Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.

My father was a very popular singer and stage actor during his time, in the 1950s. But he didn't take any formal lessons in music, which was probably why he insisted I study music so I could get a proper base and build a strong career in it.

There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.

Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.

My current role model is Beyonce. She is such a strong woman. She can do everything. She has kept herself together and has balanced her life perfectly. She is a great singer, great dancer and a great looker and is now a good mother and wife.

Country artists, I met a lot of them when I was five, six years old. I had an uncle who was a country and western singer and I met Lefty Frizzell when I was five or six years old in those shows that would come through Toronto from Nashville.

I think, honestly, hard work is the only way that you'll get anywhere and this is not an easy job. People think it's easy to be a singer or to be an artist. It's crazy hours and you need a lot of energy and some spirit inside you to do that.

In Hollywood, famous singer Elvis Presley used to wear gold chains. I was a huge follower of Presley. I used to think, if I become successful someday, then I will build a different image of mine. By the grace of God, I could do it with gold.

My dad is a singer, so it was always either music or acting with me. All the way up through college I was doing both, and even after college I was in a reggae band. Then the acting really started taking off, so the music had to become a hobby.

I can't say New York's home, but I've made a lot of friends, and I'm developing a map of what cats are here and where they play, and as a singer, you're always looking for projects that tie things in emotionally and intuitively with your life.

Academic scientists aren't generally interested in books for the public. So when one comes out, the authors can't expect much praise from scientists. My goal both as a singer and an instructor is to educate through provocation and entertainment.

Producing isn't just making beats on a beat machine. It's bringing together these string players with this flute player and this singer, and telling them to all work in the key of C major... You bring these people together and let them all cook.

I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.

I don't think there was ever a moment when I was like, 'Yeah, I want to be a singer!' I guess it just happened. I performed a lot when I was younger and stuff, but I remember getting to the point where I thought I might have to get a normal job.

I think if you are going to be a singer, you should sing. If you are going to be a dancer, you should dance. If you are going to do a combination of the two, you should make it very clear when you are singing and very clear when you are dancing.

I don't think I'm a singer, I think I'm an expressionist. But it takes time to put it in people's minds that this guy is not singing, 'Baby, I want to have you.' This guy is actually thinking about what he's saying. This guy has something to say.

An award means a lot to me. It brings happiness along with a kind of fear. It brings fear because the award is the responsibility which audiences have put on us. So a singer winning an award should always try to give best of him to the audiences.

It's weird, for me as a fan, to have a fan tell me that I'm their favorite singer. It's still a little awkward for me. I love to hear it, but I don't know how to respond to it. It's a very awkward thing to interpret what somebody else sees in me.

I count myself as not only just an artist, not only as a singer, but a business woman. I write my own songs; I write my own video treatments, manage other artists. I write for other artists; it's not just about getting on stage and singing a song.

What I look for in a voice is for it to be unique. I don't really care if a singer sings well. Really, it's about emotion, or being able to sing the lyrics and actually mean it. A lot of singers sing good notes but forget about what words they use.

It should be if you're a good singer and a good songwriter, you should have your spot. You get everybody trying to release the prettiest guy, but that doesn't mean they're the best artist. Most of the time the true artists are just normal old dudes.

When I was young, my voice was so strong, and I would annoy people because I had such a loud little voice. And then it changed, and I thought I wouldn't be able to sing again, because I thought you had to sing like Christina Aguilera to be a singer.

What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.

I have to be honest: I think production is mad - exciting - because, of course, you're creating the record. When you're a singer, you're just singing. Creating the music, directing, and seeing where it's gonna go in production is very, very exciting.

In hip-hop, I wasn't very focused on delivering a message. It was just a string of lines that didn't connect. What I wanted to do is write stories... and affect someone's emotions with that song. I think as a soul singer, I'm able to accomplish that.

When I first knew that I wanted to rap I was seven years old and I lost the talent show. It was like spoken word or something. My mom made me do it. It was a Langston Hughes poem. The girl that came on after me, she wound up winning. She was a singer.

When I was in high school, I was a bad singer. I mean, all my early acting was musical theater, and my first ever show was 'Jesus Christ Superstar.' Everyone's familiar with it. I played priest number 3 and sang so out of tune that it's not even funny.

I didn't think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.

To become a singer requires work, work, and again, work! It need not be in any special corner of the earth; there is no one spot that will do more for you than other places. It doesn't matter so much where you are if you have intelligence and a good ear.

I saw singer Pink doing aerial flips during one of her performances at Grammy Awards. It got me inspired, and I started doing it, too. It has made me very flexible. I couldn't even touch my toes a few years ago, but now I find myself to be extremely fit.

I'm not a pop singer; I'm not a jazz singer. And I know I sing like not a whole lot of people do; I also know that a lot of other people act like I do. And better than I do. But what informs the singing is the acting. They're not separate from each other.

I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.

My wife, she is so good. She was a famous singer - had a show in Carnegie Hall, did a big city tour for RCA. Then she made the mistake of marrying me. The next year, another tour, but the third year, she had Mario and said, 'Either I'm a mother or a singer.'

It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.

In the summer of 1991, I was on the first Lollapalooza tour. Nightly, I would watch Jane's Addiction singer Perry Farrell go out in front of a sea of people and within minutes have all of them in the palm of his hand. I have never seen anything like it since.

From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.

I get on a real serious health kick when I'm on the road, because as a singer, you can't really get sick. If you get sick, your whole instrument stops working. I've done all these different vitamin drinks. I drink coconut water, and I run. I eat food. I juice.

I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.

I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.

I'd say music runs in my blood. My parents are exceptionally talented singers, so even before I was born, it was a known fact to them that I'd become a singer. Thanks to my genes, I started off at the age of three and since then, music has meant everything to me.

You know Marques Houston, you know I'm a dancer, I'm a singer, but I wouldn't want to do a movie that I'm a dancer and a singer in. I want to do movies that people can take me more seriously in as an actor, because when you're making that transition, it is tough.

My dad has a lot of foresight and decided that I would not do any shows in Mumbai till I became a singer and got to sing my own songs. He knew that if I started earning money from shows, I would not have the time and aggression to rough it out to become a singer.

I like the bad-boy types. Generally the guy I'm attracted to is the guy in the club with all the tattoos and nail polish. He's usually the lead singer in a punk band and plays guitar. But my serious boyfriends are relatively clean-cut, nice guys. So it's strange.

I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.

I was a little boy singing sad songs, about 9 or 10 years old in the woods. I listened to my voice coming back to me. It was as high as you could go. I dreamed of being famous as a singer when I was on those cotton fields. I wanted to see the world and meet people.

I remember an old Singer sewing machine at home that belonged to my grandmother. It had a pedal. My mom taught me how to use it when I was 12 years old. I used to find it so intriguing, how a flat piece of material could be made into an object that had so many uses.

I don't believe that recordings should sound radically better than the artist, I think that's dishonest. For example, I'm not a great singer but if I spent enough time tweaking my vocals, I could sound like one. But I don't, what you hear is pretty much what I sing.

To this day, some of my closest friends say, 'Gaga, you know, everything's great. You're a singer; your dreams have come true.' But, still, when certain things are said to you over and over again as you're growing up, it stays with you and you wonder if they're true.

I made numerous attempts to find a way to do it all, to be a creative singer, songwriter, producer, and to be the mother, daughter, sister, lover, wife. And the thing about music is, with me, that she's a harsh mistress. She does not come to me in the midst of stress.

A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.

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