I got a fever, and the only prescription is more cowbell.

It's always hard to watch bad actors improv on your skit.

In order to crash the party and be a clown with your own skit, you had to be there for quite a while.

There have been, like, three auditions in my life where I feel like I'm in a 'Saturday Night Live' skit.

I was a mad, impressionable kid, and every skit from 'The College Dropout' was telling me how I didn't need school.

When you are 16 you are supposed to be doing cool things, like sneaking alcohol, not living in Disney World and doing skits about mice.

In high school, I was doing a skit for forensics and people started laughing, more than I was prepared to deal with. It was a surprise.

If you look at any successful skit comedy show, ever, there is that format of introducing you to the player in the beginning, and then going on to see those sketches.

The skit was very successful based on the applause. After that show, the three of us decided to get together and try and come up with some songs that we could all participate in.

Humor is a blessing to me. My earliest recollections are of looking at something and seeing the lighter side. But it's always spontaneous. I couldn't write a comedy skit for someone else.

It used to be that in media, Johnny Carson used to be the most important person when he would invite you over to sit on the couch after your comedy skit. Now it's whatever Howard Stern says goes.

My first acting gig was a skit for Jay Leno on 'The Tonight Show.' It was this Barbie commercial where I got to pour mud all over Barbie dolls and watch the heads pop off. It was so exciting, a lot of fun.

I actually went to the university as a psychology major, and at orientation, they took us around the campus and took us to the theater for a skit. At the end of the skit, I literally could not get up out of my seat.

And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.

She and my uncle were very sociable and would have a lot of people over at night to play cards or whatever. The high spot of those evenings was when we kids got dressed up to do a skit or something to amuse the guests. I loved it.

I think I first got into acting through church. I would go to these church retreats, and they would tell us to make a skit or make a video and present it to the rest of the group. And I started doing that. And I fell in love with it.

Every time I do a talk show or something, I'll be like, 'I'm doing 'Chandelier,' right?' and they're like, 'No, you're doing a skit and three dances.' It's different every time. I never really know what I'm doing until the day before.

I did skit comedy online for many years, beginning around 2001. Around 2006 I started watching a lot of food television and got re-interested in food. I come from a very food-obsessed family. But I also wanted to do my own thing, which was the comedy.

My dad is a big Outlaw country guy - Johnny Cash, Johnny Horton, Waylon, Willie. He loves Elvis and turned me onto Elvis. He was always playing me stuff. He and I would sing and entertain the family. We'd have a little skit on Thanksgiving or whatever.

I was Obi-Wan multiple years in a row. Alec Guinness' Obi-Wan. I was a Dalmatian once because I loved '101 Dalmatians,' and I think I was a Care Bear once and maybe a Spartan cheerleader from the 'SNL' skit. I'm terrible with Halloween, because I come up with these elaborate costumes and never follow through.

The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.

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