Quotes of All Topics . Occasions . Authors
My main issue is trying to create shape, because I am like an upturned spring onion. I am bulbous at the top, then I sort of whittle away, and my feet are like the green bits. I try to create - with clever use of a skirt and tucked-in top - a waist and hips.
Topshop is one of my favourite shops, and I love shoes by Giuseppe Zanotti. There's a graduate fashion designer called Kate Falcus who makes me beautiful commissioned pieces - one of my favourites was the white Glastonbury dress she made me with the puffy skirt.
I had a press conference and I fell down on stage! Because I was in a skirt, dude. And there was this genius on stage and someone told me please sit and I went to sit and he pulled the chair off from under me! I did my whole thing, after that, I was really upset.
I was a fashion editor for years in London before I came to 'Vogue,' and I spent my life arranging the folds of a ball gown skirt for a picture and pinning fabric and using all those stylist tricks. And you don't have to do that now because they can do it in Photoshop.
I was convinced that acting was for fools. I was on the stage when I was eight with my father, he was playing one of those Greek blind guys that sees things and warns people, whilst I was in a blue skirt. I think there were 5,000 people in the theatre, it was ridiculous.
For my first job interview out of college, I wore a cream-colored cotton suit with cap sleeves and an inverted box pleat skirt that was appropriate for the late-August heat - and wildly discordant with the Red Hook offices of the graffiti magazine I had called twice to find.
I have a couple of go-to sneakers off the pitch. I like to have shoes that I can slip on and wear with anything. I travel often, so it's about finding those two or three pairs of shoes that can go with any outfit, whether they go with leggings or a skirt or a dress or jeans.
If you've got the body and the chutzpah, a pencil skirt is so sexy on older women. Look for ones that fall just below the knee. Think 1940s, cinched-in jackets - imagine you are Lauren Bacall on a date with Humphrey Bogart and you just absolutely have to wear very high heels.
I like shopping at retail places like JC Penney or Macy's, and maybe buying a top or a shirt, and then buying a skirt from Rue 21 or Forever 21 because they have the maxi skirts, which I appreciate so much, and then topping it off with something that I buy from a Somali shop.
When was the last time you bought an American-made radio or television? If you're Gen X or younger, the answer is 'never.' Does the label on that shirt or skirt you're wearing say 'Made in the U.S.A.'? If so, you probably got it at Goodwill, or maybe at a Smithsonian garage sale.
I was Lady Gaga way before her time. I had a wee kettle for a handbag. Didn't everyone, at some point? One of the teachers used to call me Dame Flora Robson because I had this big, long Victorian skirt. And I wore a Peruvian hat. It was the 1980s - people were wearing lots of lace.
When I was 14, I thought I looked terrible. I wore these typical Slavic shoes with metal bottoms so you could always hear me coming and this really ugly princess skirt and blouse with the top button closed. I had a boy haircut, a baby face covered with pimples, and a really big nose.
I love my bubble skirt. I wear it with a belt and my shirt tucked in. Just like a t-shirt from Nordstrom's or something. And I wear this navy blue blazer with the sleeves crushed up. And I just feel like I'm such a cool girl when I walk out. I feel like, 'Yeah I'm cool, like a model.'
One hot summer night in San Francisco, roughly 10 years ago, I was sitting in a crowded Pacific Heights restaurant when Alice Adams walked in with a man. She was about 60 at the time, and she was wearing a skirt that fell an inch or so above her knees and flat heels without stockings.
While designing, sewing and cutting patterns for clients, my mother was always telling me to make sure the upper part of the body was balanced with the lower part, an A-line skirt to minimize hips or shoulder pads if a client was smaller on top. I was training my eye to create balance.
I had a great grandmother who believed in so many strange superstitions. She used to tell the future from the things that catch on to the hem of your skirt when you've been sewing, and different colored threads would mean different things... Of course, all that influenced me quite a lot as a child.
I used to spill things on my t-shirts, leaving oily dark spots down the front that I would try to hide with loose-fitting dress shirts. Nowadays all I have to do is tell everyone my son did it. I skirt the 'slob' moniker and instead look like a dedicated father who doesn't even have time to change.
If our moral attitudes are entirely the result of nonrational factors, such as gut feelings and the absorption of cultural norms, they should either be stable or randomly drift over time, like skirt lengths or the widths of ties. They shouldn't show systematic change over human history. But they do.
As a kid in the eighties, I didn't need much disposable income. I went to Catholic school - white shirt, plaid skirt - so fashion choices were limited. But youth finds a way. For me and my schoolmates, neon argyle socks were a crucial barometer of coolness. Hair ribbons, too, and they didn't come cheap.
You can change the look of an outfit so easily by changing the kind of jewellery you wear. If you have a basic outfit on - a black sweater and skirt or a simple black dress - you can go from the office to a cocktail party at night just by changing your jewellery. It helps if you change your shoes as well.
It's possible that you have been told a time or 10 that you don't appreciate how tough your elders had it. It's true that, if you had been coming of age back in, say, 1960, you would probably be feeling more restricted, if only because you were doomed to spend your days in a skirt, nylon stockings and girdle.
I started in junior high doing the splits and flips and that kind of stuff. It was kind of the acceptable thing to do. But I had two older brothers, so I was a tomboy. I was the cute tomboy who could put on the skirt but then go tackle you or something. I was a little rough around the edges for a pretty woman!
I looked back on the roaring Twenties - with its jazz, 'Great Gatsby,' and the pre-Code films - as a party I had somehow managed to miss. After World War Two, I expected something similar, a return to the period after the first war, but when the skirt lengths went down instead of up, I knew we were in big trouble.
I went to private school for a very long time, and we always wore uniforms. Then in third grade, I switched to a public school, so I was so excited to wear what I wanted on the first day. I remember I chose this orange hoodie with a skirt, and it's so funny when I think about it now because my style really hasn't changed that much.
When I think about fashion and elegance, I imagine a woman from the 1950s, on an airplane, with seamed stockings and a garment belt underneath, a skirt, high heels, and her hair that she's done the night before, perfectly done eyeliner, lipstick, gloves, perhaps, and all this just to sit on an airplane for a transcontinental flight.
As a little girl in the '50s, I couldn't wear a purple-and-white flowered skirt with a red blouse - those colors were too loud. My parents were not into that 'We are Negros that wear all beige,' but there was a line you could walk over that could signal vulgar, crass, rather than clever use of color. And that outfit crossed over the line.
My dishes tend to have a very carefree style: what's ripe at the farmers market or what's in my fridge, even if I'm cleaning out my fridge. It tends to be a very improvisational style. I major in salads, but a loose definition of salad; it can have a real robust skirt steak on top of it off the grill or quinoa or buckwheat or sprouted almond.
