Quotes of All Topics . Occasions . Authors
I think it is the easiest mentality for a human being to be either colonized or to colonize. The structure of either the slave or the master seems to be the simplest and the most relaxing one to slip into. Either you are a slave, and you don't have to think for yourself, or you're a master, and you don't have to work for yourself.
Africa and its people are the most written about and the least understood of all of the world's people. This condition started in the 15th and the 16th centuries with the beginning of the slave trade system. The Europeans not only colonialized most of the world, they began to colonialize information about the world and its people.
Throughout my life, I have tried to share my belief that getting and staying healthy doesn't have to feel like work. My life is not about deprivation; I don't diet or slave away in a gym. What I do is eat clean, nutritious, real food. I enjoy delicious meals with healthy fats, I eat until I am full and satisfied, and I remain thin.
I walked around feeling, in a sense, that people of color, we began at the bottom of a slave ship. We were enslaved; we picked cotton. There was Honest Abe, who wore a top hat and was taller than anyone and who said, 'Enough is enough; slavery must end.' And then, black people could stand up again. But after that, we didn't catch up.
The shooter's choice of Emanuel AME was most likely deliberate, given the church's storied history. It was the first African Methodist Episcopal church in the South, founded in 1818 by a group of men including Morris Brown, a prominent pastor, and Denmark Vesey, who would go on to lead a large, yet failed, slave revolt in Charleston.
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story.
Nothing manifests more persuasively the American contradiction than that the author of the Declaration of Independence, a slave owner, wrote an antislavery clause into the document - as if to compel himself to be better than he was - which then had to be edited out so the Southern states, including Thomas Jefferson's own, would sign it.
Whether the struggle was between English merchants and the American colonies, pre Civil War northern manufacturers vs. southern slave holders, or American grain farmers and auto manufacturers seeking advantage in the Mexican agriculture and labor markets in the 1990s, U.S. policy has reflected the economic clash of interests of the day.
A man who is without capital, and who, by prohibitions upon banking, is practically forbidden to hire any, is in a condition elevated but one degree above that of a chattel slave. He may live; but he can live only as the servant of others; compelled to perform such labor, and to perform it at such prices, as they may see fit to dictate.
They did laugh; they did fall in love. And while they were under incredibly oppressive conditions, they constantly were trying to steal pleasures. When you go back to the slave narratives, and you read books like the 'Bullwhip Days' or 'Incidents in the Life of the Slave Girl,' they will share what life was like, and it's a 365-degree view.
'12 Years A Slave' is a film that is beautifully shot, wonderfully acted, and told in a compelling manner. However, there are some questions, in my opinion, as to its importance. Paramount among those questions is, What does this scenario illustrate that we didn't know or haven't seen before? And why does such a film garner such popularity?
Many governments and corporations take no moral responsibility for the enslavement of migrant workers and freely do business with states built on the back of slave labour. Illicit financial flows and tax evasion are ignored in the interests of some nations and their corporations, stripping the tax base that is so vital for essential services.
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.
Every one must understand that, whatever be the evil of slavery, it is not increased by its diffusion. Every one familiar with it knows that it is in proportion to its sparseness that it becomes less objectionable. Wherever there is an immediate connexion between the master and slave, whatever there is of harshness in the system is diminished.
Our family business was operating batting cages. The pitching machine spit out the balls at lightning speed. Don Drysdale, Sandy Koufax. Whitey Ford. 50 cents for 12 pitches. Of course, my mother ran the place, and I was her slave: selling candy, hosing down the street, and the most dreaded of all jobs, feeding the pitching machine with balls.
The commerce of a free people is many times more valuable than that of slaves. Freemen produce and consume vastly more than slaves. They have therefore more to buy and more to sell. Hence the free states have a direct pecuniary interest in the civil freedom of all the other states. Commerce between free and slave states is not reciprocal or equal.
The use of slave women as day workers naturally broke up or made impossible the normal Negro home, and this and the slave code led to a development of which the South was really ashamed and which it often denied, and yet perfectly evident: the raising of slaves in the Border slave states for systematic sale on the commercialized cotton plantations.
In 1855, a former American slave remarked: "Tisn't he who has stood and looked on, that can tell you what slavery is - tis he who has endured."I think the same holds true for women's rights. The incredulity in the question, "What rights don't women have presently that they are marching about?" reflects a troubling disconnect that comes from power and privilege.
