Sing Quotes - Page 16

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Someone who gave me a lot of confidence was my friend Martin Taylor, he's the most famous man in Bolton. He is a pianist and used to play in one of the local pubs. He would sing everything from classical to rock to pop. He was amazing.

I am always interested in making myself as uncomfortable as I can. Sometimes I ask myself, 'Can I stand onstage and sing this song and sell it?' Sometimes I can't. In a room, you get to pretend a little bit and step outside of yourself.

Rebecca Black might sing like a robot, but that's just proof she has evolved beyond us. Her vocal is just a slightly exaggerated version of the robot glitch-twitch stutter that's been mainstream pop vocalese for the past 10 years or so.

We didn't realize there were that many boy bands until we started touring in Europe. I don't think we were ever affected by it since a lot of the groups in Europe didn't really sing live, but we did and would perform a cappella as well.

The more I got into presenting things to the world, the further it was taking me away from what I was, which was someone who just used to sit quietly at a piano and sing and play. It became very important to me not to lose sight of that.

In my vocal, I think you can hear something of my earlier times when I'd sing in subway halls for the echo and perform doo-wop on street corners. But I had a lot of influences, too - singers like Sam Cooke, Brook Benton and Roy Hamilton.

Every day, every time I sing, I feel blessed, really, to be able to do that. It's like having wings, in a way. It's a bit like flying sometimes, because you go off into another realm. And a whole lot of people come with you. It's amazing.

All I needed to do was sing with conviction, speaking my truth from the heart, honestly and straightforwardly, and to offer my words, ideas and music to the audience as if it were one collective friend that I'd known for a very long time.

I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.

Certainly in my youth there was lots of singing, lots of storytelling, and whenever we went to a party, you had to do a party piece, like sing songs, recite poems, or tell stories. That sort of narrative musical culture was my upbringing.

Irish fathers still have certain responsibilities, and by the time my two daughters turned seven, they could swim, ride a bike, sing at least one part of a Woody Guthrie song, and recite all of W. B. Yeats's 'The Song of Wandering Aengus.'

When you're literally staring at the person right in front of you, you're connecting with them on a personal level. I even jump into the crowd sometimes and perform with them, sing into the mic with them and share the experience with them.

As singers, we're always taught to sing forward and place everything in the front of our resonating chambers. Donna Summer always sang in that space and had it naturally. Her muscle memory, the way she was built - she was a natural singer.

You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing and dance, and write poems and suffer and understand, for all that is life.

I got into cello in the fourth grade, and I played that for years. I adored playing it. I got an opera coach when I was 12 because I really wanted to learn how to sing properly. The only proper way to sing, I thought at that age, was opera.

There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.

By the time I was 14, I had seen only three Tamil films - 'Anjali,' 'Bombay,' and 'Puthiya Mugam.' And I loved the music in the films. When I found out Rahman sir was the man behind the music, I made up my mind that I wanted to sing for him.

I do always like to sing Lana Del Rey, just because I know all her songs. But people at karaoke always want something up-tempo. Sometimes the energy level will change from 'party' to 'emotional,' which I think is great but some people don't.

When you're on tour with the band, it's a different mentality. You don't sightsee because you're making sure you can do the show. But in musicals, I don't have to sing or play: I just have to use my brain, and the rest of the time, I'm free.

How did it happen that their lips came together? How does it happen that birds sing, that snow melts, that the rose unfolds, that the dawn whitens behind the stark shapes of trees on the quivering summit of the hill? A kiss, and all was said.

I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.

One of the interesting things about watching a kid perform is that they are too innocent to understand how talented they are… they have no inhibitions. If you ask them to sing, they will sing based on whatever training and practice they have.

There are a lot of singers who cannot sing to save their lives. We have to accept it, but thank God there is such a thing as live shows. It's only when people are faced with live shows that the world gets to know how good or how bad they are.

When I sing, I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love, when you really touch someone for the first time, but it's gigantic, multiplied by the whole audience. I feel chills.

I had five brothers and sisters. Four of them older, and some of them played instruments, and we would get together and have family recitals and raise money for the church. I belonged to a wonderful church community that encouraged me to sing.

But this Veterans Day, I believe we should do more than sing the praises of the bravery and patriotism that our veterans have embodied in the past. We should take this opportunity to re-evaluate how we are treating our veterans in the present.

Mum prayed to the Lord that when her children were born they wouldn't be tone deaf. Mum says at two years old I was singing my own little songs, she didn't know where I'd heard it so I must have made it up. I used to sing along with the radio.

Nothing is so beautiful as spring - when weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush through the echoing timber does so rinse and wring the ear, it strikes like lightning to hear him sing.

Anybody can have a birthday. It requires nothing. Murderers have birthdays. It's the opposite of anything that I believe in. And I don't like at work where you stop everything to sing 'Happy Birthday' to someone. I feel like that's for children.

I feel like I am a real artist and I want to be able to feel what I am singing about. So when I sing, 'Leave (Get Out),' I have been through that. I think it is just a new generation, whether people are ready for it or not. Teenagers are dating.

Often, with our music, there's quite a lot going on, so people hear melodies that sound up and catchy, and production, and maybe don't really listen to what the songs are about, so it's nice to sing a song like 'The Currents' and really mean it.

I think if you are going to be a singer, you should sing. If you are going to be a dancer, you should dance. If you are going to do a combination of the two, you should make it very clear when you are singing and very clear when you are dancing.

I can sing the saddest song with a bunch of people, and the feeling of sharing that energy activates in a way that either heals it or makes me feel like I've risen a thousand miles above it into space, and I'm staring down on it as a little dot.

Faith is salted and peppered through everything at Christmas. And I love at least one night by the Christmas tree to sing and feel the quiet holiness of that time that's set apart to celebrate love, friendship, and God's gift of the Christ child.

We all love to sing along with our favorite songs. We sing in the car, in the shower, and at the karaoke bar. The problem is that half the time we don't know what we're singing. We're making up lyrics as we go along and hoping no one will notice.

We had a teacher in school who would organize dramatic shows. And she decided to put on a show about - I don't know whether you remember - 'Ferdinand the Bull', the comic script. However, she decided, you're going to sing Ferdinand, me, as a role.

My brother died when he was 19, so a part of me indulges and thinks that some part of him that made him uniquely him is out there, on another plane. So inventing the fictional afterlife in 'Sing, Unburied, Sing' was a way of making that wish real.

I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.

I do think sometimes there's danger in guest appearance mania. I've seen too many examples that sound cool on paper, like 'Oh, get that guy to sing the hook on that guy's song,' and then that's all it is. It's a cool idea that sounds good on paper.

I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.

Even if you have nothing in your wallet, nothing can keep you from having a great summer. You can listen to crickets sing you to sleep, trace the Big Dipper, breathe in the stars, run through a sprinkler, host a cartwheel contest in the front yard.

What I look for in a voice is for it to be unique. I don't really care if a singer sings well. Really, it's about emotion, or being able to sing the lyrics and actually mean it. A lot of singers sing good notes but forget about what words they use.

I love 'Somebody to Love' by Queen and of course 'Bohemian Rhapsody' is one of my favorites, just because it makes everyone in the room go crazy. Everyone tries to sing along with it, and half the room gets it right and the other half gets it wrong.

I had this temp receptionist job in New York, and I kind of hated it, and in the morning I would come out of the subway and just walk along the New York streets with all these people around me and kind of sing to myself. Like, 'She's gonna make it!'

When I was young, my voice was so strong, and I would annoy people because I had such a loud little voice. And then it changed, and I thought I wouldn't be able to sing again, because I thought you had to sing like Christina Aguilera to be a singer.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.

I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.

Sometimes when I have an idea, and I say, 'Okay, let's - it will be great, maybe, if I sing in English, a couple of songs.' Now, the record company and everybody's like, 'No way, you have to sing in Spanish.' And that's, you know, really good for me.

I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.

I know the world is filled with troubles and many injustices. But reality is as beautiful as it is ugly. I think it is just as important to sing about beautiful mornings as it is to talk about slums. I just couldn't write anything without hope in it.

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