited press releases and slightly hysterical jacket blurbs - to bestsellers of a supposedly similar nature.
If one tries to think about history, it seems to me - it's like looking at a range of mountains. And the first time you see them, they look one way. But then time changes, the pattern of light shifts. Maybe you've moved slightly, your perspective has changed. The mountains are the same, but they look very different.
G.O.O.D. Music is just real tastemakers, man. Kanye's a real tastemaker. One thing that I feel is tight about G.O.O.D. is that a lot of people have their own style, and you can see that. My style is different than Pusha's, it's different than Cudi's. But it's also slightly similar 'cause we have some similar tastes.
In truth, even if they have an imperfect insight into their own methods, I still slightly mistrust writers of fiction who are assured literary critics; it makes me suspect that they favour the word over the world it should describe. Such scribes fall victim too easily to the solecism of equating style with morality.
The process changes slightly from role to role. Obviously, there are different things you're called on to do. You're not digging deep for Basher Tarr like I was for Paul Rusesabagina, but at the end of the day it's still all make-believe and you still are trying as realistically as you can to depict these characters.
From a good lie in the middle of a fairway bunker, I'll make the same swing as I do from an average fairway lie. I'll dig my feet in slightly and keep my lower body stable so I won't slip, but I don't change my club selection or setup. It's only when the ball is sitting down in the sand that I'll make some modifications.
Even in a gleefully negative comic, there is optimism, although it's slightly hidden: It comes out through a comic character's sheer tenacity. He keeps going and trying to find some sort of fulfillment regardless of his perpetual failure record. That's a form of hope, a form of optimism. Really hokey I know, but it's true.
There is always this quarrel about what is preferable: the straight, naturalistic, epic storytelling or the modernistic, disjointed, slightly hermetic one. To me it does not matter, as long as it's good. I like both kinds. Although the common reader seems to prefer the first, which is to be expected, and who would blame her?
A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
And so our goal on health care is, if we can get, instead of health care costs going up 6 percent a year, it's going up at the level of inflation, maybe just slightly above inflation, we've made huge progress. And by the way, that is the single most important thing we could do in terms of reducing our deficit. That's why we did it.
The world is a slightly better place for having improvisation in it than it was before. There's something about it that says something positive about the human spirit, that a bunch of people can get together and by following a few simple traffic rules can create art and can entertain an audience and can thrill and exalt each other.
When I go to hotels, sometimes I find waiters and people who do not address me as 'Mr.' or address me as a normal guest would have been addressed, simply because my name is Maddy. I find that slightly offending, but I don't react to it thinking that maybe the name is so casual that people think it's a buddy that you are talking to.
Having grown up in a Catholic family, while I felt like I was never conscious of any blatant anti-Semitism, I was aware of a slightly insidious, us-versus-them mentality. A lot of my best friends and early girlfriends were Jewish, and I encountered what was more of a suburban small-mindedness, of people needing to defend their tribe.
When I look in the mirror, I am slightly reminded of self-portraits by Durer and by Rembrandt, because they both show a degree of introspection. I see some element of disappointment; I see a sense of humour, but also something that is faintly ridiculous; and I see somebody who is frightened of being found out and thought lightweight.
I've always been slightly self-conscious as an actor, and I guess that sometimes reads as pomposity. Starting when I was 30, I somehow gave off an impression at an audition that had them mentally put me in a three-piece suit or put an attache case in my hand. If there was a stiff-guy part, the director would brighten up when I came in.