Maybe it's just my improv and sketch background, but I'm a lot more comfortable in a group. I like sharing focus and populating an ensemble.

Before I ever begin writing a new story, I have to sketch my characters out on paper. It's part of my process of understanding who they are.

I've only written stand-up and sketch before, so writing something long-form on my own is proving quite difficult. But I'm enjoying it as well.

I once played Jennifer Lopez's werewolf body double in a sketch. I don't think anyone was shocked when the sketch got cut after dress rehearsal.

I could speak three languages when I was six, and when I went to school, I only liked to read and sketch. At five, I could write and everything.

I think the great sketch shows, like 'Python' and 'Mr. Show,' they didn't stick around for very long. There's something kind of cool about that.

I used to sketch - that's the way I thought out loud. Then they made a book of my sketches, and I got self-conscious, so now I don't do it much.

Stand-up and sketch and improv - that's the most direct contact you can have with somebody, making them laugh. I like that. I like the intimacy.

I was in a sketch group in L.A., and we were playing, like, backyards in Glendale and stuff. It was pretty ugly because we didn't have any money.

I think people are purists about what sketch comedy should be, and I think sometimes having too much fun can be a little annoying to some people.

I'm a huge sketch comedy fan, and I think my love of sketch is reflected in my stand-up in that I do a lot of vignettes and voices and characters.

I've always wanted to do a sketch show. And they've sort of gone out of fashion for a bit, or they've just stopped doing them for whatever reason.

If you want good sketches, go pick up Sid Caesar. The best of Your Show of Shows. That's the greatest sketch comedy you'll ever see on television.

It's a very hard thing to explain when we sit with writers on our shows. But then if they show us a sketch, instinctively we'd know who we'd play.

It's what I've trained for, from the first sketch to the fabric. Making dresses that are different from the usual style, and a lot of fun to wear.

I was fascinated with the writing process and seeing the evolution of a sketch and how it would change up to the minute before it went on the air.

I've done some version of that Minnesota accent - that Midwestern accent - in sketch comedy for years. It's the quickest way to symbolize you're a mom.

And the first rude sketch that the world had seen was joy to his mighty heart, till the Devil whispered behind the leaves 'It's pretty, but is it Art?'

Because it's uncensored cable, I think we'll be able to do the kind of sketch comedy that really hasn't been seen before. We can actually finish jokes.

My first real break was when my college sketch troupe, The State, was asked to contribute pieces for a new MTV show called 'You Wrote It, You Watch It.'

Canada has been a breeding ground for great comedic actors, sketch artists and stand-up comedians. We grew up with a different perspective on the world.

Sometimes, I sketch, but not every day. I sketch random things, whatever I can get my mind into. I'm not a professional, it is just a hobby I've started.

When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.

Some people think architecture is about the genius sketch; I don't. Great architecture is a collaboration among a lot of people over a long period of time.

It's absolutely surprising to me how well 'The State' has held up as far as people liking it and having fond memories of it, considering it's a sketch show.

Funny is funny. I dare anyone to look at Tim Conway and Harvey Korman doing the dentist sketch, which is more than 40 years old, and not scream with laughter.

In college, I pretty much abandoned music and started performing with the school's improv and sketch troupe, and at some point, that became my permanent thing.

Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something.

The thing about stand-up was, I was doing all this sketch and YouTube stuff where I was not being censored and I got to do my own thing, and it was really cool.

When I decided I wanted to be an actor in high school, I really went into improv. I took classes at The Groundlings. I studied acting. Did sketch comedy in L.A.

I didn't want to write sketch comedy after 'Mr. Show.' I felt like, after 'Mr. Show', why would you want to go work at any of the other places that existed then?

I have always been doing sketch comedy since I was a kid because one of my mom's boyfriends was an improv comedy guy so were doing skits all the time growing up.

I love sketch comedy. My real goal is to do something with Albert Brooks. That would be my fantasy. I stay up night and day thinking up stuff he might find funny.

You really have no idea whether or not what you're writing is funny. In stand-up and sketch comedy, you know right away and you can make your changes accordingly.

I grew up in rural Ireland; we only had a few TV channels and had never even heard of sketch shows, but it was completely natural for me to tell jokes and stories.

When I was 10 or 11, I started to sketch, and my drawings happened to be like fashion drawings... I'm lucky to have had this dream to chase since I was very young.

Usually I start with a concept, which I then sketch out so that I can get a feel for the character. The character doesn't really become real to me until I draw them.

The label 'wife of the prime minister' is like a giant signboard pointing at my head from a Monty Python sketch. But I am not Mrs. Prime Minister. I'm a human being.

Stand-up for me is just my opinions on things, so it wouldn't be as fun translated into a sketch. Nor would a sketch be as fun if it were me standing there saying it.

If I don't have a project going, I sit down and begin to write something - a character sketch, a monologue, a description of some sight, or even just a list of ideas.

I have always been inclined towards art, but hadn't painted in a long time. I restarted it during the lockdown, by making a sketch with an ink pen on a drawing sheet.

I start with an idea in my head. I sketch it out quickly as a line drawing, using pencil. It never comes out quite right - usually a bit better than my mental picture.

A part of my kind of design and inspiration ethos is that I carry around a leather notebook and I sketch in it, doodle in it, write notes in it, and I put pictures in it.

Life experiences help in understanding the character. And many things come to your mind regarding the character sketch when you read the script as many times as possible.

I love doing different things where, for a little while, I can focus on standup then sketch writing, then performing, then directing a video. That, to me, is stimulating.

When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?

At any kind of Fox function, you'll see 'Mad TV' at the kiddy table in the back, next to the buffet. We're a late-night sketch show, and there is more money in prime time.

My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.

I was a baby when I began, but I knew exactly what I wanted to wear myself. I became a jewelry designer because I knew how to do something with a pencil and sketch my ideas.

'One Leg Too Few' by Peter Cook is a perfect sketch. The setting is ridiculous, the language is beautiful, and the performances make the most of every syllable and movement.

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