Quotes of All Topics . Occasions . Authors
I never breathe through the nose, not when I'm singing. In the opera, you don't have so much time. That's fine at the beginning of an opera or after somebody else has been doing an aria, and you want to get a good fresh start.
If I were to leave the U.S., I'd live in England. But I'd never leave the U.S. I own a 400-acre farm in Macon, Georgia. I raise cattle and hogs. I own horses, too. I love horses as much as singing. I like to hunt on horseback.
Eating, loving, singing, and digesting are, in truth, the four acts of the comic opera known as life, and they pass like bubbles of a bottle of champagne. Whoever lets them break without having enjoyed them is a complete fool.
I remember getting up and singing with them at Mile One arena in St. John's. It was such an honour that they asked me, but all I could think of was, "But I'm such a fan!" Later I sang on one of their records, that was awesome.
Writing and singing does give me some kind of release from the demons of my past, it is a therapy of sorts, but to be honest, my marriage played a more important role in the acceptance of myself than performance has ever done.
I learned how to be more theatrical and have more fun, and to take a song and sing it over and over again in different ways, and make it different each time. I'm not just singing the song - it's this thing that's affecting me.
I was about 17 or 18 when I first started performing in public. I had a teacher when I was a freshman in college and she came up to me afterwards and said she had been crying while I had been singing, and it really shocked me.
My favorite scene that I ever filmed was singing "Don't Cry For Me Argentina" from the balcony of the Casa Rosada in Argentina [where the real Eva Peron once stood] during Evita. That was amazing. SO real and surreal. Bizarre.
I definitely don't see myself as much of a singer, because my upbringing is really based around the guitar, learning chord progressions and that sort of thing. So the singing aspect of what I do has been a secondary adventure.
When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.
Or if I have my head in the results, I can't work with what I have, because I'm trying to force something to happen. And with singing, any time you force it, you tighten up. If you tighten up, you're screwed, nothing will work.
Is there a short-eared koobish, then?' Mmmyes ...' said J.Lo. 'But it is technically not really a koobish. Is more alike a kind of singing pumpkin.' We had conversations like these all the time, where I just eventually gave up.
I know that I can sing really loud. It's like having that really big Evinrude engine on the back of your fishing boat. But I've been trying to be more dynamic with my voice and not just singing on ten all of time out of terror.
I love working in film and television, but I do miss singing on stage. You can't find that anywhere else, so I hope this opens up a whole new concert world for me. I had so much fun and it went so well, I hope it leads to more.
The word 'theatrical' makes me cringe, because it suggests a performance is staged, put on, rehearsed. And while all this is true for an opera, I believe the act of singing and performing should always be honest, raw, guttural.
It was so hot today I saw a robin dipping his worm in Nestea.It was so hot today I saw a pigeon walking in the shadow of Orson Welles.It was so hot today that Burger King was singing, "if you want it your way, cook it yourself.
Only in acting I'm going by Joanna JoJo Levesque. In singing, just JoJo. But the reason we wanted to go with JoJo Levesque is most people know me as JoJo. People that are familiar with me would still be like, 'Oh, that's JoJo.'
When you're singing, you're using extra muscles, and it requires a lot of exercise and breathing. You can't do that if you're a sissy. If I have any fitness advice for people, I'd tell them to sing more. It's good therapy, too.
Lana Del Rey seems to be bothering everybody because she allegedly 'remade' herself from a folk singing, girl-next-door type into an electro-urban kitty cat on the prowl (of course I like her), and they feel she is inauthentic.
The word "theatrical" makes me cringe, because it suggests a performance is staged, put on, rehearsed. And while all this is true for an opera, I believe the act of singing and performing should always be honest, raw, guttural.
I think that one of Elvis' charms was that he could sing almost any kind of music. I am sure that in his heart, which I don't know what was there, but just from his singing I could feel that he was very partial to gospel music.
I started out in the 1940s, singing around the clubs of Cleveland, Ohio, where I grew up. There was a woman in showbusiness, a contortion dancer called Estelle 'Caldonia' Young - she was named after the song Caledonia Caledonia.
I once asked Ozzy Osbourne, truly one of my favorite people in the world, if he was cool with singing Black Sabbath songs year after year, whether he was performing with Black Sabbath or out on a solo tour. He said it was great.
Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.
I'm not a singer. If you've heard any of my records, that's not singing. I have no vocal qualities whatsoever. I've got a lot of enthusisam and I go to the cross, but there's no skill going on there. It's more just intuitiveness.
Music is an expression of individuality; it's how you see the world. All art is, for that matter. You take how you experience the world, interpret it, and send it out there - express it - whether it's sculpture, dance or singing.
To me, obstacles in life build character. You have to be able to overcome adversity in order to succeed and appreciate the simple things life has to offer... that's where most of my inspiration for writing and singing comes from.
I grew up singing and dancing, so people have been calling me gay since fifth grade. I've heard everything you could possibly hear about it. But I do love gay people, so I'm not going to act like I was insulted or angry about it.
I think singing and acting go hand in hand. Take an R&B singer: one song says, 'I love you,' the next is, 'Baby, don't leave me', the next is, 'If you leave me I don't care.' You have to drop in and out of different perspectives.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
People like to put you a box. I've always been the wrong shape. Maybe you are, too. I think all the people who are wrong shapes for boxes should go out and march into the streets singing, 'We are the shapes! We don't fit the box.'
My parents - Augustine Joseph and Elizabeth - discovered my talent for singing when I was a kid. I remember them telling me that I sang a classical piece after listening to it a couple of times when I was two-and-a-half years old.
It's people, not possessions, that make home for me. It's not that I get much time to entertain, or any of that, what with the television production schedule and, now, singing concerts all around the country and making recordings.
The B-52s, you know, our songs are about volcanoes or lobsters. Cindy and I sing them like our lives depend on them. I feel very emotional when I'm singing 'Rock Lobster,' but I've wanted to sing more about my personal experience.
I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
I know that I can sing really loud. It's like having that really big Evinrude engine on the back of your fishing boat. But I've been trying to be more dynamic with my voice, and not just singing on 10 all of the time out of terror.
Tony Bennett is still giving concerts, still singing. It's keeping him alive. He's in his late 80s now and he keeps going and going. I maintain, God bless him, it's this devotion to duty and working and being in front his audience.
To me singing is a joy. Choral singing is a delight. Welsh Choral singing is more than a delight. The Treorchy Male Choir is the best in choral singing. How then can they be described except in superlatives? They are without equal.
My music is kind of laid back, it doesn't have super crispy, shiny production, and I'm not singing my heart out or whatever. But that whole idea of blogs declaring: "this is the new denomination for this sound" is ridiculous to me.
I once sang 'Summer Nights,' from 'Grease,' at a bar in Melbourne with John Travolta, who's a good friend of mine. He looked cool singing the part of Danny - sitting in an armchair, smoking a cigar - while I got stuck playing Sandy.
I think music will always be a big part of my life. I can't go five minutes without singing, sometimes unconsciously. And people stare at me, and I'm wondering why they're staring, and then I'm realizing that I'm belting out a tune.
I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
Of course the Disney movies, you know all the soundtracks, and anything Gene Kelly and Fred Astaire were doing - Singing in the Rain was one of my favorite musicals I used to watch a lot because my mom came from a theatre background.
After using four different languages on an album, it's tough to decide which one I'm gonna actually learn to speak. I always study the lyric, make sure I know what I'm singing, and try to get the pronunciation as perfect as possible.
I still love to walk in the mountains or be on the sea. I like to be in nature. Sometimes I bicycle. It's important to feel good with your body. The body is extremely important. If you feel good, you have more energy in your singing.
Singing is just another outlet to express what I feel and to show everyone who I really am. I really don't talk about my personal life that much in interviews because that's my life, but with music, the way I write explains who I am.
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing.
Santa Monica, where I have always lived, is not a town where you will find storefront Church of God in Christ churches. So, the whole idea of gospel quartet singing is something I never knew existed until I began to hear it on record.