Quotes of All Topics . Occasions . Authors
I'd say the player whose style most resembles mine would be Neymar. That's because I played with a sense of joy and you can see that he feels the same and really enjoys his own play. He doesn't play for himself or just to entertain the fans - he plays for his team. He uses his quality and skill for the good of the team.
I've never had a particular skill. I can't cook, dance, play an instrument, speak a foreign language. This used to worry me. I'd think, when I'm grown up, at 18, then I made it 21, it will be clear what role I should have in life. It never happened. I never signed on the dotted line as the sort of adult my father wanted.
I'm very good at breaking up with people. Very good. It requires a lot of skill, but what you do is you tell them the truth of why you are breaking up with them, and after that, you somehow compensate with other things. If you have loved someone, I think that somehow they should always be a part of your life. I really do.
I think for a certain demographic of American families that are not living below the poverty line, what is now becoming the working poor, I think they realize that their young daughters - and their sons, quite frankly - need to learn a skill set that is going to never go away, and I think that they see that in technology.
If you have so earth-creeping a mind that it cannot lift itself up to look to the sky of poetry... thus much curse I must send you, in the behalf of all poets, that while you live, you live in love, and never get favour for lacking skill of a sonnet; and, when you die, your memory die from the earth for want of an epitaph.
I don't think any actor has the luxury of knowing exactly what scripts are going to turn out well and what ones aren't. It would be wonderful to have that particular skill, and maybe people like Tom Cruise have it more than most, but you go into each project hoping that a good, if not great, film will come out the other end.
I think that is just a limitation of any questionnaire - that we apply a frame of reference or standard. It's a well-known finding in psychology that when people are total beginners at a skill, they tend to overrate their skill level. They don't know what they don't know. The more expert you are, the more critical you become.
If the investor doesn't have enough time and skill to investigate individual stocks or enough money to diversify a portfolio, the right thing to do is to invest in exchange-traded funds that give you exposure to asset classes. It does make sense for the individual investor to think in terms of holding individual asset classes.
Poesy must not be drawn by the ears: it must be gently led, or rather, it must lead, which was partly the cause that made the ancient learned affirm it was a divine, and no human skill, since all other knowledges lie ready for any that have strength of wit; a poet no industry can make, if his own genius be not carried into it.
There is an interesting scientific dispute about realism and optimism. Some find that very optimistic people have benign illusions about themselves. These people may think they have more control, or more skill, than they actually do. Others have found that optimistic people have a good handle on reality. The jury is still out.
We're living in a time when the most famous people in the world have no specific skill set and are known for living their lives in front of the world. How strange is that? The appeal makes sense to me - it's like 'The Truman Show,' getting a chance to peak into someone's bedroom or see the way someone fights with their husband.
I think more than comedy, probably more than straight drama, I like horror. And horror I think I'm particularly good at. It's a mistake a lot of directors make, especially young directors. They always want to make the kind of movies that they most admire and aren't necessarily sensitive to what they have the best skill set for.
The affairs of America I shall ever look upon as my first business whilst I am in Europe. Any confidence from the king and ministers, any popularity I may have among my own countrymen, any means in my power, shall be, to the best of my skill, and till the end of my life, exerted in behalf of an interest I have so much at heart.
Business is another kind of world that I don't think is as passionate. It is not the pressure to perform as you have in football. It is more about strategy, skill, about how you deal with all the information you have. Some of the things from football I can bring to business, and some things from business I can bring to football.
After costs, only the top 3% of managers produce a return that indicates they have sufficient skill to just cover their costs, which means that going forward, and despite extraordinary past returns, even the top performers are expected to be only as good as a low-cost passive index fund. The other 97% can be expected to do worse.
Every league has its own culture, its own identity, and its own type of football. It's very physical in England, but technical skill comes to the fore in Spain, where everybody wants to play beautiful football. The standards are very high in Germany, too; the teams are physically strong, very disciplined, and very well organised.
You have to be a cop-out or a wash-out or a dropout to come to our college. You have to work with your hands. You have to have a dignity of labor. You have to show that you have a skill that you can offer to the community and provide a service to the community. So we started the Barefoot College, and we redefined professionalism.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
For filmmakers who've made multiple movies, they have experience, but they only have experience of themselves as a filmmaker. Whereas I'm bouncing around from different skill sets: the organizational ability of Ridley Scott to the precision of a Ron Howard to the artistic sensibilities of a Peter Weir... to the scope of a Tom Hooper.
There are lots of come-from-behind wins, games getting tied in the last period, teams going on to win. That, I think, tells the best story. Whether or not some teams have more grit, better chemistry, or more luck or more skill, it's still within the parameters. I think that makes for great storytelling and great interest for our fans.
My secret skill, if it even counts as one, is saying really crass things that sometimes end up as dialogue coming from other character's mouths. My inner salty sailor is alive and well - the only problem is most of the writers on our show are just as inappropriate, so at the end of the day, it's hard to tell who came up with the line.
The mind and the body are inextricably entwined, and rarely are their inseparability clearer than when we're under some kind of mental pressure. The moment we start trying to learn a new skill, make a decision or otherwise think on our feet, our nervous system reacts - with accelerated pulse rate, increased respiration, even sweating.
Recording sessions were stimulating to photograph, because everything was in motion: the subject, the musicians, the technicians and the photographer. You needed fast reflexes to keep up with moving targets, and sensitivity and skill to get the pictures while keeping out of the performers' eyeline so as not to break their concentration.
'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.
I certainly tried to talk about less complex things, but I've had to accept that it's just not what I do. That isn't to say that my shows are depressing - they aren't. At least, I hope they aren't! The problem I have with stories about happy things is that they don't require any skill from a comic - they just repeat the details verbatim.
No generation has escaped it - one morning, your skill with the eight-track or the record player or the cotton gin suddenly ceases to impress. It's just one of those inevitable disappointments that come with growing up, like the realization that Santa doesn't exist or the way that music always takes a turn for the worse after you turn 30.
They're elite athletes. They're amazing athletes. That's why I love football. I mean, it's incredible to me to see them go out for an unbelievable pass and actually make the catch. It's just an amazing game of athleticism and skill. They're different; there's no question. They're huge, they're fast, and they're all these wonderful things.
I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity. I'm a writer. I just love telling stories.
Sometimes the routes leading to feelings of anger are so convoluted and circuitous that it takes enormous skill to discern their original source, or fountainhead. But regardless of the reason for or the source of the anger or the relative ease or complexity in perceiving either the anger or its source - everybody, but everybody, gets angry.
In high school, the drama program shifted to musicals, and that's not a skill set I possess, so I let sports be my outlet, and I agreed to play football in college. I was invited to play at the University of Missouri, and I played there for a year, but when all of the talented people are plucked and put in one place, it's scary; it's tough.
The difference between the Bush I war against Iraq and the Bush II war against Iraq is that in the first one, we appealed to the sentiments and interests of the different groupings in the region and had them with us. In the second one, we did it on our own, on the basis of false premises, with extremely brutality and lack of political skill.
When you work at Google and tell these engineers that their skill set is relevant to somebody in Iran who doesn't have access to information in their country or the rest of the world, it really inspires them to want to do something about it. There is a genuine altruism that exists at this company, and that's why I'm here and not anywhere else.
Writing a novel - unlike operating a piece of heavy machinery, say, or cooking a chicken - is not a skill that can be taught. There is no standard way of doing it, just as there is no means of telling, while you're doing it, whether you're doing it well or badly. And merely because you've done it well once doesn't mean you can do it well again.
The problem that people don't understand is that active managers, almost by definition, have to be poorly diversified. Otherwise, they're not really active. They have to make bets. What that means is there's a huge dispersion of outcomes that are totally consistent with just chance. There's no skill involved it. It's just good luck or bad luck.
I have received a great deal of benefit from the simple yet difficult practice of learning to stop the internal voice in my head. I learned that the voice isn't me, and I don't need to keep rethinking events of the past nor overthink plans for the future. This skill has helped me both to focus and to pause before responding to unexpected events.
Chess masters don't evaluate all the possible moves. They know how to discard 98 percent of the ones they could make and then focus on the best choice of the remaining lot. That's the way expertise works in other fields, too: Wise practitioners recognize familiar patterns and put their creativity, improvisation, and skill toward the marginal cases.
